Niamh Jackson: Remember Me

Some called me a pessimist, some called me cold-hearted, my friends, family and loved ones called me a psychopath. I’m what psychologists would call a nihilist. Or, I was.

The dictionary definition of a nihilist is…

“Noun; the rejection of all religious and moral principles, in the belief that life is meaningless.”

From what I can gather, life has no meaning. We live, we die and it will all eventually come to an end. Because nothing has any significance in the long run. Eventually there will be nothing left to remember us by. Inevitably, at some point in the future your name will be uttered for the last time. No amount of science can staple a reason for our existence onto the front cover of a newspaper. Bold letters stating why we are all here. Why we all die. Where we all go.

If we believe in nothing, if nothing has any meaning and if we can affirm no values whatsoever, then everything is possible and nothing has any importance.”

 -Albert Camus

For 33 years I lived in a state which conformed to the views of the most prominent nihilist: the German philosopher, Friedrich Nietzsche. Life as a whole is an endless cycle that does not truly make a difference. Every person who has lived and who will live, will die. I was told this is an unrealistic and negative viewpoint. I was told I have to try and change my perspective on life.

I tried.

Any research I accumulated was rotted away by my brain; slowly picking apart such ridiculous theories was merely a hobby. Like a starved vulture picking off the remains of an old carcass. I pondered these preposterous daydreams out of boredom, no theory was full proof. Anybody I conversed with clutched at out-of-date religious stories, false hope and an array of fantasies, all of which they insisted gave them a reason for living. Some argued that there was an after-life; that if you lived a ‘good life’ now then you will live for eternity in what they refer to as paradise. I’d argue that when life ends, we end. What we leave behind on this earth will gradually drain into the bottomless pit of humanities past existences which in turn, will be forgotten.

“Life’s but a walking shadow, a poor player, that struts and frets his hour upon the stage, and then is heard no more; it is a tale told by an idiot, full of sound and fury, signifying nothing.”

-William Shakespeare, Macbeth

From my beliefs, the only reasonable purpose to my life is to ultimately come to a conclusion. Philosophers, scientists, teachers and theorists all have one goal: for their work to come to completion. To find a theory which is no longer a theory. One with evidence. One which cannot be questioned. Obviously this is an improbable expectation, seeing as not everyone can agree on one idea. However, that’s what my work is about. It’s the only theory which keeps me going. We could die tomorrow, with no evidence we were ever even here. Nobody to put flowers on our graves. Nobody to tell stories of you to their grandkids.

But that’s life.

Isn’t it?

Now if you as a reader have absorbed the beliefs I’ve put forward then you would recognise the name Frederiche Nietzsche. The man who spoke only of the world as a cruel and meaningless cycle. Right?

Unless you yourself have exponentially ventured into the chaos which is nihilism, you would miss the brighter side of this dilemma. A possible counter argument. A dilemma which many perceive as…

The theory of love.


“There is always some madness in love. But there is also always some reason in madness.” Frederiche Nietzsche, German philosopher

In my many years dedicated to poking holes in opposing theories, argung that my view was the only correct explanation, I always threw a side-eye at love. It would be comically absurd for everything that has ever been questioned, debated and considered to be blown away by something that is, what many argue, human nature. I wrote novels; hours of typing and thinking. Not once did I face up to my avoidance of love. Some define love as a feeling, some an instinct, some call it fate. I called it fictional. I called it a foreign misconception. The assumption that two people are destined to find each other sounded… impossible. Philosophers from across the globe have confidently expressed and observed love as being the most powerful feeling a human being can comprehend.

I miscalculated such a probability.

“Love is composed of a single soul inhabiting two bodies.”
-Aristotle, Greek philosopher

I once learnt of a woman who refused to use the word ‘impossible’. I agreed; there’s no proof that anything is impossible. Well, every rule has its exception, surely? My exception was my belief that it is impossible to find fairytale-worthy love. To find ‘the one’. To find that human being who completes you. Your other half. The world is designed to go on, no matter if you discover love.

However, the world likes to smirk at my ignorance. The world likes to calculate how to prove me wrong at every turn. And that’s just what it did. It let me wither away in my painstaking search for a clear and precise meaning of life, it waited. And waited. Until it finally abolished all I had worked towards and everything I had trusted in.

“This fire that we call Loving is too strong for human minds. But just right for human souls.” 
-Aberjhani, African-American writer

I fell in love. An understatement. I plummeted, headfirst, at the speed of light, into love. What had been a black-and-white corridor of what I’d call logical thinking was quickly evolving into a bright landscape with colours painting themselves into each and every corner.

It was inevitable.

I found that Love is one woman who goes by the name of Marceline. Love is what keeps the world together. Love is the reason we are here today. Love defines and etches the path which transforms the world for years to come. Love is the reason to believe in a possible afterlife, because our souls are entwined, and once you find the frayed end of your other half, once you embrace the fact that you have found what you thought your soul had lost, nothing, not even death, can break that tie.

I am afraid to be humbled by the universe for my set ways again. However, I am open to being questioned. Until that happens, I believe I have achieved a conclusion. Completion on a scale every philosopher aspires to achieve. The meaning of life itself: what will be left of us when we leave this earth? I refuse to take credit for this resolution, so I unapologetically use the words of Phillip Larkin.

“What will survive of us is love.”
-Philip Larkin, EnglishPoet

Emma Booth: Milk Carton Kids

‘Missing!’: a word that haunted the dining table, staring out from the side of the milk carton above a new child’s face every day; this time it was an eleven-year-old girl called Maria Summers. Maria smiled at Vivian as she tucked into her cornflakes. The ‘Milk Carton Kids’, as most people called them were more often than not, never seen again.

The more Vivian looked at Maria, the harder it became to swallow. How could so many children go missing? Where could they all possibly go? Shouldn’t some trace of evidence show up? Vivian suddenly felt like she was going to throw up, everything started spinning. The next thing she knew, she was on the floor. That was when her mother came in.

Vivian wasn’t allowed to go to school that day; how could she after fainting? Yet Vivian couldn’t help but notice how easily her mother had come to that conclusion, especially with her exams just around the corner. Ever since the Milk Carton Kids had started appearing, her parents took any excuse they could to keep her in the house. Paranoia, she suspected. Vivian decided to go back upstairs and try to sleep the day off.

Sometime later, Vivian was awakened by the landline ringing. Assuming her mother would get it, she got up and opened the curtains; it was dark. She hadn’t thought she’d been asleep that long but she must have slept through the whole day. Her mother was probably away on night shift; not uncommon for a paramedic.

The telephone continued to ring, with an insistence that became harder to ignore; every-time it rung out it started again so, eventually, Vivian crept out into the hallway and picked up the phone. Initially, all she could hear was static, like when the radio hadn’t quite picked up a signal, yet every so often a voice could be heard, completely broken up,

‘Save… Go outside… moon… lake…-’

Somewhat perturbed, she hung up the phone and the ringing stopped, she went back to her room, deciding it would be better if she got back to sleep. Not that she was particularly tired, but it would certainly make morning arrive a bit faster.

Some time later, she awoke again. The moon shone into the window of her bedroom like a searchlight, the flickering of the stars felt like they were trying to tell her something, trying to bring her outside. It wouldn’t be the first time she had climbed out of a second-storey window. Thanks to the practice she got from sneaking out to parties, she quickly found herself on the grass outside. She immediately felt the cool chill of the night. She stood there for a moment, taking it all in. It was then that something caught her attention, movement out the corner of her eye. As she turned to see what it was she noticed a strange glow coming from within the forest by her house. It was a warm glow, intriguing Vivian even more. She knew it would be a bad idea to go into the forest alone, especially, at night, but it was then that curiosity truly got the better of her. Still in her pyjamas, she entered the trees. The closer she got to it, the further away the light seemed to be, drawing her further and further inside. Gradually, the static sound behind the voice when she picked up the phone started playing in her ears getting louder the further she walked.

Vivian knew it would be a better turn around, go home and lock the window behind her. She wondered if it would be at this point when any sane person would leave. If she had been someone else, would she have even left her room in the first place? But something about the light prevented her; maybe it was just the overwhelming sense of curiosity, but Vivian physically couldn’t turn around.

Her feet made their way deeper and deeper into the trees. The voice was becoming clearer too.

‘Save… go outside… moon reflected… lake… too late…’

And soon, just like the voice had suggested she must, she found a lake. It spread wide across the forest floor. Framed by trees with long winding branches, the water shimmered, it almost seemed to glow. And right in the middle of it all was the moon, perfectly round, reflecting back from the sky. The trees beckoned Vivian forward, and a cold breeze caressed the back of her neck.

The voice was now unbroken.

“Save yourself. Don’t go outside. When you see the moon reflected on the lake, it’s already too late.”

Vivian listened to the words but she couldn’t stop herself. She tried to turn around, she tried to run. But her feet wouldn’t let her. She was stuck, with no way to go home. She took a step forward, or at least her feet did. She couldn’t control what they did. As she approached the water’s edge, she felt herself crouch down. Her arm reached towards the water. Unable to control anything else, she watched as the water rippled at her touch. It was beautiful. The water sparkled with the stars.

Vivian looked at the face staring back at her: she knew it was her own, yet something looked odd, like it didn’t really belong to her. Her eyes looked glazed over, her previously olive tan, turning hues of grey. Her hair danced around her face like there was a strong wind, despite there only being a gentle breeze.

The reflection of her face came towards her, closer, and closer, until she felt the sharp cold take her breath away. Her face was underwater. Suddenly, she fell out of her trance. Panicking, she tried to pull away. If she ran all the way back to her house soon, she could dry off and be in bed by when her mother got back from work.

As her head resurfaced, she felt cold hands reach around the back of her neck, pulling her back under. Soon her entire body was under water. The more she struggled, the tighter the grip. She couldn’t hold her breath much longer.

Instinctively she breathed in. Water rushed in through her nose and down her throat. It burned as it went down. She tried to cough but it just led more water to entered her lungs. Her chest was tight and the hands were still around her neck, stopping her from resurfacing. She felt like she was sinking further, all hope she had of getting home seemingly more and more unlikely. Vivian felt herself slowly fade away.

* * *

Lola wasn’t one for milk, much preferring toast in the mornings to cereal. Her brother, on the other hand, loved it; that’s why she was sitting face to face with the carton on the table. Bored, she read the label. “Missing: Vivian Lang, 16, last seen at her home in Iowa 20th May 1989”.

It was only a few days ago: a girl of the same age as herself. Just thinking about it left a hollow feeling in her chest. She looked at the food in front of her. She didn’t much feel like eating, in fact, the more she thought about it, the more she felt like she was going to throw up. She looked up, but immediately regretted it as everything started to spin. Suddenly, she was on the floor. She didn’t remember falling.

After mentioning it to her father, he suggested she didn’t go to school. Lola noted how easily he had come to that decision; normally she’d be made to go to school anyway. Perhaps it had something to do with the milk carton; maybe her father had also spotted the same strange resemblances she had between herself and ‘Vivian’. Lola decided to go to bed. It would be the easiest way to pass the time. It hadn’t felt like she’d been sleeping for very long when she began to stir to the sound of a loud noise coming from the hall. She tried to get back to sleep, but it’s hard to fall asleep with the insistent scream of the phone ringing over, and over again.

Vhairi Mulgrew: Luna

There’s a click from the cassette tape. I take a breath in between the click and the sigh, which commences the recording. Incoherent nonsense litters the background, which doesn’t benefit the clarity of the woman’s words. She begins softly;

“I know it’s a cliché but… I’m not sure where I should start this.” Tears immediately hurt my eyes. I’ve never met this woman before, yet her voice is as familiar to me as my own. That’s my mother.

I can tell she’s beginning to cry as well, because her voice shakes slightly as she continues, sniffing slightly between every word.

“I’m not entirely sure when you’ll see this. I’m giving it to your dad in the hopes he’ll remember something for once in his life.” She stifles her cry for a moment, trying to breathe out what I think is a laugh. “You’ll come to learn that’s one of his defining traits.” I find myself trying to swallow the lump in my throat, pretending to understand the same humour she sees in this.

“You obviously know this already, but, I’m your mother. Or mum. Or maybe mummy? I’m sorry I never got the chance to hear your little voice, but I wonder what you would’ve called me.”

Mum. Hero. The best person I ever knew without meeting.

I find my finger hovering over the pause button. I want to stop the recording. I wish the tape would never end, I wish I could stay here forever. Somewhere I never even was to begin with. Her voice is so gentle, I have to concentrate to hear it through the crackle of the old cassette system;

“I made the decision to name you Stella. It means star in Latin.”

That was one of the first words I can remember my dad muttering to me, as we hid under the bedsheets, huddling together and giggling as we pretended that our golden retriever was going to attack us upon sight, so we had to hide until dark. Or just whenever he had a nap. I wonder if mum would’ve liked our games.

Stella. Stella, my star. He had whispered through the linen, the name rolling off his tongue with ease. It was just perfect. Nothing else would have fit.

“My name is Luna. That means moon. I thought it would be cute. Like, once you were here, we could match names. Star and moon. Mother and daughter. Oh, I suppose it’s just Stella now. Im sorry.” She croaks the last part through a voice thick with tears, before I can hear another tremble, and she must pull away from the recorder, because her whimpers are muffled.

Please don’t apologise. 

She returns, regaining composure, and breathes out heavily.

“The reason I can’t be with you is because, I’m very sick, Stella.” I blink back tears. She’s sounded in pain this whole time.

“I’ve been sick for a while. I’m sorry it’s like this. I wish I could’ve been older, with my own home, and a good education. A finished one. I could’ve given you so much more. Much better than a tape recording.”

You gave your life.

“The doctors warned me awhile ago. That pregnancy would only weaken me. But I was so blinded by love. The thought of giving you up, even if I didn’t know you, hurt more than any contraction. I would’ve done it in a thousand more lifetimes if it meant I could be with you, my sweet girl.” Her sweet girl. I’m hers. I always have been.

“They told me I was well enough to go through with the delivery safely. But not well enough for much after that. So, my last gift to the world is you, Stella. Please behave.” We both give a soft chuckle in unison, and the hairs on the back of my neck stand up. It’s like, for a few seconds, she’s here. She’s in the room laughing. Not trapped in this tape. Not so far away.

“Your father and I met in a Physics lecture. We studied cosmology. I would pay good money to see the look on his face again when I told him my name.” Dad never mentioned any of this.

“Your dad’s a good man. But he’s only a kid. Still. I know he’ll do his best for you. He’ll teach you all the things that I was supposed to.” My dad is incredible. I couldn’t have asked for more love. But it’s never truly filled the longing for you, mum.

“I don’t know how to end this. I’m not sure if there is a way to end it.” If time has stopped by now, I haven’t noticed. And I couldn’t care less. It’s just my mum and I now.

“Gaze up at the stars for me, every once in a while. Maybe you’ll find me there.” I do. Every night. Trying so hard to catch a glimpse of you. 

My mum loved stargazing. That’s what dad always said. He even admitted that’s what they did on their first date. He tried to say he was bored, but I know it was his idea. I know he wished every second with her could’ve lasted a minute. He once said he could have spent all day looking at the sky, but the only galaxy he ever found was in her eyes.

“Well, my baby, I think it’s time for us to part ways now, I can hear the nurse down the hall, presumably coming for my epidural. That’s just a fancy name for an injection, basically.” My hand clamps tight around the strands of hair I was twirling. 

“Listen to this when you’re sad. Or even happy. Or even when you just need your mum, albeit in audio form. But I hope you know I’m there.” It haunts me every day. You have no idea how heavy the weight of your presence is on my shoulders.

“I love you so much, my star.” The resounding click, signalling the recording has ended, hits me like a ton of bricks. Just to hear her voice sent a chill down my spine that I don’t think can be recreated.

It’s just then, I look up at the moon, the only light in the dark, and I gasp at the sight. The moon, in all her beauty, and a single perfect star gleaming beside her. Luna and Stella. Mother and daughter. The moon and her star.

Philippa Keenan: Update

“We’re done.”

My heart drops.

He continues speaking but I can’t hear what he’s saying. I zone out as I stare into his eyes; the eyes I fell in love with. Gorgeous warm brown eyes. I try to not think about the words that are coming from his mouth, but the way his eyes make me feel; safe.

He stops speaking and looks at me for a response.

Say something, I think to myself, anything.

But I’ve not a clue what to say. I thought I had found the love of my life, the man I was going to buy my first house with, the man I was going to start a family with, the man I was going to grow old with. I don’t ever want to love anyone else.

“You…you told me you loved me.”

My voice trembles. My hands are shaking, my eyes are tearful.

Don’t cry, I tell myself, don’t embarrass yourself not here.

“I did. I haven’t for a while.”

How can so little words hurt someone so much? I trusted him. I trusted him with everything, every little detail about my entire life he knew.

I stare at him blankly. I take a deep breath, stand up and walk away.

Walking away from the biggest part of my life, is the hardest thing I’ve ever done.

Tears start flooding down my cheeks, I can feel my throat close up as I start to hyperventilate. What have I done? How did I screw up this badly?  I stop walking and put my hand on the wall. I can feel my whole body try to fold and break apart. My heart is aching. My heart is lost; it doesn’t know who to beat for now. My back turns to the wall as I slowly sit down, all I want is to disappear.

Normally when I get myself into a state like this; I phone him. He tells me I’m being silly and to take deep breaths and that he will be at my flat in five minutes.  But he can’t do that anymore, not now, not after what he’s done to me. I pull out my phone and go onto photos. Tears are streaming onto my screen. I search for photos of him to try and make myself feel better but it does the opposite. Every time I see a photo my stomach churns, my breathing stops and my eyes go blurry. I stay like this until my body forces a gasp so I don’t pass out. So, I decide to switch off my phone.   

I manage to gather the strength to get up and keep walking.

I try to think as I walk, but my mind is blank; the grief is consuming my entire body.

I reach my apartment door. I scramble through my bag to find my keys and open the door. I go straight to the kitchen and grab a bottle of tequila and take it with me to my bedroom, and fully clothed I bury myself in my bed. I turn on my lamp and turn on a chick flick.

About an hour and a half into the movie, I realise I haven’t watched any of it. I’ve just been sat looking at the screen.

Bing

I get a notification; I thought I had turned my phone off. I reach for my phone and open it to find a notification from Instagram to say that he has posted something on his story. I shouldn’t look, I think to myself, that will only make it worse.

I don’t listen to myself.

I want to know why he isn’t heartbroken, why he doesn’t care.

So, I go onto Instagram to see what it is. It can’t be that bad, I think, we have only just broken up it must be football or something stupid.

I wish I had listened to myself.

It is a photo of him with another girl on a date. I click on her name to see what she looks like. She’s a small blonde with the perfect body and face. Every part of her is better than me: her eyes are prettier, her stomach’s flatter, her hair’s bouncier. Why wasn’t I good enough? I get up and look at myself in the mirror. I start to compare everything about myself to her.

No.

I’m not doing this to myself. I’m not letting him make me feel like this.

I rush to the kitchen, grab my bag and his keys. I lock the door behind me and rush down the stairs out the main door and into my car.

I slam the door behind me. Thud.

I sit for a minute. I take a breath and start my engine. He only stays five minutes away. This won’t take long. I drive the route that is so familiar to me and park my car in my usual spot. I get out and head up to his apartment. You can do this, I tell myself as I stand outside his door. I reach for his keys put them in the door and open it.

It stinks. It stinks of women’s perfume that definitely isn’t mine. There’s a red bra on the couch, the couch where we used to snuggle up every Saturday night to watch Ant and Dec with a takeaway. There’s lipstick sitting on the counter in the place where there used to be a photo of me, I wonder how long it took for that to be put in the bin. I start to creep towards his bedroom. I slowly open his door, trying not to make a sound.

There he is, lying peacefully in his bed with not a care in the world. Seeing him doesn’t make me smile the way it used to; seeing him makes me want to scream.

I grab one of the pillows that is lying next to his bed.

You can do this.

I put it over his face.

Keep going.

And push down on it.

After a few seconds he starts to struggle. I push down on the pillow harder.

 I’ve never felt so powerful, ever in my life.

He starts gasping for air. I push down even harder until he stops moving.

Silence. What have I done.

Eilish Harkins: French School

Primary school felt like a race in which I started a kilometre behind everyone else. When I learned to run faster, so did everyone else; there was no way I could finish first. No matter what I did, I was always behind. There were 260 pupils in the year, and most years I was the only person who didn’t have at least one French-speaking parent.

Thinking for yourself was highly encouraged: the label ‘mouton’ which means ‘sheep’ was frequently used as an insult. We were taught to question everything, to never take anything at face value. Teachers were constantly keeping you on your toes; they would ask trick questions wanting you to mess up. Questioning authority was encouraged: if you didn’t agree with something said in class or you thought a rule put in place was unfair, you were to question it. This could perhaps be part of the reason why French people always seem to be on strike. We discussed politics; when we voted for class ‘President’ we had proper ballot cards and boxes and it was to be a secret vote. Obviously, at the end of the day, like any school, it was a glorified popularity contest. Still however, we learned in depth about how voting and democracy worked, encouraging children to stand up for their rights and engage in politics. This made me perhaps a slightly untrusting person, and also caused me to always be alert, to never take anything at face value.

Our P4 teacher specifically did not shy away from controversial and heavy hitting topics. He taught around 24 eight-year-olds the n-word and racist concepts. He taught this in the context of letting us eight-year-olds know how serious and horrible an offence using language like that is; still, if that happened at a primary school in Scotland it would likely spark outrage amongst parents. Again, this teacher taught our class in depth about various celebrities’ drug habits, alcoholism and suicide, which I would argue is not incredibly relevant or appropriate for P4s. I think it certainly made us a lot less naive, exposing us to a much darker side of the world. However, again, P4s should be focusing on learning their time tables and not how various celebrities died. While this particular teacher was certainly far more unorthodox than the majority, French school in general certainly treated children as mature and able to handle and understand sensitive topics, which I think is in contrast to Scottish primary schools. Teachers also didn’t shy away from topics like pedophilia, the same teacher telling our class in depth about various pedophiles that he had encountered throughout his life. He definitely shared this with us with good intentions, trying to make us more aware of dangers that could be lurking around any corner, but I’m not sure that he went about it in the right way. I was also in French school around the time the Paris terrorist attacks were happening, and there was certainly a huge fear of terrorism from children across all ages. The attacks were a big deal, casting a shadow on the school even though we were abroad. We discussed the Charlie Hebdo shooting, teachers definitely fully in support of the newspaper’s satirical cartoons, seeing nothing wrong with the cartoon itself. While all of this was arguably not done in quite the right way, it definitely opened our eyes as to how horrible the world could be. Whether or not all of these conversations were quite necessary could certainly be debated. I’d say all of the huge, sensitive topics we talked about taught me a lot about perspectives. It was very clear that even the lives of celebrities weren’t perfect, and that they had struggles too. I think it also introduced the idea that no-one is entirely good, in the same way that no-one is entirely bad.

I think that Scottish primary schools coddle the children a lot more than the French schools. In Scotland, there is a much more inclusive message spread, that no one is stupid and that anyone can succeed if they try hard enough. I also feel that they are a lot less academic, with not much covered in the way of English. When I moved to Scotland, it was pretty much the first time I attended an English-speaking school. Obviously, it was rather different; one thing I was shocked by, however, was that I wasn’t behind in English whatsoever. I expected everyone to be much better than I was, considering I used to only study English for 3 hours a week, but I found that not only was I not behind, I did better in some aspects.

While I think that Scottish schools often aren’t harsh enough on children and don’t expect enough from them, I do think that French school can be too tough on kids. An example being a teacher I had who would throw pens at your head if, like a normal child, your mind happened to drift off. This could end in tears. Furthermore, there was no effort made to help those falling behind; anyone who wasn’t academic was treated differently by teachers. They were constantly screamed at, frequently called imbeciles or idiots. Teachers loved to talk about how the days of tyrannical teachers were over, where you’d have to stand in a corner wearing donkey ears so the class to laugh at you. However, those methods still governed our school: teachers still taught through public humiliation. For example, if someone dropped a stack of books in class or said something they deemed to be idiotic, the teacher would encourage the rest of the class to clap and laugh to embarrass the person. It was reiterated that there was no room for ‘stupid’ students.

Scottish schools place a strong emphasis on community, with assemblies and team spirit. This is in strong contrast to French schools where individuality is highly encouraged, with fierce competition and a heavy figure it out yourself mentality. Yet French school in general, I believe, benefitted me. Sometimes, it’s tricky to know which elements of myself were shaped by French school and which are inherent. I think that my argumentative streak was definitely encouraged and nurtured. Nowadays, I have no shame when asking ‘stupid’ questions, through years of having to inquire about what peers regarded as the most obvious of things. French school also taught me how to work alone, and that I’m capable of learning things that at first seem hopeless. It was a sink or swim environment, where I luckily learned to swim. Others, however, weren’t so fortunate.

Sanjana Gunawickrama: My Upbringing

You are the first daughter of two Sri Lankan parents that are new to the country. You are brought up to learn two separate languages. Your beliefs are alien to the world around you and you’re left to navigate your family through this environment. That’s my reality.

On the 5th of May 2007, my parents had their first child: me. I was not only my mum and dads first born, I was also the first child in my entire family to be born in a country other than Sri Lanka. This meant that for the next 15 years I would become our family’s sole teacher of the things around us. For a long time now, I haven’t just learned how to speak English or simpler things like writing emails for myself, but also for my parents. Let’s remember my parents only came to this country the year before I was born, so they taught me what they knew, and that was their native language: Sinhala. From the early stages of life my mum and dad only spoke to me in their native tongue. This meant that they weren’t getting many opportunities to learn English. Instead, that job was left to me. For my whole life I have been the primary source of my parents’ English-speaking skills. This meant that if I learned something new so did my parents, and if they didn’t understand or know something I felt like I always needed to have an answer prepared for them. Now don’t get me wrong, growing up with two languages is one of the things I like most about my life but it wasn’t an easy thing, always having to translate to make things easier for my parents and constantly being asked to speak in my second language. This way of life came with its ups and downs.

When I was younger, I wasn’t like who I am now. I wouldn’t really talk or embrace my ethnicity much. Whenever someone in my class would ask a question about my personal life, for instance what language I spoke or what food I ate, I never really knew how to reply. Since I didn’t willingly talk about myself, it always difficult for me to answer with confidence and without embarrassment. I think maybe due to the fact I was one of the few people of colour, even then the only person with a south Asian background, I felt as though I had a responsibility to teach these kids what was correct and this slowly turned into me having this pressure of needing to know as much as I can at such a young age. Kids being young and childish, they were all curious, which isn’t a bad thing in retrospect – they were just learning – but growing up I always dreaded someone asking me a new question. I vividly remember when I was in primary school, my mum would always give me a packed lunch but it wasn’t like a normal one with sandwiches or pasta, it usually was something different like rice and some type of Sri Lankan curry. Every day at lunch the cafeteria would fill up with the smell of my lunch and my classmates always tried to figure out where it came from. I always was nervous to open my lunch, and face what I thought were my friends’ opinions of me, never knowing if what they really thought was that I was unusual and weird. I think at that point in my life, deep down, I was secretly embarrassed about where I came from but why that was, I simply don’t know. Maybe it was the fact I grew up in a different way whereas everyone else around me seemed to share a universal experience of a childhood, or maybe it was the fact that from an early age I wasn’t exposed to much of my culture due to the fact I was born in a different country as my parents.

You would think that there was a reason behind my paranoia, but that couldn’t be further from the truth. I will never understand why or where my ideas about other people’s perspectives came from, since I couldn’t have been more wrong. These people who I now call friends surprised me when they showered me with nothing but kindness and acceptance, since I was convinced I was always going to be one of the ‘weird ones’.  Maybe seeing how society and the world around me, online and offline, treated people like me was the root of it all, or maybe it was the fact I had a built-in mindset of it being ‘me against the world’. I don’t know. But what I do know is that I was the judgmental one, in my opinions of others. My friends never made it hard for me to have a relationship with them; of course they had questions and were curious but they went about it in an open and friendly way that I’m grateful for. They were always easygoing and taught me things that I hadn’t learned yet, they were patient with me and most importantly kind to me. They are the reason that I am now able to talk more openly about my ethnicity. At first it was hard and I just wanted to get the questioning out the way, but slowly but surely, I became more comfortable with talking about myself. In way it made me feel better since not only were they getting to know me as a person but they were learning about my culture and Sri Lanka and my religion, all in which was new to them.

It did take me a while to accept my roots and realise that I will never be able to fully relate to a stereotypical Scottish person but that’s fine. Being brown doesn’t come so easily, and some people do voice their offensive opinions and misconceptions but at the end of the day, life comes with its ups and downs. My down was the racism I had to endure. Racism is something that shouldn’t be taken lightly and as a child it was hard and confusing to experience this. I say confusing because at a young age you are confused about why some people call you names or make fun of you, because all you are doing is growing up like everyone else. Even now that I have grown older I do experience the odd racist ‘joke’, but that doesn’t change my opinion of myself and my culture; even that time when my family were getting harassed by some of the kids in the neighbourhood, and I stepped outside to ask them to stop and the first thing they said was ‘Go back to your own country’. This is one of the least racist things I have endured but it taught me that being someone like me, a south Asian, living in a predominantly white country is always going to be hard. These people clearly didn’t know I have just as much of a right to live here as they do because all they did was judge based on my skin colour. Situations like this remind me that no matter what there will always be somebody looking for the bad in you and that all I need to do is learn to tune them out and embrace who I am.

Growing up with different cultural events and experiencing all sorts of remarkable food is one of the more special things about being Sri Lankan. I will forever love continuing to learn about the place where my parents grew up and connecting to my cultural roots. Although being brought up a completely different culture is quite extraordinary, I love it: being part of something like this is extremely special and I wouldn’t have it any other way.  Now that I am older I realise that my parents were learning, just like me, how to navigate through this new world and I think that is why my childhood was unique: we were all learning new things at the same time. For as long as I can remember my parents always told me they wanted the best for me but to stay true to who I am, and who I am is Sri Lankan. And I’m proud of it.

Annabel Paterson: How Dancing has Shaped my Life

Throughout my life I have always been asked what I want to do when I grow up. When we are young it’s simple. We dream of being astronauts, footballers, princesses, pop stars and I was no different. I wanted to be a ballerina. I loved how graceful those beautiful girls were, with their baby-pink tutus and pointe shoes. I wanted to be exactly like them.

When I was three years old I had my very first ballet lesson at Heather’s Totally Dance Studio. I was ecstatic. I still have the picture my mum took of me in my leotard, hair in a bun, and a huge grin from ear to ear.  As soon as the music started I was infatuated. I learned everything from plies to ‘good toes’ and ‘bad toes’. I didn’t stop dancing when the class finished; I twirled and leapt all around the house. It quickly became my whole life and I now couldn’t imagine a world in which I didn’t dance.

I continued practising and eventually participated in my first showcase. I was nervous, but so excited. I loved being backstage with my mum doing my makeup and running around with my friends. All of the year groups were there, even the big sixteen-year-old girls, who all of us younger kids watched in awe. I’ll never forget what it was like the first time I went on stage; I had so many butterflies in my stomach I thought I was going to fly away. As soon as the lights went up and I heard the applause and energy from the audience, I burst into a smile. Learning how to dance had unlocked a new, wild and creative part of myself I never knew existed, from that moment on I knew I wanted to be a professional dancer.

I continued dancing. I took extra classes and learned different styles: modern, jazz and tap – but ballet was always my favourite. I realised I had an aptitude for dance that I hadn’t been fully aware of before, and soon I was the best at the studio. I knew I needed something more to improve. So, when I was nine I attended a musical theatre summer school. It was amazing. It was much more extreme; they taught me new dance moves and lifts where I was tossed into the air. And it wasn’t just dancing: they taught me acting techniques, which came very naturally to me since I was a dramatic child, and singing, which was the hardest for me but they helped me improve my technic.  From then on, if you asked me then what I wanted to be when I grow up I would’ve told you ‘a performer’ not simply a ballerina.

This second dance school was very intense: I had to sit annual exams for at least five different styles of dance as well as acting and singing. At 10 years old I was doing 15 hours of practice a week, not to mention taking all of December off school to do panto. It was consuming my life. I did other clubs like swimming, horse riding, tennis and even karate for a short while, but none of them stuck like dancing did. But I loved every single moment of it, even if I wasn’t the best one in this school and only got ensemble parts in the pantomimes and the role of a rat in the Nutcracker! But that changed when I sat my first set of exams and got really good grades: I started to move up the ranks in my class and got better parts. My shining moment was when I played Matilda in Matilda, even if it was only at a small, local theatre. I won an award and felt on top of the world. After winning the award, things started to look up for me: I got auditions for CBBC shows, performed for the Scottish Conservatoire and was picked from my class to perform in Disneyland Paris. I felt like the queen of the world and thought this would be the best time in my life. I was wrong.

People say there is always a lot of drama in Dance studios, and they are not wrong. The best representation I can think of is ‘Dance Moms’ which is a very clichéd and dramatic American, reality TV show. The trip to Paris was supposed to be an amazing experience and I was excited because I had a solo performance. I won’t get into the petty details of what happened but mums were banned on Facebook, a girl was asked to leave the studio, a teacher quit and three other people left, including me. All because rivalry about who was the best and who was the worst got blown out of proportion.

My mum thought that all this conflict and the hours I was pouring into the studio were too much for me. I disagreed but she wanted me to focus more on my school work. After I’d spent the majority of my life working towards this goal of being a performer and my mum helping me and paying for everything, she suddenly expected me to go to uni and become a doctor or a lawyer. I felt blindsided. She thought that dancing was just another hobby to buff out my UCAS application, but to me it was my life. She is a very logical and scientific woman so she didn’t understand why I wanted to waste my life on a career that is underpaid and very difficult to succeed in. I didn’t understand why she was forcing me down a career path I would be unhappy in. So, if you asked me at age 12 what I wanted to be when I grow up I would still have told you a performer, but my parents would’ve told me to stop being silly and think more seriously. They didn’t realise I was being serious.

For about six months I did absolutely no dancing. I was insufferable: I hated my parents for taking my dream away and begged them to let me go back. My mum eventually capitulated and let me join a new musical theatre school. It was more relaxed than my previous one: I did less hours and again, was the easily the best dancer, so within a few months I got one of the main roles in their end-of-year show. I liked going there: the people were friendly and all the classes were fun. I know this was a compromise: my mum was trying to find a school that fostered good attitudes and had allowed a balance between school and performing. Logically, I understood this but I still missed the intensity of the previous school; it pushed me to be a better dancer. As they say, it takes pressure to create a diamond.

For a long time, I had a very narrow mindset that I had to be a dancer or my life would be over, and obsessive dance teachers didn’t help much. While dance did give me more confidence, new friends and great skills, it was also tiring, stressful and when teachers were in a bad mood, scary. I can now see why my mum didn’t want me to go into a career that normalises grown adults screaming at little children, calling them fat or idiots. If I become a dance teacher I will treat everyone with respect, and remember that it’s not the end of the world if kids forget one move.

Dancing used to be my life, but now I realise I have other dreams. I want to experience uni life and travel the world. Although I don’t see myself as becoming a ballerina anymore, I could never quit, (despite going through some bad experiences). I know it’s unusual for grown women to do ballet as a hobby, but I don’t think it should be. I’m already going to an adult ballet class and all of the women there are so nice and enjoy doing a thing they love, even if it isn’t their whole life. So many young girls quit all their sports when they become teenagers and therefore become unfit. In my mind it’s crazy: dancing has given me good friends, social skills, confidence and crazy childhood anecdotes. I can’t wait to continue and get my children into it as-well. If you asked me today what I want to do when I grow up I would tell you a working woman (as well as a part time ballerina)!

Ava Shearer: The Dark Side

Whenever one connects to the internet it’s like deep sea diving: the deeper you go the darker it gets, until it brings you closer to the deathly abyss from which there is no escape. The internet has brought many positives to our society, but with the positives also came many unknowns. Entering certain areas of the world wide web is like embarking on a journey into unknown territory or like walking blindly into a minefield. Things can explode at any point and nightmares can sprout out of Pandora’s box, while we stand by, unable to control them. Concerns about the internet and social media are everywhere: news headlines, documentaries, blogs, social media. There is no escape. Yet we are just scratching the surface. The internet is responsible for vast amounts of serious criminal activity, including the sale of unregulated medicines, the exploitation and abuse of women and children and the abuse of animals. Despite herculean efforts to police and regulate the virtual world, more could be done to ensure that it becomes a safer space for everybody. The virtual world should be policed and regulated with the same thoroughness and toughness as the real world if we want to find a way out of the darkness and come back to the surface safe and sound.

As we take a deep dive into this abyss, one of the first things that we might encounter is people searching for quick and easy fixes to their body image issues. Many find themselves searching for weight loss drugs online and many end up inundated by thousands of target adverts that seem to be sprouting out of nowhere. Many have also been scammed in their attempt to find a solution to their weight loss problems, and many have been trying to get illegal drugs on the dark web. The on-line trade in unregulated medicines and illegal drugs has become an area of high concern when discussing the dark web. In the real world, there are specific sets of rules that have to be followed before medicines are made available. This is to ensure that no one is subject to harm through taking medicines that have not been prescribed. In the UK this includes comprehensive legislation which is enforced by the Medicines and Healthcare Products Regulatory Agency (MHRA). However, in the virtual world it is much easier to find a way around the rules, putting many people’s health at risk. All one needs to do is search for whatever they are looking for and somehow, magically, a link might pop up taking them to the right place, a dark place where scammers are waiting to steal large sums of money and take advantage of vulnerable people.

The internet needs more rigorous global policing. The UK government strengthened its regulations for on-line medicine distribution in July 2015, introducing legislation stating that “anybody selling medicine on-line had to register with MHRA.” However, 66% of countries do not have strict regulation on on-line sales. This means people in the UK can still access medicines that have not gone through the necessary background checks, as they can buy directly from other countries. To add insult to injury, availability of illegal drugs on the dark web continues to increase, in 2016 research found over 50 online marketplaces on the dark web that trade illegal drugs. Not only were there more places but demand was increasing, with revenues doubling between 2013 and 2016. There has been a dramatic increase in the number of people buying them. Many studies have found that in the U.S there has been a significant rise in substance abuse admissions from drugs that should be prescribed by a medical professional. This most likely stems from increasing access to the internet in U.S households where these drugs are being made readily available. As there is not enough regulation implemented on the internet globally, citizen wellbeing is increasingly in more danger.

African cats, snakes, monkeys, dogs. One might think that all they have to do is go to a pet shop and buy one. But what if I told you that another illegal on-line activity which can result in huge suffering is the trading of exotic animals? How is this possible? The problem can be traced back to the lack of stringent regulations on this trade, which means dealers are usually able to find a way around the rules. National Geographic in 2020 reported that the number of illegal wildlife adverts on social media has grown. Christopher Casacci was one of many people who sold illegal wildlife, running a website called Exoticcubs.com, where he trafficked African cats. He avoided a few of the regulations by registering some of the animals as domesticated breeds. We should remember that there are many other dealers like Casacci, who are finding ways round the rules. These animals suffer horrendous treatment, often denied food, water and space and transported in appalling ways which can result in slow painful death and decline. This puts not only the animals in danger but also the buyer, as these exotic animals are not meant to be domesticated and therefore their behaviour could potentially turn violent. The internet and the Covid pandemic also created the perfect storm for abuse in illegal puppy farms, a huge on-line unregulated selling space which led to huge rises in demand for animal sanctuary charities. Aside from the cramped and unsanitary conditions, it is not uncommon for the puppy to be separated from its mother too early causing long term damage. Global leaders must bring in more legislation and establish animal welfare regulators at both a country and global level able to infiltrate the selling of exotic animals to try keep everyone safe and stop the unnecessary and cruel violation of animal rights.

Perhaps most worryingly however is that the dark web has become a breeding ground for sex offenders, paedophiles and sex traffickers. The heinous abuse of women and girls, which is exacerbated by the dark web. Although all genders can be subject to sexual abuse on the internet, it has been proven on numerous occasions that women and girls are more likely to fall victim to many things such as non-consensual images or videos, threats including those of a sexual nature, rape and stalking. This is why the on-line world must be more closely monitored and regulated. Four in ten young women have been sent unsolicited sexual images on-line and with the growing popularity of dating apps it has been found that 19% of women have been threatened with physical harm. If we do not overcome this issue of internet regulation more and more women are going to be affected both mentally and physically by sexual abuse on-line. Moreover, on-line crimes are much more life threatening and increasing in impact as the dark web has developed.

The human trafficking of women and girls for sexual exploitation has increased dramatically via the use of the internet: the UN recently found 40% of sex trafficking victims are recruited online. The ways of exploiting women have become more sophisticated and more serious with dark web exploitation moving into areas such as live chat scams, remote control trafficking and the prevalence of on-line marketplaces. In 2020 over 80% of sex trafficking prosecutions involved on-line advertising. The obvious solution to prevent illegal behaviour on social media platforms would be to simply remove them. Unfortunately, these multi-billion-dollar companies are driven by profits rather than social purpose. Apple announced in 2019 that if Facebook continued to ignore the ongoing problem of human trafficking on their platform, Apple would remove Facebook from the AppStore. However, this solution would also result in Instagram and Twitter being removed, so not only would it cost Facebook millions but it also would have had the same effect on Apple. This threat was never executed. So, were these just empty words? Considering that Facebook remains on the AppStore, I would undoubtedly argue, yes. 

People may also argue that you simply cannot regulate everything in life, as even before the internet such issues existed. The issue now however is that the internet has intensified this problem and most people do not have the technical expertise to protect themselves.  Global regulation is never an easy answer but it is the solution. The vast majority of the internet is run by private companies, who have proven that self-regulation does not work. The only solution for these companies is to put people and purpose before profit and help us to tackle the tsunami of crime on the internet.

Douglas Ormrod: Being too big for our boots

In this day and age, we may take a look around us and wonder what could possibly have resulted in the frankly depressing state the world currently seems to be in. Poverty, war, hunger, and a general sense of helplessness are shoved in all our faces by social media, the news, and the people we know. Despite this, no one seems to have discovered a connection between all of this adversity. It might be suggested that there isn’t one—that there is no single reason for this. However, this seems unreasonable to me. I believe I have discovered the common thread, the reason for all of this to have occurred.

It all comes down to ego.

Ego, derived from the Latin term for “I,,” refers to beliefs someone may hold when asking themselves about their identity. These things can be physical, such as height or weight, or social, such as religious and/or political views. The ego considered in this essay specifically refers to the idea of self-esteem, or feeling good or bad about oneself.

From birth, our egos are inflated significantly by being celebrated for little. We’ve all seen the classic scenario in which both winners and losers are rewarded, such as in a primary school football game. To be sure, we don’t want to damage the self-esteem of young children, but rewarding inadequate effort teaches them to think they are better than they are, a trait they can then carry into adulthood, where it can cause more harm than good, as shown later in this essay. However, that is far from the only cause of our inflated egos. Those with even a smidgeon of power are surrounded by yes men, who tell the person in power that they are correct and that they deserve their power, all in an effort to advance themselves until they have power, and the cycle continues. This can be seen everywhere, from an employee sucking up to their boss in the hopes of being appointed to the boss’s position once they’re gone, to a dominant politician’s follower, encouraging and telling them their policies are correct when they may not be, all in the hopes of gaining some of their dominance for themselves. In all cases, an ego is swollen to dangerous proportions and can have dire consequences (perhaps co-workers don’t talk to their boss about their problems, or the politician votes for a policy that causes thousands to go into poverty).

On a larger scale, news outlets inflate our egos in perhaps a subtler fashion. Instead of telling you that you’re special, others are put down and said to be worse than the rest of us. Take, for example, this piece from the prominent Sun newspaper, talking about Liz Truss and her government’s September 2022 mini budget. It starts with the line, “It is time for sanity to prevail over the mini budget and the turmoil that followed.” The “sane people” referred to are those who support the mini budget, and those who don’t are labelled as insane. This kind of sensationalist wording makes the people reading this piece and believing in it feel better than those “lefty pundits,” as the Sun calls them, and less likely to listen to opposing arguments, despite how much sense they make. The Sun is hardly the only paper guilty of this as well. In fact, feeding people’s egos makes people happier, and thereby more likely to buy that newspaper again.

Scarily, a similar tactic is used by terror organisations as well. A new member is praised for his work. It is seen as courageous to kill for them. Their members then want to feel better about themselves and boost their egos through horrible acts, all the while radicalising their views and, like the newspapers, making them feel better about themselves. The Al Qaida recruitment process, according to RAND, begins with “encouraging a youth to leave home and join a military or paramilitary organisation, (which) can be (1) couched in patriotic terms if the youth’s family is a member of a privileged class, (2) framed as a step in social advancement if the family is immigrant and struggling, or (3) characterised as a revolutionary act of self-discovery if the family is disapproving and must be circumvented.” All of these relate to the members’ egos in some way. An important part of maintaining the members’ loyalty is feeding their egos in an echo chamber (an environment where a person only encounters information and opinions that reflect their own beliefs), which is a tactic often used by extremists. As well, war leaders suffer from making rash decisions based on ego. For example, the war in Ukraine was started by Russia. Putin justified the war in a speech at Russia’s 2022 annual military parade, saying, “Russia called on the West to engage in honest dialogue, seek sensible, compromise solutions, and take each other’s interests into account.” Putin’s “sensible” compromise involved reclaiming Ukraine as Russian territory, which appears insane to anyone who has even a passing glance at what the Ukrainians might want. And to take a look at Russia’s position at the time of writing, this is confirmed. They have incurred heavy losses, crippled their economy, and are being beaten back with nothing to show. And still they batter on unsuccessfully, all because of the egotistical whim of a few men in power.

Online, echo chambers can be found left, right, and centre. Whether it be the disgustingly sexist involuntary celibate forums or the incredibly harmful pro-anorexia subreddits, they never cause anything good to happen. A quick foray into one of these comes up with things like “The solution to your loneliness is simple and easy.” “Just f*** hookers and simp for big t***y e-thots on Twitch, and your male brain will be content.” What a disgusting thing to promote, and yet they somehow see no problem with this? It is likely a woman at some point or another has hurt their ego somewhat, perhaps not going out with them, and they find like-minded people and feed each other hatred and despair.

However, it is clear that keeping our egos in check will have many benefits for all of us and others. An inflated ego tends to have a negative effect on someone’s mental health, as it causes them to view themselves as above most failures, so it feels even worse for them when they do fail. As such, if we keep a check on our ego, we will be happier overall. Our relationships with others will also improve, as it is unlikely you will agree with someone on everything, so being able to listen to their argument without viewing them as less than you for it will make them feel better around you, and as such, they will spend more time around you and care for you more. As well as that, focusing less on yourself makes you more empathetic to others’ problems, deepening your emotional intelligence at the same time and making it easier for you and someone else in any form of relationship, platonic or romantic, to overcome emotional obstacles. Bill Bullard, an American politician, sums this up by saying, “The highest form of knowledge… is empathy, for it requires us to suspend our egos and live in another’s world.”

In conclusion, ego is a truly massive problem for us to overcome, both on a personal and societal level. It motivates war and encourages racism, sexism, and the like as people view themselves as better than others. It can be so damaging to someone’s emotional health that they commit suicide. It seems obvious that when humans cause bad things to happen, it comes not from an outside source but from within. And the things within that motivate us to do terrible things—jealousy, pride, envy, wrath—are all born out of harm to someone’s ego.

Promise Nkabi: A Heart of Carbon Fibre: How Lewis Hamilton Shaped My Career Goals

It was 2015; I was a young boy with a passion for cars but little knowledge of the world of motorsport. That is until one fateful evening when I happened to catch one of Lewis Hamilton’s most dominant Formula One races on television. My passion for Formula One was struck alive; and later, I came to realise that Lewis Hamilton had inspired more than just that.

Where do I begin with Formula One? First of all, I must admit that as a child, although I loved cars, I didn’t fully grasp the concept. “Why race cars on a track when you can race them on a highway?” I thought, but then as I watched the TV, transfixed and heard: “AND THAT’S HAMILTON ONE TWO THREE WORLD CHAMPIONSHIPS”, I got it. He was a promising young driver who made the move from McLaren to Mercedes, which at the time was like moving from Arsenal to Newcastle. It started to feel like everyone else were driving a go-kart, and the more laps he took, the more he and the car became one. Every manoeuvre, gearshift, corner, perfect. From there, my admiration and respect for motorsport drivers generally increased, but especially for Hamilton.

I went on to become more interested in the sport and began watching it almost religiously every weekend. As I delved deeper into the world of Formula One, I wondered what this speed was, where it came from, what that whoosh was, and what was that whine? Electricity? I had so many questions that I wanted answers to. I first learned how aerodynamics worked, the complex sculpts and the hours of calculations that went into them, and as time passed, I even started sketching parts, my own designs. I found the sheer amount I had to study and learn almost overwhelming at times, but Lewis’ never-say-die attitude, so evident in his interviews, kept me going.

My ability to design cars improved as I grew older. I had started initially by drawing and making sketches, slowly making them realistic; I then started experimenting with various 3d modelling softwares and started making my own ideas. I knew that I would need to work harder if I wanted to succeed in motorsports. I studied the design of the cars by taking online courses and consuming as much material as I could, starting with the classic 200 horsepower bathtubs of the 50s and working my way forward, even setting up an instagram account to share my progress and display my work. This finally led to many people taking notice; these enthusiasts ranged from local car influencers and modification shops, all the way to fully-fledged racing icons hailed for their service to the kingdom of motorsport, such as Will Power and Tom Coronel.

One of the most interesting projects I’ve been working on recently is project Strada, a Roblox game where players can customise and compete in races with in-game cars. The feedback I’ve had already has been fantastic, and it has inspired me to keep working hard. Even though I still have a ways to go, I’m committed to finishing what I’ve started. The moment Lewis Hamilton ignited my passion for motorsports is primarily responsible for that motivation.

Initially when I became interested in motorsports, my ambition was to be a driver. I was hooked with the surge of adrenaline that came with speed. I imagined myself piloting the vehicle, overcoming sharp turns, and becoming a champion. All I could think of was feeling the g-forces, and experiencing and taming the engine as you progress through a season. The good races, the bad ones, the comebacks, proving people wrong. But as time progressed, I realised it’s more than just about how rich and famous you become.

I was genuinely interested of the idea of leading the team that designs and develops the vehicles that can travel at such tremendous speeds. I started to realise that my love of motorsports extended beyond the excitement of the race, to the creativity and imagination that go into the background, especially the design of these vehicles. I remember a family member of mine saying “At end of a championship, who do you think they throw the highest when celebrating?” I answered, “Their best player” “No” he replied “their manager”. That really made me go back and think about things. I eventually made peace with myself and understood that working with the team that develops and constructs the cars was more in line with my true purpose than becoming a driver.

A topic I have sometimes found difficult to speak about is the long-standing issue of diversity in Formula One. The sport throughout its history has been dominated by white, male drivers and team staff, and especially as a man of colour from a minority background, it can feel like a type of barrier is in place which blocks people like Lewis and me from coming through and making a name for themselves in the industry. Lewis has been raising this issue in recent years as an advocate for diversity and equality in the sport, utilising his platform to make it known and push for change. As someone from an ethnic minority background from a small town in Scotland, I feel Lewis’ advocacy gives me a chance to build the future in motorsports I have always dreamed about, but which previously would have been denied to me.

Lewis Hamilton’s success in Formula One has done more than just shape my career choice; it has also had a profound impact on my perspective and approach to life itself, especially in this final lead-up straight to exams. In life, to operate at a high level, you need to start applying at the bottom, taking part and signing up to things, participating. This has taught me valuable lessons about perseverance and pushing beyond my limits. It has also helped me to believe that in times of exams and where you need to focus, help from teachers is like a pit crew to a car or a suspension rod to a car’s body. To extend that analogy, for a car to function, it needs things applied and renewed, just as people and learners we all need to both accept and give help. If we all take up small roles in supporting each other and including everyone, we will benefit ourselves in the long run; science is already quickly advancing but we may go even quicker if more people are given the platforms and support to produce things to better the world of tomorrow.

Angus Davidson: Arcade Disaster

There was once a time in ghostly Giffnock, Scotland where lived, a braw boy named Angus.

He decided to go down to the local arcade since he was quite bored, also because his friends had messaged him that they were going to the arcade as well and asked Angus if he wanted to hang out over there. And he accepted. Angus got one of his 20 pound notes from his bedside table drawer, grabbed everything else, and headed out.

As Angus was walking along the street, the wind was blowing so fast it was like a runner. The leaves were crashing along the ground while being blown by the wind. Eventually Angus got to the entrance door of the arcade where he could see his friends walking up to meet him.

Angus and his friends entered the arcade from the dark night sky into the bright game center. They all decided to grab some fizzy drinks to recharge their batteries, but as they were doing so they noticed a weird noise coming from behind the “Tornado Simulator”. It sounded like a mad cow. With cat-like curiosity Angus went to investigate. He made his way into a room next to the arcade machine; on the moldy floor lay a fallen over barrel with ghastly green goo leaking slowly from within.

In the corner of the room Angus thought he saw a member of staff, he asked for help, but from the green infected skin, and mad cow like moaning, it now became clear that this was no member of staff…this was a zombie!

As he made to run, he glanced at the slime and saw yet another zombie beginning to grow out of the gooey puddle. Both monsters began to run at Angus but fortunately Angus just about managed to slam the door in time; allowing him to escape the room.

As he was alerting his friends to what lay within the room, more green goo began to appear from under the door. From this grew ten more zombies.

The gang ran for their lives, petrified of getting caught up in the slime-fest. As they made it to safety outside the arcade Angus could feel a damp wind and slime on his face. He woke up to find his dog Ziggy licking his face and realized it was all just a nasty nightmare!

Brodie Cairns: Red Vienna

From the right point of view the day, like most, seemed normal. However, surprisingly Vienna had turned left. Hans Von Heinz glanced up at the glass panels guarding the staterooms, his dripping fedora barely shielding the water from his eyes.

The call came in at 0700 hrs; a theft they said but alas, Reinhold the day guard found a man, top heavy, lying on his side, a large gash pouring Viennese red onto a white button-up.  So, the detective was called.

“Alfred Stix, pleased to meet you.”

“Detective Heinz, Sir.”

“The egg’s handler was found but my precious Faberge egg is nowhere in sight. You’d better have your best men on the job for this one, detective.”

“Believe me, sir, I am perfectly able to handle this situation.”

“We’ll see about that.”

The curator started walking towards the stairs, gesturing for the detective to follow him. On the stairs they bumped into Maria Koller, trusted associate of the museum.

“Ahh, Miss Koller, this is detective Hans Heinz.”

“Pleased to make your acquaintance Detective. I do hope that you can help find my egg. As its owner I will be awarded sizable compensation, but it’s just not the same. Please do excuse me, I must be going.”

Maria began to walk towards the entrance before the detective stopped her by saying.

“Actually Mrs Koller- “

“Miss Koller; I lost my husband in the war.”

“My condolences, Miss Koller. If you wouldn’t mind staying here while the investigation takes place, I would like to ask everyone a few questions.”

“I would love to comply, but I absolutely cannot wait.”

“I understand. Could you return within the hour?”

“Of course, detective.”

Maria walked hastily toward the exit with her heavy bag. The two men turned, and Alfred led the detective to the central exhibit.

The exhibit like, all the others, was untouched except for the empty egg pedestal. Without hesitation Hans approached the empty pedestal. The detective enquired about the egg; he learnt that it was on loan to the museum from Miss Koller and had been delivered to the display on the previous evening.

“I assume you will need to see the body. Such a shame about Manfred, I mean, I saw him just last night when the egg arrived. I must have been one of the last people to see him alive.”

The detective, who by this point was in his own world examining the podium, barely heard this. Alfred pointed to an open doorway to the left of the entrance.

“Down that corridor; you should be able to find it.”

“Aren’t you just going to show me?”

“If you don’t mind, I would rather stay here, I am not completely comfortable with seeing a man in that state again.”

Hans turned the corner to see the body laid on its front. He approached solemnly and found the stab wound in his back. The dead man, with his brown hair and blueish eyes, appeared to have put up a fight. His left eye was black and there was evidence of bruising and contusions on his face. Hans checked the dead man’s pockets but found nothing of any relevance. He walked back into the central gallery to ask Alfred some more questions.

“What was his name?”

“Manfred M – ” he stuttered momentarily “ – Manfred Mayer.”

“Was he a worker at the museum?”

“No, he was not directly employed by us, he was just a night mover. I doubt anyone other than me had ever even met him.”

“Did anything seem off about him last night? Maybe paranoia, or him being anxious?”

“Not from what I could tell. He was just his normal self. His shirt and tie always so perfectly in place. Placing the exhibits seemed an ideal outlet for his OCD. You see, everything had to be placed ‘just so’. If had a keen eye for anything out of place, he just had to adjust it. He noticed everything.”

“Does anyone other than you and the man who called the station know about the body?”

“I shouldn’t think so. When Master Weber told me I strongly requested that he not tell anyone else.”

“Well thank you for your discretion, Mr Stix. If you would please call everyone into the foyer for questioning.”

“Immediately, Detective”

As the curator left the room Hans noticed a glass case. It displayed a beautiful jewel-encrusted knife, owned by the monarchy before their recent end. It was at a crooked angle. Perhaps the case had been disturbed somehow.

After 30 minutes everyone was assembled in the grand entrance. Alfred Stix, curator; Egon Weber, the day guard who had called the police; Bernard Binder, night guard; and Maria Koller, donor of the egg. These were the only people who had access to the establishment at the time of the theft and subsequent murder.

The detective locked the door; no one could leave the room.

“Egon Weber?”

“Yes, that’s me.”

“Would you please accompany me into the stateroom?”

“Ok”

They walked to the room and took seats facing each other.

“So, Mr Weber, I believe that you were the one who contacted the police after you found the body. Yes?”

“Yes, that’s right.”

“Well, if you wouldn’t mind going over the events for me.”

“Yes Sir. I arrived earlier this morning to take over guard duty from Reinhold Binder.  I said ‘hello’ to him; we usually have a chat, but today he had to rush off quickly for some reason. I started my first patrol of the exhibit spaces just before opening; that’s when I saw that the egg was missing and ran to raise the alarm. As I was running down the corridor I found the body of Mr Mayer.”

“Thank you, Mr Weber, for your cooperation. I have just a couple more questions for you.”

“Ok”

“What time did you first arrive here at?”

“6.50, just ten minutes before the opening “

“What did you know about the stolen egg before its theft?”

“Not much. I am still very new to this job. I just turned 18 last month and must admit I don’t really care for a lot of the antiquities in this place.”

“Well Mr Weber, that will be all for now. Could you ask Mr Stix to come in, please?”

After Egon left, Alfred entered immediately.

“Hello, Mr Stix.”

“Nice to see you again, detective.”

“You will understand from my lines of enquiry that I need to ask where you were last night.”

“Of course. I was working late in my office, until about 1am, then I walked out the main entrance and said goodnight to Bernard, the night guard, before walking home.”

“Did you see anything unusual on your walk home?”

“Not that I recall. There wasn’t anything out of the normal, except… no, nothing worth mentioning.”

“No, go on. What was it?”

“Well, there was a man who was running the opposite way to me.”

“Opposite way to you. Do you mean towards the museum?”

“Yes, I guess. Do you think that could have been the thief? It’s not really the hour for joggers.”

“It just might have been. What did this man look like?”

“I didn’t see his face, his hat covered most of it, but I remember thinking he had very long legs”

“What time would you say this was?”

“Maybe around 1.15am.”

“Ok, thank you. Just one more question. As the curator, I assume that you are very knowledgeable about the egg. Its history, its owners?”

“Well naturally, its history is fascinating inasmuch as it is a complete mystery. An authentic egg, fabricated at the same time as all other Faberge eggs, but completely lost for many years. The egg was very recognisable from the other ones due to its crimson red colouring. Several scholars have different theories as regards its backstory, but there has never been any evidence to substantiate any of them.”

“Thank you, Mr Stix, I think that is all the questions for you. If you could send in Maria Koller. “

“Certainly, Detective”

Mr Stix left and Maria entered.

“Hello Miss Koller”

“Let me just stop you there. I don’t know anything about the egg being stolen. I simply loaned the egg to the museum, and I don’t think I should be here.”

Maria turned to leave.

“Miss Koller, I assure you this is just procedure. Please sit, I have but a few questions to ask you.”

“Fine, but make it quick.”

“Can you tell me how the egg come into your possession? Where was it being kept before you loaned it to the museum? And can you tell me where you were around 0115 hrs last night?

Maria paused as if calculating her reply.

“I was in my house sleeping. The egg was my father’s; he acquired it at auction. It has been kept securely at my residence since the passing of my father. Now, if you will excuse me, I will be going.”

“Just one more thing, Miss Koller. How well did you know Mr Mayer?”

“Not at all. I never even met him.”

Maria left. Detective Heinz rose to his feet and asked Reinhold Binder to enter the stateroom. Whilst standing at the doorway the detective saw that Maria did not head for the exit but rather to another doorway leading to an anteroom at the far end of the exhibit space.

“Mr Binder, how are you today?”

“Good.”

Mr Binder entered the room but didn’t sit.

“I just have a few straightforward questions for you.”

“Fine.”

“What is your job here at the museum?”

“I’m the Night guard”

“So you were here over night, yes?

“Yes”

“Where were you at 0115 hrs?”

“Here”

“Not very forthcoming, are you?”

“What’s the need?”

This interaction was like talking to a brick wall.

“It would be helpful to pinpoint where exactly in the building you were.”

“I will have to think about it.”

“Okay. Could you stand next to me, please? I just need to see something.”

“Sure.”

Bernard Binder stood beside Hans. The detective towered over him, 6 feet 4 inches compared to Binder’s modest 5 feet 11.

“Well, Mr Binder, why don’t you go back outside and see if you can remember.”

Mr Binder turned to leave. Once he had closed the door, the detective started reading over his notepad, which contained almost every word said in the conversations. He just couldn’t help but feel he was missing something.

After 20 minutes, Alfred knocked on the door.

“Please excuse my intrusion but how long will you be? All of us are getting quite annoyed with how long this is taking. I am starting to think about escaping out the window.”

It was at this moment that something clicked in the detective’s head.

“Mr Stix, when you saw that man running outside, which side of the building was he on?”

“I suppose the east. Why? Is that important?”

“Are there any windows at ground level on that side of the building?”

“Yes, there are. Do you think that’s how the thief got in?”

“Maybe. Show me the windows.”

The two men walked to the east side of the building’s exterior, where there were four windows. The first was fine, the second just the same, and so were the third and fourth. There was nothing wrong with any of the windows, and the detective established there wasn’t a single other way to get in besides the entrance at the front. With this information, he walked back into the state rooms.

“If everyone could please meet me in the Central Exhibit.”

“Why?”

“Because I need to tell you all something.”

Everyone made their way to the Central Exhibit, where Heinz made his final remarks.

“Well, everybody, after all of my findings I am able to say that with absolute certainty that I am unable to work out who did this and it is with great sorrow and annoyance that I must call this case unsolvable.”

All the assembled people looked at the detective in disbelief.

“But what about the man I saw running towards the museum?” asked Alfred.

“That could have been anyone; there is no way of knowing that it was the thief.”

“What about the egg?” said Maria

“Just take the insurance money and go on with your life.”

“But the egg is missing.”

“And it may never be found. That’s just how it is sometimes.”

The detective turned and left the museum via the front door, leaving everyone very lost and confused. As he walked towards the station, he placed his hand in his pocket and stroked the smooth, shiny and red surface of what was inside.

Daisy Rooney: Can I Pay it Forward?

I first saw his death in the newspaper: THE WORLD’S 5TH RICHEST BILLIONAIRE HAS PASSED! WHO WILL BE THE NEXT DOLCE INHERITOR?” was the headline. I never bothered to read the article; these people have more money than sense and it never has interested me to read about a life that has no relevance to my own. My eyes fell to the poster opposite me: ‘Pay it Forward’, it read. I thought of my father, Ethan Crass. That was his favourite saying; he lived by it. It’s the idea that when you complete a good deed for someone you wish for nothing in return, except for them to pass it on and in turn do a good thing for someone else. I pulled my thoughts back to the present, threw the newspaper on the floor, and left the house. Little did I know I would later read every inch of that article; an article that would then have every relevance to my life.

I am sitting in a hot, stuffy classroom when I get called into the office. “Probably just another routine check-in with me,” I think. However, as I enter the principal’s office, it becomes apparent very quickly that I am wrong. Along with the principal, there are three other people in the room. Two men dressed in suits, one in navy and the other grey, and a woman whose perfume is so strong it makes me dizzy. Or maybe it’s what she says next. “A man named Benjamin Dolce has died.” The headline flashes before my eyes. “You been requested to attend the reading of his will. Does this mean anything to you?” I stare at the man in the grey suit as if he can somehow give me the answer. He does not. “No,” I finally manage. “Well, it’s clear that you must be there. We will arrange a flight for you.” I stop listening after that, overcome with the thoughts in my head. A flight? A flight to where? I have never been out of Seattle, let alone on a plane. A voice brings me back to reality. “Lily?” It’s the principal. He speaks gently, as if he can somehow tell there is a hurricane happening in my head. “We have notified your mother but do you want her to bring anything from home?” I say only two words: “a newspaper”.

As we touch down in South Carolina hours later I have read the article approximately 42 times, along with having had a short nap that was interrupted by various dreams, all centred around the character Benjamin Dolce. As we step off the plane, I no longer feel a part of myself. It’s as if I’m watching my body from above. I get into the waiting car; it’s a black limousine. We drive. I look out of the window; it’s getting dark now. We’re in the countryside. And finally, we turn to go through a set of gates. I look at my mother’s hand placing itself in mine, but I don’t feel it. I can only hear, see and think one thought. What is my place in all of this? One knock on this door in front of me and I’ll find out.

Massive would be an understatement for this house. I have never seen anything like it before. It’s quiet too; eerily quiet. “Come with me,” the man in the grey suit says. He’s the only person that has remained with me the whole time apart from my mother and I have learned that his name is James. He does not wait for me to answer and so I follow, slightly scared to be left in a house that I’m sure could very quickly become a maze. James takes my mother and me to a hallway with pictures lining the walls. He stops outside a room. “You can sleep in here,” he says and leaves. The room is beautiful, with high ceilings and big windows, not to mention the intricate artwork decorating the place. I immediately collapse onto the bed, my mind and body exhausted from the day.

I don’t meet Benjamin’s family until the reading of the will the following day. We’re all sitting in a large room awaiting our fate as a man at the front begins unravelling a sheet of paper. It seems to take forever. A woman, I’m assuming Benjamin’s daughter Gabriella, is pacing the floor. His sons, Alexander and Marco, sit in two armchairs, the in-laws and children sitting behind them. I’m sitting alone: my mother wasn’t allowed in with me. The man clears his throat. “We are gathered here today for the reading of the will of the late Benjamin Alexander Dolce.” He looks at all of us in turn, his eyes lingering on me for a moment, and continues. “I leave my work and business to my three children, along with $1 billion for each of my grandchildren.” Gabriella turns to look at her brothers, shocked but not quite angry. “However, my estate, assets and entire fortune I leave to Lillian Crass. She will inherit $46.8 billion.”

When I was younger I fell out of a tree. It was at such a height that everything was muffled and the world was spinning. It felt as though I was underwater, not knowing which way to go to break the surface. I feel the same way right now, except 20 people are either staring at me or shouting about the mistake that has been made. All I can do is sit there, staring, wondering, trying to break the surface.

I am the last person in the room. Everybody else left, either sulking or still shouting about the unfairness of it all. The man stops me before I leave. “I’m to give you this. It might explain some things.” He hands me an envelope. “Read it alone,” he says. I thank him and go. I decide to go outside: the gardens stretch for miles so I can be sure no one will find me. I sit down at the base of a giant tree. The grass is soft and I am bathed in the morning sunlight. Daisies and daffodils dance around me in the soft breeze. I stare at the envelope. My hands shake as I tear it open, ready to know the truth.

Dear Lillian,

You don’t know me, but I feel as if I know you. These past years I have kept an eye on you, waiting for the perfect opportunity to give you everything. Your life has inspired a lot of mine. More specifically, your father. I have thought a lot about you reading this letter, about what I would say. About your emotions, as you hear the news of the money I have left you. And so I think it’s only fair that I should start from the beginning.

At 23 years old, I was alone here. Having recently moved from a tiny village in northern Italy, I knew nothing and nobody. But I had an idea, a brilliant idea that would be the spark of everything I have today. After my request for a loan was rejected by countless banks I was tired and frustrated. And so, when I went for an appointment at the bank your father worked at, I was feeling hopeless. As a young man, I was not used to rejection, and the fight in me had started to go out. I had no collateral, no reason for them to grant me this money except for my pure genius, which unfortunately most people didn’t accept. Except for your father. Ethan Crass saw my potential and fought for me: he got me my loan. He’s the reason why I am who I am today. I asked him how I could ever repay him, how I could ever express the amount of gratitude I have for this man. But he told me he didn’t want anything; all he wanted was for me to pay it forward. Nobody knows this Lily, but I dedicated my life to searching for a way to pay it forward. But I never could find one that would leave me satisfied; not one deed that I could be sure was going to help someone as selfless as the man who gave it to me. To someone who I knew would carry the torch on. I’ve failed, Lily. I’ve failed your father. And so, I have to cheat the system. I am paying it back, to you, in the hope that you will pay it forward for both of us.

Benjamin Dolce

Armaan Abbas Sheikh: Experiencing New Worlds

Holidays and outings are something we all anticipate with great excitement. Regardless of age, there will always be that eagerness to go on a journey and experience new worlds. Fortunately, I have been very lucky to go to various places, where people have never been to and may never go in their lives. These places have a special status in my heart and they create memories that I will always look back upon. My trip to Iraq was one of those places.

We went to a multitude of places in Iraq, such as Baghdad, Karbala, and Samarra, however, I will be focusing on Najaf Al-Ashraf, southwest of Baghdad, the capital of Iraq.

In Najaf, an incredibly famous personality is buried, whom millions of people per year come to visit. It is worth noting, that Prophet Adam and Noah are also said to be buried here according to Islamic tradition. His name was Ali ibn Abi Talib, the first convert to Islam (after the Prophet Muhammad) and he is widely recognised as the 4th political caliph of Islam after the Prophet passed away, and he was the first Imam of the Shia sect of Islam (Imam is a title we use to show respect). He was the first cousin and son-in-law of the Prophet Muhammad. Nobody could defeat him in one-on-one battles, he was one of the fiercest and bravest warriors. He was martyred after being struck by a poisonous sword to the head while praying by one of his enemies.

He wasn’t just an expert on the battlefield, he also gave lectures on the pulpit and these 240 sermons were compiled into a book called “Nahj Al-Balagha” which translates to ‘The Peak of Eloquence’.

Given Ali ibn Abi Talib’s level of piousness, spirituality, proximity to God and the Prophet of Islam, the Shia Muslims hold him in the utmost regard. Due to his piety and spiritual perfection, God has honoured him with a special ability to act as a medium between the common person and God to seek alleviation of trials and tribulations in their lives and fulfilment of legitimate desires. This is one of the many benefits Muslims receive for the visitation to his shrine. It’s important to note, Muslims do not visit to worship Ali ibn Abi Talib, but to take lessons from his life so that we can be better humans and Muslims.

As we walked towards the perimeter of the shrine, all visitors were obliged to remove their shoes, as it is considered disrespectful if you enter with shoes on. We put our shoes in the locker, and went through security. We read a special supplication called “إِذن الدخول” meaning “permission to enter.” I pondered on this for a moment; why not just walk in? I discussed this with my father, and he explained that it is like going to someone’s house as a guest: you would not turn up outside someone’s house and just barge in through the door. There is etiquette that needs to be adhered to, like ringing a bell, greeting the host, and being invited in. Listening and reflecting why one had to read this, using this example made it so clear on the importance of this out of respect even though he is no longer living. I saw it as a sign of respect and honour for Imam Ali.

After reading the entry supplication, we kissed the door to our side, and walked in.

After getting past, I was at once welcomed by a massive shrine decorated with gold across it. You can’t help but notice one large central dome which stands out of a square-shaped ornate structure at the two sides of which are two minarets. Upon seeing such opulence on the exterior, I could not help but wonder how the inside would be adorned.

While I slowly and purposefully entered inside, I was truly mesmerised by the millions of mirrored glass glistening with mosaic inlaid. I’ve visited castles before, but never have I ever seen splendour of this magnitude and beauty. This place truly felt like it was built for the King of Kings. As I continued to look around, I noticed marble covering the floor and a gigantic radiating chandelier hanging over the grave of Imam Ali.

In this shrine, people come with all their wishes and desires, seeking love, connection, and intercession. Tens of millions ask through him to ask God to fulfil their wishes, in the hope that they will be accepted. Knowing this, gave me an immense feeling of peace that I was in a place where all my legitimate desires have the power to be fulfilled. I truly felt blessed to be here.

Finally, I got some time to myself. My dad told me as we were walking in, that anything you can’t disclose to anyone, you can say to him. Our belief is that these holy personalities were closer to God than we will ever be, due to their level of spiritual perfection, meaning that your prayers will be more likely to be accepted.

We found a spot in the inner part of the shrine next to the grave, my dad, my brother, and I thought to ourselves about what we could say.

It’s a custom that when you go on pilgrimage to pay respects to these personalities, you pray for others, that they can go and that they can have their wishes fulfilled too. So, I asked for everyone who asked me to pray for them, and everyone who didn’t ask me because they were too embarrassed or for other reasons.

I felt positive and powerful when his title came into my mind that he is known as the Lion of God, through this I felt a tingling and magical feeling, which made me forget about all life’s worries.

Sitting by the Shrine of Imam Ali, the feeling I got was out of this world. It felt like home, the most peaceful place, where I could open my heart and thoughts and say whatever bothers me, despite being surrounded by hundreds of strangers. I felt strong, happy, confident, and lighter sharing my inner most thoughts.

After visiting this lovely country, it makes me feel upset that people think horribly about Iraq. There were barely any instances where things felt suspicious. Everyone was very welcoming. Parts of the country were unsafe in the past, but things have changed significantly.

In Iraq, I made new friends and created new memories that I will be able to look back upon for years to come. When I reflect on my journeys in Iraq, I think about how misunderstood it is by the Western world. I would love for the Scottish people to visit Iraq to experience the love, the peace and the generosity of the people, so that they change their perception of what Iraq is like, because of the way the mass media have portrayed it to be, a country riddled with war and terror. I yearn to return soon, and hope that all stereotypes about this spectacular country will be cleared in time.

Gabriella van Weegen: The Sítio

“Get up! Get up! Get up!” we all chanted as the minibus slowly crawled up the steep road. We had been travelling for almost 2 hours and it was getting pretty late. Everybody was exhausted. I’d only been to my cousin’s sítio once before, when I was really little. It was like a place of dreams for a curious toddler from what I could remember. A big house in the Brazilian countryside with a swimming pool, full of exotic plants and animals. There were bunk beds and old video games like Super Mario Bros from the 80s. A large plaster wall ran all around the home, protecting it from any danger, it was my little castle. There were so many happy memories to relive. The minibus gave out one last tired puff and began to retreat from the hill, and turned a corner to find another route. Eventually, we arrived and were greeted by the alluring scent of feijoada, one of the best foods on earth if you ask me. Rice, pork, oranges, black beans, farofa (toasted cassava flour/farinha de mandioca) and greens waiting to fill everyone up. The sound of Brazilian music rang in my ears while I gobbled down my meal. If it weren’t so dark, I wouldn’t have realised that it was almost 10 o’clock at night. Once we were all well fed and had cleaned our dishes, the exhaustion hit like a brick. Droopy eyed and sleepy, my mum, my brother and I trudged over to one of the many rooms in the house. There were lots of bugs and mosquitos scurrying around outside, so we made sure to put on insect-repellant before we went to bed. I threw my bags over the top bunk and drifted off.

The next morning, I was up early. School had messed up my body clock and I couldn’t sleep in if I tried. I quietly slipped on my flipflops and went out to see if anybody was awake. I hadn’t seen anyone but there was breakfast on the table, so I grabbed a bread roll and went out to explore. There were loads of fruit trees all around the sítio (like starfruit, mango, tangerine, and so on) so naturally, I tried to climb them, and failed. A lot of them had bits of loose wood all around them, so it was difficult to find your footing. Although I couldn’t get up the trees, I could still look up them. It was incredible how many little birds were roosting in the trees. There seemed to be at least one of each colour. I took a small portion of bread and placed it upon the tallest branch I could reach. Tiny chirps made their way to my mind, it felt so peaceful to hear the animals, the calmness of the countryside, the sound of my footsteps and no one else’s. There was a soft sloshing of running water nearby, investigating was of course, the best option. A pipe, just the size of my hand, was gushing out some murky water. It was from when the pool was cleaned earlier that morning. I wasn’t alone after all. The hot sun beamed down onto my skin as I walked along the poolside. Two small lovebirds were singing their funny melodies to each other on the roof of the house. They were gorgeous, green and red with yellow bellies. “Bom dia gente!” came from the open kitchen. I ran over to say good morning back and was surprised to see most of my family there already. They must have woken up while I was gone. Anyway, my littlest cousins were sitting drinking chocolate milk and eating bread with fruit. My cousin’s dog, Joe, practically leapt into my arms, wagging his little tail. He was a tiny west highland terrier with soft white fur. I’d say he looked pretty good for the ripe age of 13. After I had greeted everyone, I took a banana and walked off with Joe in my arms. 

We had reached the back wall when I saw something jump from a tree. I couldn’t see where it had gone so I put Joe down and climbed up a ledge on the wall for a better view. There it was, a pair of curious yellow eyes staring back at me. It’s a miko! I never thought that such a small fluffy thing would want to go near people. Luckily, I hadn’t eaten the banana yet, so I opened it a bit and sat it on top of the wall to see what the miko would do. Instead of going over to the fruit, the monkey opened its mouth and let out a squeal like a super high pitched sports whistle. Suddenly, another appeared. Then another, and another. There were about five of them all scurrying along the wall to investigate their friend’s call. I picked the banana back up to try and lure them a little closer. Two particularly brave ones, one of which was the first one to spot the fruit, edged closer. They were the cutest things ever! Soft, dark fur with the fluffiest little faces, I could’ve cuddled them forever. I didn’t realise I was still holding the banana until I felt something hit my back, and then again. The brave pair of monkeys had jumped onto me. I could hardly believe it. I placed the banana back on the wall and they all lunged towards it as if it were some kind of miko-magnet. 

The next couple of days, I continued to feed the mikos. If we hadn’t taken that other turn, I wouldn’t have been able to see them at all. (Although I did see them at my Tia Irene’s house and climbed trees with the mikos there after.) I wish I could have seen them for longer.

Isla Hutchison: The Balloon

Fate dancing in the air;

Slowly letting go.

Winters-dregs’ fog engulfing the air,

For thy despair is fair.

Where is it headed?

Up in the blue?

Millions are sent every day,

But I pray mine shall stay.

No loth to go and chase;

The breeze brushing my hair.

My conscience pacing back and forth,

Wondering if we will meet again.

Looking up, I see;

Close to the stars, my dream.

I stand back and admire;

You are with them now,

Goodbye my sweet flare.

Devon Thomson: Leap of Faith

I awoke to the rising sun. The warm breeze entering from the window left a smile on my face. The light cascaded across the rooms wall, dancing around as the trees gently swayed from outside. I reluctantly stepped out of bed, shuddering as my feet met stone-cold floor. Waking up was the worst part of the day, here in Mallorca. Or so I thought. As soon as I entered the kitchen, I was reminded that today was the day we were scheduled to go cliff-jumping. Obviously many people would be thrilled to have the opportunity to do so, but truthfully, I have always been afraid of heights. I have also been too ashamed to admit this, and so my family was yet to know about my uncanny fear.

 After lounging by the pool and playing cards on the villa’s patio, it was finally time to travel to the cliff. I was baffled by the fact that people found such a life-threatening activity fun. I was without a doubt being dramatic, although, in my defence, I was absolutely terrified. I slowly entered the car, wondering if I could turn back. But as we neared the village in which the cliff was located, it only then dawned upon me that it was definitely too late. I had to face my fears.

The feeling of fulfilment after doing something brave and adventurous, albeit risky, and being able to gloat about it to others in hope of them being impressed, is validating, which is why I first agreed to the proposal. Now, in hindsight, it was a rash decision. This experience has taught me that I simply must use my head more. I only went along with the idea as my younger brother, the golden child, who was also quite the adrenaline-junkie, immediately praised the suggestion, and I, being the older, competitive sibling I am, didn’t want him to be seen as the braver one, especially since he was younger.

My bitter thoughts were cut short as the car came to a stop. We had surprisingly already arrived in the village, and I hadn’t even noticed when the beautiful streets of Pollença morphed into the barren fields of Mallorca’s countryside. We exited the car; the heat of the sun’s rays tingled on my skin, which wasn’t prepared for such warmth. The temperature was insufferable as we walked along the wooded trail which led us to our destination. My stomach churned and I was so nervous I found myself shaking, but I put on a brave face so as to not worry the others. We were hidden from the sun under the canopy of leaves above us, giving our surroundings an eerie feeling as we slowly trekked along the path.

After a few minutes of squabbling with my brother in a desperate attempt to take my mind off of what was yet to come, I saw an opening of light in the distance. I felt sick, knowing this indicated our arrival to the cliff, and each step became heavier and heavier than the last. We placed our belongings down and walked over to the edge. I couldn’t get myself to look down. The rocky ground and my aching feet made this experience all the more unbearable. I was too busy soothing my pain-stricken feet to notice my brother rushing off in the direction of the cliff, and in a heartbeat, he was gone, falling thirty-feet through the air and down into the crystalline ocean. He screamed as he merged with the water, and resurfaced in a fit of laughter. Annoyance rippled through me from noticing his carefree manner. How was he so calm? Next was my sister, then my two older brothers, and finally, it was my turn.

I peeked over the lip of the rock, the hairs on my back standing up, my eyes widening in horror. How was that jump humanly possible? That was much higher than a mere thirty- feet… My vision blurred from the pool of tears streaming down my face, whilst my ears rung from the shouts of my siblings, telling me to jump. I shut my eyes, knowing I couldn’t do it with my eyes open. I knew I was overreacting, it was just a small jump, but from experience, phobias are not something you can just flip a switch on. The simplest of things can make a grown man curl up in a corner. Its funny, actually. The fact that you can simply forget the best days of your life and remember every second of the worst, chilled me to the core. I either had to face my fears, or put up with the mean remarks from my brothers that  awaited me.

And what’s worse than jumping off a thirty-foot cliff as someone who feared heights? Being savagely bullied by your siblings. While these thoughts coursed through my head, I realised it was an obvious choice. All I had to do was jump. I opened my eyes while the bolt of adrenaline was still running through me, and found myself leaping from the ground and jumping through the air, towards the depths below. My body froze in terror and my face was drawn of blood, as in that split second I regretted my decision, before I finally loosened up and composed myself. I shut my eyes, preparing for the salty splash awaiting me. The wind swirled around me while I plummeted towards the deep abyss, the feeling of accomplishment overwhelming me; much like the water as I made contact and plunged in, ripples forming around me on the surface.

Oh, such a momentous experience was over in a second. I slowly opened my eyes, relaxing to the calm sway of the sea. Above the surface was a calm, idyllic environment which you could lay afloat in for hours on end, however, as I sank beneath the water, I was shocked by the scenery. The faint hues of majestic greens and blues of the surrounding atmosphere, the thriving aquatic life roaming the ocean bed, and the vibrant corals accommodating these unique creatures, formed a kingdom of beauty like no other. I felt like the luckiest person alive, as this sight was otherworldly. The fact was, had I let my fear overcome me, I wouldn’t have gotten to see this, which infuriated me. I was mad at myself for having such a potentially self-defeating fear, yet indescribably proud for conquering it.

 The furious waves slammed against the cliff-face as I resurfaced, hearing the applause and laughter erupting from my siblings. I sighed in relief, thankful they hadn’t seen the fear in my eyes. I swam over and joined them, and spent the rest of the day carrying-on and doing a series of splash-fights until the sun set, indicating it was time to go. I had a smile plastered on my face all night, marvelling at the fact that I had just conquered the one thing that brought me down most. I felt indestructible, like I could do anything I wanted, however great it was. This story may be underwhelming, but for me, this was a huge milestone in my life and changed me for the better. My phobia comes back from time to time, but when it does, I remember this. So, I was wrong. That was the best day of my life.

Ali Abbas Sheikh: A Spiritual Journey

This memory I am going to share with you isn’t a common sun, sea or sand holiday, but a spiritual journey to get closer to God.

From the 21st of December 2021 to New Year, I went to Iraq for 10 days. This is the second time I had been to Iraq for pilgrimage, and I would like to share my experiences, and what happened in a city called Karbala. For some context, Muslims from all around the world come to pay their respects to the family of our beloved Prophet Muhammad and ask for their wishes to be fulfilled.

We hadn’t been to Iraq for pilgrimage in a few years, so my dad thought we ought to go if we can do so. When I was told that we are going to Iraq again, I was extremely chuffed, for the last year I had been nagging my dad repeatedly to think about taking us back. This is because the city of Karbala, ever since I visited for the first time in 2018, never left me. I regularly thought about my experiences in the shrine, the friends that I made with the people in my pilgrimage group, the kindness of the Iraqi people and the atmosphere of the city itself.
I never thought going to Iraq would happen so quickly, because earlier that year my dad had gone for two weeks to Iraq, Syria and Lebanon. I thought we would not have the money go to to Iraq the same year.

To give some more background, we travelled with a pilgrimage group called “Footsteps 2 Jannah (Heaven)”. The people who organised the group, offer the pilgrims going with them services such as workshops for both children and adults, and Islamic scholars who lead us along the way in terms of the history of the city and its significance to Islam and why we are here.

Now we fast-forward to being in Karbala (2 months later), a city in Iraq where the grandson of the Prophet Muhammad (Hussain ibn-e-Ali), his family and companions were buried after being martyred, having fought bravely against the enemies of Islam, whose aim was to destroy the message of Islam, and humanity.

Before I got to the shrine, I had a good look at the beautiful city outside of the shrine. Everywhere you go, there are bazaars (stalls) that sell all kinds of different things. They sell fresh fruits, nuts, bags, toys and every other thing you can think of is sold there for half the price of what the UK
would sell it for. You could also get delicious food and drinks exclusive to Iraq.

Iraq is a hugely different country from Scotland. In Scotland, I’m used to shops closing at 10 pm. However, in Iraq, you could walk around the city at 4 am and shops would be open at your service. When I told my friends that I’m going to Iraq, they immediately thought about the war and terror footage they saw on the news. My friend asked why I would want to visit a war-torn country that is unsafe. However, I explained the Iraq you see in the media is not the real Iraq. I clarified, that Iraq is full of kindness, and generosity and it is completely safe now. I walked around the cities of Iraq without the fear of being mugged or hurt by anyone.

When I reached the shrine after walking several minutes from my hotel, I looked at my surroundings and was astonished at the sight of the buildings that were covered in gold and silver all around the shrine and even the outside of it. I wasn’t even in the actual part of the shrine, and I could just hear the people crying profusely, asking for forgiveness from God for their past actions in life.
At this point, the only thing on my mind was to just go in and be able to sit there and contemplate about how my life has been. Just like how people let out their feelings to a therapist when they feel uneasy, that is how I felt when I was going in. I wasn’t the only person who felt like this, chances are many people felt the same way when they went into the shrine. These Imams to Muslims in simple terms are like a shortcut to get you closer to God. You can ask God through the intercession of the Imam (Muslim Leaders), for your prayers to be answered and wishes fulfilled.

As soon as I got in, I had an instant sigh of relief rush through me, that I was finally here after all the planes and long bus travels to be here in the moment. At this point, it was me and my thoughts to express to God. I had so many things I wanted to say, so many things, and I wanted to stay there forever because I felt at total peace, something that doesn’t happen often with all the stress of module tests at school and wanting to do well. I knew that I had a chance to Thank God and to think about the blessings He has bestowed on me and my family. It was also a fantastic opportunity to be able to ask God to help us through hardship and to fix things that maybe aren’t going so well. This time was not just for my benefit, but for others that knew I was here and had asked to make special prayers for them.

At the time we went, this visit meant so much to me, partly because I hadn’t been to Iraq in a long time, but also because in S1 I was struggling to make many friends. I was new to the school, and I couldn’t fit into the friend groups from the junior school. I knew it was a good opportunity to ask God to make it easier to make friends. I knew from my strong belief in God and the Imam (Leader), that my wish would be answered one way or another.

I feel like I have learnt a lot from those ten days, I feel at ease that God has let us be able to go and do the pilgrimage of these Imams, who are especially important as to where they stand in their closeness to God and the contribution they made to preserve the message of Islam 1400 years after they lived.

I feel that Karbala in a way has recharged my “spiritual battery”, because of the scholars that helped me understand why we are here. Not just to pay respects to the Imams, but they also helped me refine my understanding of Islam in general, and what acts of Islam come before anything else you do to make you a better person in how you present yourself, but also in your piety.

For the last part of my essay, I would like to conclude with my farewell to the Holy Land of Karbala. We all went together with our group to give our final respects to the Imam before going back to Scotland. Leaving Karbala is not like leaving a holiday destination, where you miss the nice weather or the sunset. It is like leaving a part of yourself behind there, always longing for the return and remembering those blessed souls that you ever hardly see. This visit to Karbala is imprinted on my heart, and I can’t wait to go back and experience this again.

Emma Booth: What’s Your Biggest Fear?

“What’s your biggest fear?”

It was summer yet despite the time of year it was still cold. The afternoon was soon melting into evening. I was lying on the grass and I could feel the damp seeping through my clothes. I sighed, knowing I would have grass stains I’d probably never be able to get out, yet it was comfortable, lying next to him. I thought about his question, but I couldn’t think of an answer. It was out of the blue and I wasn’t prepared to answer it. I probably should have expected it, he certainly had a habit of asking random questions, I never knew if he was genuinely just trying to get to know me or if it was just something to break languid silences. I looked up to the sky and around at my surroundings desperately trying to find some sort of inspiration for something I could be scared of. 

“That’s an odd question, I don’t think I really have one.”

He sat up onto his elbows and looked at me with a questioning look, his head tilted like a curious puppy. “Come on, you have to be scared of something.” 

 I shook my head. “I mean, I’m not fearless, I’m scared of lots of small things. Like my neighbours’ scary dog. But I wouldn’t say it’s my biggest fear.”

He laughed, before staring ahead and answering his own question in a more sombre voice than before. “My biggest fear is, well, I have mono-phobia. It means I’m scared of being alone.”

He turned away from me so all l could see was the back of his messy icy-blue hair 

that he had dyed to match the colour of his eyes. I think he was embarrassed.

“Hey, that’s much better than a big dog. Why are you embarrassed?” He didn’t answer. Instead he started picking the flowers growing in the grass around about us, probably as a way to distract himself. So I tried something else. I hated seeing him uncomfortable, his emotions were always so infectious. It was great when he was happy, but not so great at times like these. 

“You won’t be alone. I’m here for you ok?” I reassured him, placing my hand on his shoulder hoping to make him feel better. 

He turned back around, this time with a smile. Neither of us said anything else after that. We lay in a comfortable silence, looking up at the sky. I noticed him moving his hands, so I started to watch him as he began making a daisy chain. 

“You know, daisies are actually a type of weed. So are dandelions,” I said.

“They might be a weed but I wouldn’t mind lots of daisies growing in my garden. They’re really pretty, maybe even my favourite flower, or well, my favourite weed.” He picked up the now finished daisy-chain and placed it around my neck.

“Thank you.’’

“You’re pretty too,” I heard him mutter. I couldn’t tell if I was meant to hear it or not but I decided to acknowledge his comment regardless.

“Thank you” I replied. It wasn’t meant to come out like that. He grinned at me, and I couldn’t help my mouth from grinning back. “I mean, nobody’s ever called me pretty before.”

“Why not? You are. Is it because you’re a boy? Honestly, I think everyone deserves to be called pretty.”

It was something I’d never really thought about but now that I was, l realised it was true. Why can’t boys be pretty? Who decided that compliments had to be gendered? I never thought there was anything wrong with being called ‘handsome’. Yet when he called me pretty, it felt different.

The sun was setting, turning the sky hues of orange and pink, and you could already see the stars. The quiet of the park really started to set in, and all I could hear was the sound of both of us breathing. It was relaxing. I started to feel my eyes getting heavy so I let them close, and soon I was slowly drifting off to sleep.

It’s been almost a year since we lay on the grass watching the sunset. I miss those times, I miss him. I looked at the photo on my desk. His smiling face, his bright blue eyes and messy hair. His arm round my shoulder. If only I’d known that was the last photo I’d have with him, I’d have taken so many more. He was the only person that made me truly feel like myself.

It hurts me that that memory that keeps replaying is one of my last memories with him. I could already feel the tears forming in my eyes. The more l thought about it the harder it got to stop them. It was only a few days after that he went for a walk and never came back.

I don’t think I’ll ever get over his death, it was so sudden and l never expected it to happen. Whatever happened between the time he went missing and the time his body was found is all a massive blur in my head. That memory replays over and over in my head every day since I heard the news. It made me so mad that someone could take away an innocent life like that. Years he had ahead of him, stripped away by someone’s selfishness, for what? What could anyone possibly gain from taking away his life, taking him off of this earth, taking him away from his family and friends, taking him away from me. 

It took me a long time to understand why it was that this memory was so prominent in my mind. As it replayed over and over, I finally get it. Although I didn’t realise it at the time, I now know my biggest fear was losing him.

Eliane Morrison: Delighted

I hoped he couldn’t hear my heart pounding. Do you think he could? He was looking at me as if he could. He didn’t smile very much – his face didn’t do me many favours in measuring my success. That, aside from this whole traumatic situation, was not reassuring at all.

I had first noticed the job advertised in the window of the Co-op during the after-school shop with mum the previous Tuesday. The moment I registered what I was reading – the words ‘Retail Assistant Required’ plastered across an A4 sheet in intimidating black, block writing – I panicked. And my panic was justified, because once mum read it, she declared that I simply must apply, because what was stopping me? I could feel my internal organs crumble at the thought, but when it came to mum, I had no choice; it was impossible to wriggle out of the grasp of her expectations. So, I got in touch with the email address on the poster and waited for a response. Meantime, I tried vainly to convince myself that it might not be as horrific as I’d made it seem. Did the thought of the interview make me want to tear my throat out? Yes. Was the idea of customer service on a par with going down a slide of razor blades and landing in a pool of rubbing alcohol? Yes again. On second thought, maybe this job was the stuff of nightmares, just as I thought.

A few days passed, my stomach constantly heavy with the rock of anticipation, and, while sitting in maths, my phone chimed proudly with an email notification sound. A million heads whipped round to stare at the criminal who had so incredibly rudely disturbed their work. Great. The teacher grumbled at me for not having my phone switched off and my cheeks glowed a glorious crimson as I apologised and reassured him that I would turn it off. But, as I went to click the little bell, all I could see was the notification from the email app. Oh, God, I thought. Reluctantly, I let my eyes move down to reveal the sender – the Co-op. Oh, God, I thought. Opening it made me want to die, but leaving it, not knowing what it said, made me want to die even more. So, I made the executive decision to open it, revealing the one word I hadn’t wanted to see.

“Delighted.”

I groaned a heavy, defeated internal groan and mustered all my will power to scan the whole sentence. “Thank you so much for your application. We would be delighted to offer you an interview.” How was I to escape this hellish situation now? I had been so sure that my pathetic, severely-lacking-in-experience CV would scare them off, and if not that, surely, surely, my dry, charmless cover letter would. And yet, no – they must have been hilariously starved of choice.

Eventually, the fateful day rolled around. I awoke with my stomach in burning knots, hands clammy, chest tight. I convinced myself I had some sort of life-threatening illness and ran to inform mum of my diagnosis, saying I had no choice but to miss the interview. “Come on, now,” my mother said, “You’re just nervous. Have some breakfast and you’ll feel better.” I hated to admit it, but she was probably right – I probably wasn’t dying; I just felt like I was. Her breakfast advice was a little redundant, but I poured myself some Coco Pops anyway because to mum, her advice was unfailing. So much so that she had picked my outfit for today. It was utterly rancid. I prayed to God I wouldn’t bump into anyone from school while wearing my mother’s green button-down blouse, orange work trousers and blue blazer. The outfit was genuinely horrendous, but, awful as it was, it was the absolute least of my worries. I sat in silence in the car, listening to my mum’s incessant chattering about what to say, how to smile, how to sit, how to give long answers, not short ones, to ask questions, and for goodness’ sake, stop fidgeting! She dropped me at the door, and there I was, two minutes away from entering the most uncomfortable situation of my life. I walked into the shop and shuffled nervously up to the counter, furiously wiping my sweaty hands on the thighs of the vomit-inducing yellow trousers. A girl of maybe 18 or 19 stood there. I told this potential colleague that I had come for an interview and, with an eye roll so discreet that it could have been easily missed if you weren’t paying attention, so tiny that it was clearly for her own satisfaction, she sighed and passed on the information (presumably to the interviewer) on a headset. ‘He’ would be up in a minute, she said. I hoped she was nicer than she looked, gnawing aggressively on a piece of green chewing gum, her eyes cold under layers of thick eyeliner and mascara. A little scary, I couldn’t lie. Before long, my interviewer emerged from the mysterious door next to the vegetable aisle – a short, bald man wearing Coke bottle glasses with thick frames. A very run-of-the-mill human being. The contrast between the girl at the counter and Craig (according to his name badge) was rather amusing.

He introduced himself, extending a hand for me to shake. He wasn’t overly friendly; not unkind, by any means, but not the type to make casual conversation for the sake of it. He led me through the mysterious door, revealing what felt like miles of corridor, lined with crates of orange juice, cream crackers and cleaning spray. I followed him closely, astonished that the little, friendly Co-op could secretly be so overwhelmingly huge. Eventually, he led me into a little room with two chairs, a computer and a screen showing the live security camera footage. I watched as a group of five or six teenage boys entered the shop, shouting and fooling around, picking things up and putting them down in the wrong places. My stomach churned at the thought of my life becoming an endless loop of stress and stocking shelves.

“So why would you like to work at the Co-op?” Craig asked me, poised with a pen in hand, ready to record every detail of my responses. I swallowed hard, trying to get rid of the lump that had been lurking there from the second I entered the shop. Again, I wiped my hands on my trousers and urged my brain to think quickly because there had been one too many ticks of the clock on the wall since he’d asked the question – seven, to be exact. “Well, I like the uniform.”

Are you joking?

That’s all you could think of?

I think I had meant it as a joke, but my brain didn’t work quickly enough to combine it with a laugh. So now Craig was thinking I was a complete and utter idiot.

“I also like the work you do for the community,” I stuttered, in an attempt to redeem my first failure of an answer. That was more like it. Bringing it back – maybe I still had a chance? In all honesty, I had no idea if they did anything for the ‘community’, but I seemed to recall a TV ad along those lines and perhaps it would make me seem interested.

“That’s great. It’s something we take seriously. What work have you heard about us doing in particular?”

Oh dear. Never mind. Out the window. I sat in silence, desperately trying to think of an answer. What an imbecile I truly am. Come on. Think of something, anything.

I believe I managed to babble something about charity fundraisers, but anything beyond that is a blur. I think the sheer embarrassment caused me to permanently block out the entire experience. All I can remember is the ticking of the clock, Craig’s incessant scribbling every time I spoke, and the deafening clunking sound of my soul crushing every time I opened my mouth to answer. So, as you can guess, I left the interview completely convinced I would remain sans-job. I went about my life again, trying to pretend it had never happened in order to preserve my dignity at least a little bit and managed to push it out of my mind….

…Until Wednesday, when the phone pinged and the hairs on the back of my neck stood up in anticipation. I anxiously picked my phone up, the screen already glowing, clicked on the notification, load, load, loading…

“Delighted.”

Shay Hughes: The Day I Got My Big Break

I still remember the incident clear as day…

I was only 6 at the time, and I was eagerly waiting for the bell to ring so I could go outside and run about. The clock struck 12 and the bell rang through the empty halls, causing children to start pouring out of the classrooms. I shot up out my chair, grabbed my packed lunch and pushed open the classroom door. The noise was overwhelming. I gradually pushed my way through the enormous crowd of people as I looked for my friends, but it was like looking for a needle in a haystack.

Eventually we all found each other and walked outside. Instantly the blistering hot rays of Texas weather shone off my sunscreen glazed neck. I loved the heat. The air conditioning in my classroom was malfunctioning, so it was always freezing. We leisurely strolled to a seat in the shade and opened our lunches as we began to talk. We chatted for a bit as we ravenously munched down on our sandwiches and then a lively athletic boy named Pelayo asked if we would like to play tag. Of course, we were all brimming with energy after being locked in the classroom all morning and so we all jumped at the chance to run around.

After a while of running around in the heat I was exhausted and decided to stand in the shade of the climbing frame for a minute to get my breath back. While taking long, deep breaths, I glanced up and saw the chaser sprinting towards me. I frantically looked around and decided my only option for escape was the climbing frame towering above me. Panting, I hurriedly made my way over to the frame and started to clamber up the rope to the top. I looked back and my pursuer was right behind me, his outstretched hands barely missing my feet as I scrambled up to the peak. I reached the top and quickly realised I was trapped, as all the exits were blocked by the other children playing.

Panicked, I looked at the boy who was chasing me as he pulled himself up to the top of the climbing frame, stood up and started walking towards me. The only thing I could think about was not getting tug and so as I backed away, my eyes fixed on the boy as he stalked towards me, I didn’t see the railing and I slowly toppled over it.

For a moment everything slowed. It took me a second to process what was happening, as the air brushed my skin. For a fleeting second, I felt almost graceful, floating through the air. Then, my body cracked against the ground and a sharp pain jolted through my body. I tasted the blood in my mouth as a sea of faces swam above me. I felt dizzy and tried to sit up but as I did so it felt like someone had hit my arm with a hammer. I excruciatingly rolled my head to face my left arm and in horror looked upon a completely disfigured mess.

I laid there as two nurses came and cautiously lifted me and took me back into the eerily quiet school. They laid me down on a table in the medical room as one rushed to get bandages and the other rained questions I couldn’t answer down upon me. I flicked my eyes around the room at the torn wallpaper and messy floors. The nurse returned with bandages, and I howled in agony as my arm was shifted around and wrapped up. In the distance, I heard someone talking about ambulances and broken arms.

After what felt like hours of laying on the table feeling helpless, I heard sirens outside and my mum tumbled through the door, a worried expression on her face. I heard my dad talking with someone outside the door and then paramedics came in and gave me strong painkillers before uncomfortably hauling me on to a stretcher. One paramedic tried to comfort me telling me it was all going to be fine as I was loaded into the back of the waiting ambulance.

Blissfully, the medication took hold and I fell into a restless sleep as the ambulance roared through the busy streets.

I awoke in a strange room with beeping noises all around me. The air smelled unsettlingly clean and as I grudgingly opened my weary eyes, I saw people wearing doctor’s uniforms rushing in and out. I recognised that I was wearing different clothes, as I was now lying on a stiff mattress in a soft silky robe. I noticed that the salty taste of blood in my mouth was gone and as I curiously looked at my previously disfigured arm, I saw that it was strapped to a table in a big bulky cast.

Straight away, I broke out of my medicine-induced daze and started to panic and cry. A nurse bolted into the room and started to calm me down as she called someone from a phone mounted to the wall behind me. I heard her talking to someone, telling them that I was awake and that I seemed fine.

A few minutes passed, and I heard footsteps near the door and in came a doctor followed by my mum and dad, tears in their eyes. I started to shout in delight as I could not have been more overjoyed to see them. I started trying to get up, but as I did so I felt as if my arm had been stabbed with a dagger, and I let out a yelp of pain.

The doctor that had entered with my mum and dad walked over to me, crouched down and began to carefully explain to me that I had broken my arm and had to have an operation where they put pins in it. He informed me that I would have to stay at the hospital overnight. He must have seen the sadness growing in my eyes because he quickly told me it would be an exciting adventure. I perked up a bit when he told me that I would have to wear the cast for a while, but that all my friends could draw on it and sign it. I thought about how cool it would be to show my new cast to my friends and so I nervously agreed to stay.

A day and lots of X-rays and checkups later I was released from the hospital, and as I walked out I took a deep breath of fresh air and let out a sigh of relief. The following weeks at school were some of the most interesting I’ve ever had, as they were filled with classmates surrounding me, hammering me with questions and teachers pampering me. I was a celebrity.

6 years later, I am still having problems with my arm due to a rare condition I have been diagnosed with named “necrosis of the radial head”. (At the central hospital in Texas, only 8 people have been diagnosed with this condition.) This makes me severely regret not paying attention to my surroundings at the time and it constantly annoys me that all the constant pain and discomfort I feel in my arm could’ve been avoided if I hadn’t played that game of tag. This incident was my first big learning experience and since then I have become a lot warier of my surroundings and learned to take precautions, because safety is not a joke and you should always listen to warnings. However, I did get one good memory out of it all: I got to ride in an ambulance.

Louise Jones: The Cracked Mirror

She started applying her makeup, pressing the fine powder onto her flawless skin, scraping the dregs from the pallet. Her lady’s maid began pulling at her hair in all directions, rushing her along.

“He’ll be waiting on you, ma’am,” she said, grabbing Clara’s dress. “The tailor has been working on your dress all night: he thinks it’s his best yet.”

Clara took the dress and felt the silk slip through her fingers. Her lady’s maid helped her slip into her petticoat before helping her into the dress.

She looked at herself in her mirror, and the crack made the green shimmer and her look beautiful.

The ballroom was larger and grander than anything she’d seen before. It was lit by rows and rows of chandeliers, and was full of crowds of people drinking and dancing to the sounds of the orchestra. The gowns, the jewels, the crystals dripping from the chandeliers, even the floor beneath her feet appeared to sparkle.

He was mingling with royalty from far-off countries. But when he saw her, they seemed to disappear. Everyone else around him was like a blur; he was the only thing to make sense.

His hair had fallen into his face, hiding his emerald eyes. Her favourite colour. His blood-red suit stood out among the black and white. The crown on his head shimmered like the chandeliers.

She watched him from the other side of the ballroom. He looked naturally like a Prince.

She was wearing a green dress that night. No, she was wearing a red dress. The one her mother said makes the boys in the village stop to get a second look. The one that transformed her into a different person.

Clara knew her biggest challenge of the night would be not to make a fool of herself, but a part of her knew that wouldn’t happen. She felt a new confidence in herself; she guessed the thought of him being finally near her again calmed her nerves, but obviously that was all in her head. What if he didn’t even remember her? That was a possibility. As much as her mother said ‘she’s a catch’, somehow she had not been able to believe that. Yet.

The nerves were biting at her stomach as she stood waiting. Every possible outcome of the night was darting around her head. Why would he remember her? He was a prince, for crying out loud. She’s made a mistake. This whole night was a mistake. She should just have stayed and watched the village performance, at least they’d have a-

“Clara?”

That voice. She turned around and there he was. He’d pushed his hair out of his eyes, allowing the emerald to be seen. His crown sat slightly slanted on his head. And his suit matched her dress. It was meant to be.

He took her hand in his and bowed. She giggled and wrapped her arms around him.

“I missed you,” she mumbled.

“I missed you too, my love,” he smiled.

“Shall we dance?

They fell in step, letting the rhythm control their movements. All the scenery and people around dissolved. It was him and her, alone.

His emerald eyes glistened, and a smile spread across his face.

Uncontrollable feelings surged through Clara’s body. As if she was dreaming, her body was acting on its own, no chains to hold her back from this pure paradise.

“I was waiting on you,” he said, spinning her around.

“My carriage took longer than expected.”

“Well, you’re here now” The most perfect smile spread across his face. She couldn’t help herself, and soon her face mirrored his.

They danced, they laughed, it was perfect. She’d never be able to describe this feeling to anyone. The feeling of love and being free.

Before she knew it, they were sitting by a fire, drinks in hand, laughing about an old family portrait.

“I wasn’t ready,” he said rolling his eyes.

“I don’t think it’s awful,” she lied.

“It’s bad.”

“Definitely.”

Clara placed her head on his shoulder. She wished they could stay like this forever.

“What time will your mother be wanting you home?” he mumbled.

“She wanted me home before ten,” she said, looking up at the clock, “but I think I’ve missed that.”

“Well, one more dance shouldn’t hurt.”

They made their way back to the ballroom, just in time for the final dance. He took Clara’s hands in his and swept her across the floor. When the music began slowing down, he cupped her face in his hands.

His hand felt cold on her cheek. When she met his gaze, his eyes were no longer emerald but blue, like her own. The guests around them started shrinking. His hand no longer looked like his, but smaller and more petite, like her own. A shiver ran down her spine as the chandeliers began cracking, splintering into the rotten wood of her floor. The gowns, the jewels were just attached to her dolls, sitting as they always were in their dollhouse. Playing make believe. The floor beneath her only sparkled with the glass from her mirror. Clara felt tugging at her hair, her little sister was pulling at it in all directions, rushing her along.

“Mum’s waiting. The production is about to start,” she complained. “And she said you’ve to get your mirror fixed.”

Eilish Harkins: Black and White Hawk-Eagle

“Late again, I jumped out of my bed. I put bird fat in my hair and slicked it back into the regulation bun. I quickly ran across the metal landing and down the stairs to the flyers’ room. There was no time for breakfast, which was a shame because balut was on. The texture of the squishy surprise inside! Nothing can top it.

The flyers’ room was the loudest of them all, as you could hear the last call of the bird before darkness embraced it. Not to mention the slice of the quick metal sliding down the wooden guides. I was at station 7 today. It was a big upgrade: I was usually in charge of the flightless birds, but today Ines was ill so I got to fill in for her.

They delivered my first bird. I’d never really done this before. It was a black and white hawk-eagle: it had bright, yellow claws and a sharp, curved, beak of a vibrant orange. It must have come all the way from Argentina; wasn’t I in for a treat? Usually they only give this type of bird to the experts, as they are extremely strong flyers. The strong flyers are normally put at the front of the pack.

The bird was locked in a plastic box, with its head poked through a hole created to hold it in place. It looked up at the blade, begging it not to fall. Then it looked to me, with a glimmer of despair in its eyes. They were striking, a piercing yellow surrounded by black plumage.

A strident call shattered the air, louder and more desperate than the others. That’s when I let the blade drop. With a satisfying thud the bird’s head fell on the table. I unlocked the plastic box and removed the body, which was enveloped in a thin layer of sticky blood.

I picked the carcass up by the neck and took a plastic tube. I threaded it right into the jugular vein and took a blowtorch to it. The plastic melted right in, sealing the wound.

The tube delivers blood to the body to make the wings flap. The head is cut off to remove any chance of rebellion, to take away the bird’s autonomy, thoughts and power. It was then time to fuse the legs. Having both legs moving separately can sometimes scratch the tubing, so to avoid that, we bond both of the legs together to create one limb. We pull the claws off and make a cut on the inside of both legs, creating two wounds which we then sew together to form one leg.

Bird after bird I got, head after head I chopped.

Before I knew it, it was feeding time. We all gathered in the feeding hall. We were having whatever birds had passed that morning.

After afternoon feeding I was back on the flightless birds. I was assigned to hook up a cassowary. I was in the blood chamber in the belly of the aeroplane; the cassowary was sedated on a roll-away table. I took the butterfly needle and inserted it into its throat. The tube was connected to the churners, two cylinders attached to every aeroplane that hold the blood. The churners are spun by owls: their heads are attached into a mechanism where they turn them from side to side to side. They spin it so that it doesn’t clot. Whenever it does clot, however, we all get bird blood clot soup for lunch. It has a funny texture: it’s very slimy yet not cold in the slightest, as they heat it up beforehand.

I locked the cassowary in one of the plastic-screened boxes lining the wall of the blood chamber. The door had a hole in it for the bird’s neck, in order to ensure that the tubing isn’t ripped out. It woke up half an hour later and panicked, as expected. It banged its body against the walls, twisting back and forth. This part was critical. I had to make sure that the tubing remained intact and that it couldn’t retract its head back into the box.

It started to growl. The cassowary has a strange call, a sort of dinosaur-esque growl. It sounded like a song of sorrow. No matter; its blood will fuel the plane for at least 30 years. Usually they live to about 60, but fuelling really sucks the life out of the birds, causing them to age faster.

I then went to the blood chamber in the next aeroplane, as there was a problem with the tubing. A rook had escaped and chewed through a quarter of all of the tubing. I had never heard of this happening before; a bird has never gotten out in the 5 years that I’ve been here. There was blood everywhere, birds squawking and screeching but worst of all, a ton of work to do. The rook was nowhere to be found. Probably dead somewhere. We sent out squadrons to capture it.

A team of three in my squadron and I rewired the blood chamber. It took hours. Thirty of the birds were dead, the rest were nowhere to be seen. Most of them flew out the second we opened the doors; the others bled out on the floor. I had never seen anything like it. By the time we were finished, I was starving and exhausted. I went straight to the feeding hall and got my portion of chicken broth with a side of talons. I was surrounded by hushed, curious conversations. Everyone was in shock; nothing like this had ever happened at the factory before.

How on earth had that rook escaped? We tested the cages so many times. They were supposed to be proofed against this.

As my head hit the pillow that night, I couldn’t help but think about where that rook had flown off to. I wonder if it knew how much chaos it caused? Of course it didn’t; it’s just a bird. A few hours later, I finally fell asleep.”

Their mother puffed out her chest, put the book down and sighed. She was wearing a pigeon-breasted blouse, with an impeccably-made skirt. On the tip of her hooked nose, balanced very delicately, were a pair of pince-nez glasses.

 ‘And that, my nestlings, is how the Great War began,’ she said softly. ‘This diary entry was taken by one of the Great Master of Espionage’s closest friends. The Master of Espionage was captured after his wrongful exile by the jealous King. The humans bundled him away and tried to make him work on the aeroplanes. They locked him in a cage and stole his blood. He was stuck there along with many other brethren.’

She continued, ‘Then he escaped: he destroyed the wiring in the aeroplane, taking with him countless others. He flew all the way to the Great Assembly, he pulled the sheep out from our eyes, allowing us to see again. He explained to us all the atrocities he saw there; he wanted to take action. However, the King and Queen were cowards, so he killed them.’

She spoke with a rush of pride: ‘He took over as our leader and led us into war. He created not only a united population but also an army! He gave us all tasks and duties, he made a place for us all.’ Then her voice took on a tone of warning: ‘One thing you need to learn, my nestlings, is that humans are never satisfied. They have legs, they walk. Then they want to swim, because walking isn’t enough. After swimming, they want to fly, so they steal that. They tried to strip us of our flight, but we will not have that. We will drop our droppings on many a human to come. We will grab garnets by the thousands and we will devour doughnuts aplenty! Because that means war.’

Vhairi Mulgrew: From Me (You) to You (Me)

The 8th of April, 2000. 20:22, precisely.

Mina was waiting beside the grandfather clock, like she did every year. Except this year, she was all alone.

With each year that passed, her birthday had slowly dwindled to become a party of one. First, her cat died, then her dog, then her grandmother, then her other dog, her father, then, in January, her mother. Not to mention that her grandfather was in the hospice and her sister was in a boarding school in Germany.

As in many aspects of life, she was totally alone. Sad, but at least the fact that she was used to it softened the blow.

Mina had given up on wishing. Specifically, blowing out her candles and hoping upon a miracle that this year wouldn’t be as bad as the previous one. Instead she had resorted to a scornful remark as every year she grew older. Eventually the birthdays seemed to blend together, and she wasn’t sure if it was her twelfth or twenty first.

Mina saw that the sun had begun to make its sad journey to the bottom of the hills, signalling the end of another day. To the majority of the seven billion other people out there, it was just another Thursday. They didn’t even think it was someone’s birthday today, and they probably couldn’t care less if it was. Taking an opportunity to bathe in her own pity, Mina decided she would blow her candles out while enjoying the slow sunset, acting as though she were the only person alive. So, she stepped outside, laying her cake on the patio and sitting down next to it, waiting a few moments, allowing herself to take in the cool breeze which was painting her face.

Then she brought the cake closer to her face, and without thinking too much about it, stated her wish out loud.

‘I wish this year… I had someone to spend it with.’ That was it; that was the wish she made, as her weary breath dissipated the lonesome flame into the atmosphere, her hope subsiding with every particle which vanished before her eyes.

As she walked back into her house, carefully ascending the steps so as to not drop the only thing she had, she found humour in her statement. What was she thinking? She was perfectly fine by herself. She didn’t need someone at her party. Just her, and her cake. That was fine. She liked cake.

Just as Mina set her cake on the kitchen counter, there was a vigorous knock at the door. And that was odd; she had a doorbell. Even more odd, there was someone at her door. That only settled in Mina’s head as her feet shuffled along the hallway and her hand reached for the handle of the door. Gently, she pulled it open and was surprised to see a girl standing there.

She had a poorly-wrapped box in her hand, and as Mina scanned her face, she realised she had no clue who this was. However, what struck her was the remarkable resemblance this stranger bore to her own features. In fact, her entire body was almost a mirror image of Mina’s own. But something was older in her face. More mature. The girl spoke, without any prompt from Mina.

‘I’m here to hang out.’ The girl walked in without invitation, her expression mostly unmoving, totally calm, with just a slight essence of a smile on her face. Mina was rather taken aback; who was this person and why had she walked into her house? Finally, she had to say something, after she was taken out of her state of shock.

‘I’m sorry, who are you?’ The girl turned on her heel and for the first time, the two really shared eye contact.

‘That’s a good question. But it has a very long story to go along with it.’ The mystery woman waltzed nonchalantly through the house, as though it was her own. Then she paused suddenly and pushed the gift towards Mina.

‘Oh, I almost forgot. This is for you. Happy birthday, kid.’

Mina’s brows knitted and her mind filled with questions.

‘Me? How do you know me?’

‘I’m still trying to decide how to phrase that.’ The girl responded to Mina’s confused expression with an even more perplexing answer.

She opened her mouth to speak, then closed it, second guessing herself. Finally she said,

‘You’ll understand one day.’ She glanced around the kitchen before speaking once more. ‘Well look. I’d love to stay for cake, but I’m not a big fan.’.

‘Wait, but what was your name?’

The girl sighed inwardly, not answering, then produced a crumpled piece of paper from her jacket. She handed it hurriedly to Mina, whose eyes widened with confusion at the object.

‘Don’t open this until I’m gone. Or ever really, you don’t need to. Just, it’s important: don’t open it until I’ve left.’

And with that, the second Mina glanced at the gift, she had left, ambling out the door, prompting Mina to follow. She called after her, desperately not wanting to be alone again. Mina stopped at the door frame, staring longingly at the girl who now stood outside in the middle of the road, waving with an almost disappointed disposition.

Then, Mina blinked, and the girl had gone. Her mind’s creation had vanished before her very eyes, just like those flames did. Gone, almost in an instant. As the lonely feeling sunk in, Mina felt her eyes prick with tears, but she didn’t let any come out. It was her birthday after all. No one should be crying.

But she began to. Without her consent, tears came trickling down and soon her cheeks were stained and her eyes were blotchy and itchy. That feeling of loneliness was even more heart wrenching. It had more impact, the absence of someone.

At least, she thought, still blinking at the spot in the road she had just watched the female disappear from, at least she had gotten her birthday wish.

It was then her memory sparked, and she remembered the note the girl had given her and told her not to open until she had left. Mina rushed back inside and found it. She unfolded it gently, revealing the text across it:

‘You’re going to be fine. Ana will come back from Germany, bearing good news that she’s coming back to the US permanently. Sadly, grandpa doesn’t make it. He died peacefully, in his sleep, and you at least get to visit him one more time before he passes. This is your last lonesome birthday, I promise.

See you soon (literally). From Mina (you).’

Richard Lenehan: The Need to Atone

In 1929, the G’psgolox totem pole was taken, without consent, from a First Nations community in Canada to Stockholm’s Museum of Ethnography.  The settlers that took it did not understand, or did not care to understand, this artefact’s socio-cultural importance to that community.   A totem pole is carved from wood to commemorate death: as the wood rots and becomes one with the earth, so too do the souls of the deceased.  In its ignorance, the Museum preserved the totem pole indoors in storage, thereby “trapping” the souls that it commemorated by not allowing it to rot.  Only when a replica was supplied in 1991 was the totem pole finally repatriated, allowing the community to heal in the knowledge that its dead were finally at peace.

This incident illustrates how significant cultural property is to communities, and why we need to address the colonial history of such artefacts in our museums.    Taking a totem pole from its community was akin to stealing a gravestone from this country – an action that we would see as clearly wrong.   Hearing about this made me think about cultural artefacts we have “collected” from other countries, and this essay will argue that these should be repatriated.  It is clear that these artefacts have stories to tell.  We should consider who has the right to keep these objects, and to tell their stories.

Our museums are filled with spoils from our imperial and colonial past.  Not only that, these objects tend to be displayed in ways intended to vindicate the actions of our ancestors in returning from overseas with the cultural property of others, and to tell the stories of these objects from the collector’s point of view, rather than in a cultural context.  This is wrong.  These items would be enriched if seen in the context of the place of their origin.  I am not arguing that we have inherited guilt for looting by our forebears.  I am however arguing that we have inherited responsibility for their actions, and that it is up to us to make things right.

Standard arguments in support of not repatriating artefacts include that they should be displayed in central western locations where they are accessible to the largest number of people, that they will be better looked after in our museums, that they contribute to our knowledge and understanding, and that they may never have been found if it were not for the “collectors”.

Museums are curated to elicit a particular emotional and intellectual response to the objects they display.  Their curators are, however, conditioned to view history from their privileged perspective.   It can therefore be argued that the true historical and cultural context, and the importance of looted artefacts, not only cannot be appreciated here, but is also denied to their rightful owners.

In my opinion, another important reason for returning artefacts is that taking them without permission was stealing.  The stripping of relief sculptures from the Parthenon by Lord Elgin in the 1880s is an example of this.  At that time, the Ottomans occupying Greece gave him permission to take small artefacts from the building, but not to interfere with its “walls or works”.  Removal of what became known as “the Elgin Marbles” was in contravention of his permit, which was, in any event, issued by those without cultural rights to the site.  This can only be described as theft.   A modern-day analogy would be if the United Nations, who had temporary charge of parts of Glasgow during COP26, had allowed delegates to take home historical Glasgow artefacts as souvenirs.  There is no doubt that this would have caused an outcry, and justifiable demand for their immediate return.  

This theft was compounded by the mistreatment of the Marbles under British care.  During their time in the British Museum, the Marbles were cleaned with a metal wire brush to make them look whiter, thereby destroying a lot of fine detail, such as muscles and sinews.  It is therefore hypocritical to suggest that they are better protected here.  In fact, the artefacts would have been better left in situ.  Indeed, at the time they were stolen, accurate casts of the Marbles had already been made, meaning that replicas could have been enjoyed in Britain, with the originals remaining in place to be viewed in their historical and cultural context. This is another situation that should be addressed by repatriation and apology.

There are also clear moral arguments for the return of artefacts.  There was an element of control in taking them from a territory in the first place – it was symbolic of taking control of the territory itself too.  These artefacts are not now easily accessible to the peoples from whom they were taken, and for whom they have cultural significance. 

Moreover, there are clear economic arguments for the return of artefacts.  Items of historical interest frequently come from less developed countries.  There is a real possibility that returned artefacts could be the form the basis of a tourist trade.  You can draw analogies with how Scotland has benefited so much from cultural tourism in recent years, and it would be unjust if other nations could not benefit from their cultural heritage due to the misappropriation of symbols of that heritage.

In wake of recent consciousness-raising events such as the Black Lives Matter campaign, I believe that the fact that artefacts serve as reminder of past oppression is also important when coming to a decision on this point.  The shackles and yokes used on slaves in the 1880s in the southern United States of America are reminders of the atrocious acts committed, and the complete lack of freedom of the stolen people from the southern continents.  We acknowledge that cultural appropriation is wrong, and that dominant cultures should not appropriate from minority cultures.  This should be as true in relation to artefacts as it is in relation to behaviours, rituals or attire.

Museums need to review their acquisitions, and to ask critically whether they need to reframe the context in which they are seen.  They should also be asking whether the items belong with them, or whether they rightfully belong elsewhere.  If they belong elsewhere, then they need to start the process of repatriation, apology and healing.  This last year has shown us that people are questioning this country’s imperial and colonial past, and wanting to make some reparation.  To date this has taken the form of the removal of statues and monuments, but the return of looted artefacts to their communities seems like the logical next step to explore.

Bibliography:

https://projects.seattletimes.com/2018/artifacts-of-injustice/
https://traffickingculture.org/encyclopedia/case-studies/gpsgolox-totem-…

Juliet McKay: Black and White Films are Superior to Films in Colour

“The first knee jerk reaction of my kids is that they don’t want to see a black and white movie… 10 minutes into the picture, they don’t know whether it’s black and white or in colour.” (Steven Spielberg)

For many, black and white (B&W) films belong firmly in the past. This is understandable; 1961 was the last year in which the majority of films released were B&W. Despite this, two B&W films still grace IMDb’s list of the top ten greatest films as voted by users.  One from 1957, despite colour becoming more commonplace, the other from 1993, which was a very clear, conscious, stylistic decision. These are Sidney Lumet’s “12 Angry Men” and Spielberg’s “Schindler’s List”. This suggests that there’s still an audience capable of appreciating black and white films as some of the best movies ever. Yet, inexplicably, many younger viewers refuse to watch anything in B&W, some of my friends and Spielberg’s own children included. I personally much prefer the look and feel of B&W and believe monochrome to be far superior to movies shot in colour for aesthetic, historic and genre related reasons.

Nowadays colour is often assumed to be the more interesting and realistic option; however, popularity seldom equals greatness. B&W provides a simplistic, beautiful quality that colour is unable to replicate or replace. Over time, B&W has been overtaken by colour and now remains a rare artistic choice. Since most of the content I consume daily is in colour, I pause when I see something in monochrome because it allows me to dive into a whole other reality. Films aren’t real. We use them as an escape to another world, not simply a reflection of our own, and B&W enhances the experience. We live in a world full of colour; why would you want to watch something so familiar? It can be utilised as a tool to embrace the distinction between the real world and the fictional place the medium transports us to. Frank Darabont, celebrated director of “The Shawshank Redemption” (1994), believes that this unique view of the world “is what makes black and white so very cool.”

Remarkably, B&W films are also able to achieve the very opposite and make a film feel even more real, director/screenwriter Samuel Fuller said, “Life is in colour, but black and white is more realistic.” This can be done by giving it a serious, gritty documentary tone – “La Haine” (1995), or by making it feel authentic to the time period – “The Elephant Man” (1980).

B&W can place a movie in a specific time period by creating a link to the past; “Ida” (2013) succeeds beautifully in establishing its setting as bleak, post war Poland. It can also be used to pay homage to certain genres or film techniques. Noah Baumbach chose to shoot his film “Frances Ha” (2012) in monochrome to mimic the French New Wave movement from the late fifties and sixties. They were usually B&W, used low budget, simple techniques and rejected typical film conventions. I really love that B&W is still being used to pay tribute to some of the most influential periods of cinema and is often the perfect choice.

Classic Hollywood, a time rightfully referred to as ‘The Golden Age’ catapulted stars such as Humphrey Bogart and Katherine Hepburn to icon status and was a hugely influential era of cinema. The grayscale glitz and glamour of this era in cinema history I believe is unmatched. B&W is an integral and iconic feature of films made in this period. Classics like “Casablanca” (1942) and “Citizen Kane” (1941) were colourised and rereleased during a failed attempt to attract viewers by Ted Turner of Turner Classic Movies proving only that films intentionally shot in black and white should be left that way. The Golden Age of Hollywood was an important time that revolutionised many aspects of the film industry, these films remain essential watches. Monochrome is perfectly suited to this era because so many of the popular themes are enhanced by the lack of colour and the contrast between black and white: paranoia, suspense, morally ambiguous characters, good versus evil and their often-cynical view of the world.

Furthermore, film noir, one of this period’s most iconic genres as well as my personal favourite, would not exist without B&W. The monochrome enhances every aspect of these films that includes “Double Indemnity” (1944) or “The Big Heat” (1953), from their dark atmospheres to the figures that emerge from the shadows, cigarette in one hand and pistol clutched in the other. “The Man Who Wasn’t There”, the Coen Brothers’ 2001 film, mimics the style of film noir through use of B&W. Other neo-noirs, filmed in colour, for example “LA Confidential” (1997), use popular film noir tropes yet, along with the loss of B&W, the essential noir atmosphere and look is also lost. In this movie, when audience and protagonist are introduced to Kim Basinger’s femme fatale, she is dressed head to toe in black and white, paying homage to its inspiration and suggesting the director would prefer it to be monochrome. Guillermo del Toro has a star-studded neo-noir coming out next January in colour. Although I am looking forward to this, would it be better in B&W? Obviously, the answer is yes.

Black and white films should not become a thing of the past. They have captivated audiences for over one hundred years and I hope that they continue to do so for another hundred. I would love to see more films make this stylistic choice in modern cinema but I also think it’s very important to continue to watch classics. Glorious technicolour was a revelation when the world was first introduced to it but now, films in colour just feel too ordinary. Even some of my favourite films in colour are ones made by directors like Alfred Hitchcock who started in black and white and continued to use it when colour became available, only using colour if it was to play a significant role in storytelling. Through perfecting the craft of making films without colour, he shows that you can tell a story flawlessly without it. However, recently an article by Variety predicted that the cinematography category at the 2022 Oscars may be dominated by B&W, including films such as ‘Belfast’ and ‘The Tragedy of Macbeth’ showing that monochrome might be making a well-deserved comeback.  While some may still disagree, for me, colour has never moved from beyond the gigantic shadow cast by black and white cinema.

And cut!

Bibliography:

https://www.rogerebert.com/interviews/casablanca-gets-colorized-but-dont-play-it-again-ted

Sidney Lumet: Interviews by Sidney Lumet

https://www.infoplease.com/culture-entertainment/film/movies-and-film-aesthetics-black-and-white-and-color

Steven Spielberg on the Importance of Studying Classic Films – AFI

https://variety.com/2021/artisans/awards/female-cinematographers-could-dominate-oscars-1235104934/

Cara Boyce: Rainbow Connection

Growing up, I never really understood the fascination with rainbows. Yes, it was cool that there were different colours in the sky but my mum had explained the science behind rainbows and it made perfect sense to me. Light enters a water droplet, slows down, bends from air to dense water, light reflects inside the droplet separating into component wavelengths that form into colours. Simple enough to understand. So why was everyone so interested in them? It wasn’t until I was 13 in an S2 physics class that I found out that rainbows have more than two colours. That there was more to rainbows than just blue and yellow. Obviously I knew the colours of the rainbow, learning ROYGBIV in primary school of course, but I never really made the connection that rainbows were supposed to look like that. I was nine years old when I found out why I didn’t see rainbows the same as everyone else.

In Primary Five, my teacher noticed that I was struggling to read certain things. I was smart but was getting really low marks in the classes weekly spelling tests and I struggled sometimes when reading, despite the fact that I loved to read and did so frequently. So my teacher suggested that I be tested for a number of different learning disabilities including dyslexia and colour blindness. It turns out I have both of them. Two very simple diagnoses that changed the rest of my life. My big brother was also tested, as these things are often genetic, and it turns out he is colourblind as well. We found out that we both had inherited red-green colourblindness, deuteranopia, from our dad. Along with that I had also inherited my dad’s dyslexia. I found out that it was pretty common for men to be colourblind however it’s quite rare in girls. 1 in 12 men are colourblind which is around 8% of the population. However only 1 in 200 women are colourblind which is only 0.5% of the population. This means that my diagnosis is very rare. At the time of my diagnosis my optometrist told me he only knew one other woman in Britain who was colourblind. Since I was diagnosed in 2013 I’ve met countless men who were colourblind but to this day I don’t know any other women with the same deficiency as me. While I do have my brother and dad to relate to, I’m quite isolated when it comes to day to day life. It’s difficult to relate to my male family, when they simply don’t experience being colourblind the same way I do.

Although colour blindness has obviously been around since the beginning of time, the very first scientific research of colour blindness was conducted in 1803 by John Dalton. Dalton himself was the first documentation of colour blindness in 1764. Dalton’s research stemmed from him and his brother both being colour blind. His suggestion was that there was a shortage in the colour perception due to discolouration of the liquid in the eyeball called aqueous humour. Dalton believed that the aqueous humour was bluish and therefore filled out all the colours. When John Dalton was alive he became a respected physicist and chemist. In his will he stated that there was to be an autopsy of his eyes after his death to determine if there was bluish in the human eye. Unfortunately there wasn’t any bluish liquid found, disproving his theory. Despite this he has become somewhat the father of colourblind research. Sometime after his death it was discovered that in the eye there are three types of cone cells and each type has a different sensitivity to light wavelengths. One type of cone perceives blue light, another green and the third and final perceive red. When looking at a colourful object light enters your eye and stimulates the cone cells. Your brain then interrupts the singles from the cone cells allowing you to see the colour. The red, green and blue cones all work together to allow you to see the whole spectrum of colours. For example, when the red and blue cones are stimulated in a certain way you will see the colour purple. However someone is colour blind when you don’t have one of these types of cone cells or they don’t work properly. In my case they don’t work properly. 

2.7 million people all over the world are colourblind. The red-green colourblindness is usually passed down from the parents, the genre responsible for this is carried on the X chromosome. The vast majority of those that are colourblind inherited the condition from their mother who is normally a ‘carrier’ but not colour blind herself. However if a woman is red-green colourblind then all her sons will be as well. Which means all my sons will be colourblind. 

Like most things related to being a woman I face an insane amount of discrimination because of my colour blindness. Although it might seem surprising, several people have told me that I am faking it. I’ve been told that women can’t be colourblind. That I am simply lying to get attention. I’ve been told that I am pretending just so I can get more ‘attention’ from teachers in school or from boys. When I mentioned this to my brother he told me no one has ever questioned his deficiency. People just accept that he is what he is saying. That he isn’t lying for attention. It’s heartbreaking when you are told that you love attention simply by asking someone if they know what colour something is, when in actual fact you just want help. Asking for help has always been incredibly difficult for me, particularly when it comes to colours. Asking someone at 17 what colour a pencil is gets you some strange looks. People look at me like I’m an idiot when I ask if I’m using a blue or purple pencil. Being someone who wears makeup I find it nearly impossible to find the correct colour. As I am so pale I’m able to just use the lightest shade of foundation or concealer and it works perfectly fine. But when it comes to eyeshadow and nail polishes. Well, I am completely lost. If you’ve ever owned or even looked at a nail polish bottle the ‘names’ of the colours are on the bottle. And believe me, they are insane. I own a nail polish called “Pillow Talk”. I could not figure out what colour this is but this is obviously blue. Obviously. The only way I am able to tell this is my mum. If i want to buy makeup I have to force my mum, who is the only person in my household that isn’t colourblind, to come shopping with me and get her to follow me around the shop and let me ask her what colour certain makeup colours are as I hold them up. On more than one occasion I have turned round and am showing eye shadow thin air. I am then required to walk around aimlessly looking for her. It is so incredibly frustrating not being able to choose things without someone else’s help, it forces me to rely on people and even if it is my mum it is extremely discouraging. 

With three colour blinds under one roof there’s always something entertaining going on. We all loved to follow my mum around asking her what colour things are. However, when she leaves us home alone, we fall into a slight disorder. Three years ago my dad and I were left home alone and we made lunch. Just some simple schnitzel from Costco. After 30 minutes in the oven we checked to see if it was cooked. It seemed like it was fully cooked but we still don’t know if it was cooked or not. It seemed hot enough but we couldn’t quite tell, even when it was cut open we didn’t know. With mum being out and i being braver than my dad i tested it out. The texture seemed fine and it tasted fine and was hot enough. So we dug in. When my mum came home she saw the leftover chicken we hadn’t eaten and freaked out. Apparently it was pink. Almost entirely pink and raw. Miraculously we were not ill. There was only one other time when I ate somewhat raw (according to my mum) chicken and I was quite ill that time. This is so incredibly frustrating not being able to cook alone without fear of accidentally poisoning myself. My mum teased us about this for weeks. My dad and I are quite an iconic duo when it comes to being colourblind. When I was 15 I decided that I wanted to repaint my room all by myself so we went off to B&Q and came home with a yellow and paint called ‘cornfield white’. It wasn’t until i put it on my walls my mum realised that the colours were not yellow and white but in fact were yellow and BLUE. The cornfield ‘white’ was really cornfield blue. How stupid is that? So I’ve been relentlessly teased by my family and friends over our unfortunate colour mix up. Thankfully blue and yellow pair nicely together.

While being colourblind can seem like a source of entertainment and jokes, there are surprising difficulties, small things that in the grand scheme of things greatly affect me every single day. One thing that might not seem so serious is my difficulty distinguishing between red and brown. Unless it’s a bright bright red I can’t really tell the difference. One of the most frustrating things is not being able to tell what’s happening in my own body. On more than one occasion I’ve been brushing my teeth when I spit red or brown. I can never tell if it’s simply chocolate or coffee or blood. I know it doesn’t seem like a big thing but it’s terrifying to not know what’s going on in my own body, not being able to figure out if your gums are bleeding simply because of your eyesight. However, by far the worst thing about my colourblindness is my inability to read red. Mixed with my dyslexia I find it nearly impossible to focus on any letter in the colour red. My dad however does not have this, despite our colour blindness being almost identical there are still some differences in the way the cone in my eye is shaped. This means that red is completely off the table. Because of my dyslexia every word moves but in red it’s the worst thing in the world. Even if I try to focus on them I end up straining my eyes and getting a splitting headache for the rest of the day. School is especially hard, with teachers making almost entirely in red and writing on the board in red to spice up their work and make it more engaging for everyone else but me. So the easiest thing for me to do is just tell my teachers at the start of the year that I cannot read red. However, teachers teach plenty of classes a year so it makes sense that they might forget. But, for two years straight, every single day I had to tell my maths teacher that I couldn’t read red and every single day she would huff and puff as if it was my fault. To top it all off, at the end of the year she gave me a supposedly very nice card that I couldn’t read as she had written it in red. How thoughtful of her. Still this has made for some very fun birthday cards, my friends LOVE to write in red or dark pink pens. 

My colour blindness has always been and always will be a big part of who I am. It is how I see the world and how I communicate with those around me. Not only that but it connects me to my brother and dad in a biological way but it has also brought me closer to the both of them as we relate; with the issues we’ve navigated, silly things people say to us when we tell then we’re colourblind and knowing that the three of us see the world the exact same way. Because of this minor disability we all have a strong connection with each other and with the world around us. Being colourblind can be a challenge. But I am glad I have my brother and dad to help me through it even if they can’t help me choose the right paint colour.

Olivia Ritchie: Talking to Someone: A Cliché That Works

When reflecting on our lives to better know who we are, we see the moment, or moments, that changed or shaped us; and the people who had the biggest effect on us whether that be for the better or the worse.

I was chosen to be a leader for a school retreat and doing this has been the most rewarding thing in my life as it enabled me to break through my barriers and talk to someone. As a leader, you have to give a talk to everyone about a certain topic. As I stood in front of a room, of relative strangers and told them things my best friend and my mum don’t even know, I was the most nervous I had ever been. Those who know me, know I like to talk a lot, but I don’t like talking about myself. Why would I dare to openly tell a sea of younger pupils things about me – things I had never said out loud before? Because in a few words: this experience saved my life. 

From a young age, I bottled up what I felt. I bottled up everything that was going on in my life, and my mind, and told no one. Until recently. It’s a long story as to how that happened and the journey, to me bettering myself through opening up to people I trust, is a long one. I’m going to tell you my story of how simply talking to a teacher that I trusted, not only made me feel more comfortable giving my retreat talk, but impacted me immensely, and I assume, will do for the rest of my life.

The things I’ve been through have shaped and affected me my whole life. There are numerous moments that all contributed to me not talking to people about what I was going through. So to fully understand why, sitting across from Mr Ferrie, in a surprisingly comfortable seat, in an office that wasn’t his, talking to him about my life, about things I’ve never told anyone and him listening, was such an impactful moment in my life. You need to first know the moments leading up to that. There is a moment in everyone’s life, most likely a few, where their spirituality has been shaken; where they’ve begun to question the world.

This moment for me didn’t come when, at 5 years old, my nan died but rather a few months later when my dad left me and my mum. Or I guess it’s more accurate to say that my mum kicked him out. I don’t remember much leading up to the day my dad left in a lot of detail. I remember my mum and dad fighting and looking back I must have known something was wrong because I remember on the day he left I wasn’t surprised. It felt like the day I had been dreading for months had finally come.

No matter how much time passed, or how unlikely it was, there was always a little part of me that hoped that they would make up and I could have that picture-perfect family that I had always seen in the movies and TV shows. But that’s unrealistic. Now that I’m older, I know that you don’t need two parents to be happy, you don’t need a dad or a father figure in your life to be complete or to be normal. But when I was a little girl, I didn’t know that. All I wanted was to have my dad. I simply wanted to have what all my friends had.

I know it’s a cliché, and people say all the time that when parents leave it’s not the kids’ fault, but when my dad left I felt like it was my fault. For the next two years, I hardly saw him and to this day I don’t know how much of that was my mum pushing him away or how much was him staying away. All I knew was that he was never there.

Society tells you that your parents are supposed to love you unconditionally and I couldn’t understand why my dad didn’t love me enough to stay. I concluded that it was because I wasn’t good enough. That thought, that I wasn’t good enough, followed me for the next ten years. My dad leaving hasn’t only affected my spirituality but it has affected every other relationship I have ever had. My dad then started a whole other family and I felt left behind. It was like if we were characters in A Christmas Carol he was Marley and I was the shackle weighing him down. On so many sleepless nights the same thought ran through my mind: if my dad can stay with his other family; if he can love and not leave his other kids, why couldn’t he do that for me? I spent every day after he left wondering what I did wrong because he was capable of staying, so it must’ve been me. The only logical explanation was that I must’ve been the problem.

When my dad got married I was around 8 and I wasn’t invited to the wedding, He never even told me they had gotten married. The way that I found out was that I saw their wedding photo on the mantelpiece in my nan’s house. I don’t know why I wasn’t invited. I don’t know if he was trying to protect me, or if it was easier for him, but whatever the reason was it will never be justification enough. He never once addressed it. I was eight years old. I wasn’t invited to my own dad’s wedding. So, no matter how logical the reason might have been, he never told me and at that age, all I was going to comprehend was the hurt.

I was beyond upset and angry at him, not only because of the wedding but for all the days he wasn’t there, all the times he didn’t show up. I struggled with self-worth issues and still do. They stem from my Dad and him leaving. So even though I was upset and angry with my dad, as I had a right to be, the main thing I felt was that it must’ve been my fault.

I spent about six years of my life desperately wanting and waiting for my dad to show up. Be the dad that I always wanted him to be. I spent so long watching the door to see if he’d come walking back through it and a little part of me always thought he’d come back, but he never did. After a while, I stopped waiting for my dad to show up and I started wanting anyone to. I had a hole in my life that my dad created which resulted in me searching for a father figure relentlessly. Like I said before after my dad left I constantly felt like I wasn’t good enough and that affected everything in my life after that. It affected my relationships with others and my relationship with myself. For most of my life, I’ve been so concerned with everyone liking me because I’m so paranoid that one day they will realise that they don’t like me and leave. Those abandonment issues clearly stem from my dad, but because I was desperate for everyone to like me, I would change who I was to become the version of myself I thought they’d like the best. I wore masks around everyone and different ones around different people. I had probably 10 distinct, different personalities that I would rotate between and after a while I didn’t know where the masks ended and I began. I didn’t know who I was anymore and I blamed what my dad did and what he didn’t do.

 At this point in my life, I didn’t believe in people anymore and I had no faith in the world or the future. I lost faith in other people when my dad left and over the next couple of years after that, I lost faith in myself. However, despite that, I still had faith that there was a higher power somewhere. I believed that God had a plan and eventually the scales would even out and all of the hard times would count towards something; it would all balance out and the good times were sure to come soon.

There come moments that make it hard to believe in a greater power, that makes it hard to be hopeful, to not be selfish and sometimes hard to forgive.

When I was 11, I came home one day and there was a letter from my nan saying to call her right away. So my mum did. At that moment I got that feeling you get in the pit of your stomach, where you just know, you don’t know how you know or really what it is that you know, but you just know something is wrong. I had that feeling in the pit of my stomach as my mum was on the phone with my nan. My mum then came in and told me that my dad had died.

The first thing I did was laugh because I thought it was a joke. In hindsight, if it was a joke, it’s a pretty bad one and to give my mum some credit she’s a little funnier than that. But in that first second, I laughed, because it didn’t feel real, but then the next second came and it hit me. It was real. I remember running out of the living room and into my bedroom. I sat on my bed. I was frozen for about 5 seconds and then I just burst into tears. My dad had been away on a business trip to Africa and he suffocated in his sleep. That was on Saturday. I found out on Sunday; the 19th of June 2016 – Father’s Day. My dad wasn’t sick, I didn’t have any kind of pre-warning, and I didn’t get to say goodbye.

The main thing I remember during that summer after my dad died was not that he was gone but that everyone around me changed; they changed how they treated me, what they said around me. They treated me like I was made of glass and because of that I felt isolated by the grief I was going through. That summer I was treated like a fragile Christmas decoration and shut away in my very own terrarium of grief. Left to grow but isolated from the rest of the world; made to watch everyone else through the thick pane of glass whilst they never even saw me. I was made to feel that grief is only supposed to be sadness and it’s not, because if it was there wouldn’t be another word for it. Grief is different for every single person. I was sad, I was distraught, but I wasn’t just sad. I was confused; I didn’t understand how, if there was a God, why he would take my dad when he was so young.

I was also angry. I had hated my dad for 6 years and that didn’t just go away because he died. In the last few months before he passed away, he had started to step up more, he had started beginning to be the dad I wanted him to be. He came to my primary 7 school show; he came to my interview for St Aloysius; they were moving house and he told me how I was going to get my own room. Things started to look like he might actually start finally being a Dad.

Then he died. He never got the chance to do the work for me to forgive him. I’ll never know if the months before my Dad died were just filled with the same empty promises he had given me all my life. What I do know is that I still was angry with him, but now he wasn’t here, and the only person I was hurting was myself. Despite the number of times he let me down, the number of promises he broke, no matter how many times he broke my heart, I still loved him. I wouldn’t show it because I felt like he didn’t love me. Not only do I not remember the last time I told my dad I loved him, but I can’t remember a single time. Likewise, I can’t remember a single time he told me. I remember that after my dad died people treated me like they were thinking, ‘She must be so sad because she doesn’t have a dad anymore’, but the truth is, I never felt like I had one. I had always gotten uncomfortable when a conversation switched to the topic of people’s dads; I had always only written Mum when writing school Christmas cards home; I had always only had one parental signature on consent forms. I never had a dad. So when he died I grieved, not just him, but more the possibility of what I could’ve had. I’ll never have a dad or a real father figure, and it took me a long time to come to terms with that and realise that it doesn’t mean there’s something wrong with me. I thought that everyone would judge me if they knew I was still angry with him but I was just self-projecting because I felt guilty about still being angry. I’ve forgiven my dad now, not for him but for me. I had to let go of that hate and anger I had held in my heart since I was 5. He didn’t, and doesn’t, deserve it but I do.

Most of my problems opening up to people, and asking for help when I need it, are all tangled up in my Dad. I’ve had to go through a lot of self-reflection to be at this point. The point where I can identify the moments and people in my life that affect the way I am today.

I struggled with, and still do, self-loathing. I don’t know when it started but I know for definite that from 1st to 5th year, I hated myself. Everything there was about me that you could have an opinion on, I hated it. I hated how I looked, what I did, what I said, what I didn’t do, what I didn’t say. I wouldn’t get any sleep at night because I would be up all night overthinking every little thing that I did. I had a compulsive and addictive need for everyone to like me, so much so that I wore metaphorical masks around everyone. For a few years, I was simultaneously overcome with emotion and at the same time completely numb. Looking back, I can see that I was most likely struggling with some form of depression. Around the beginning of 4th year, I don’t know how or why, but I realised that how I was living wasn’t healthy and I needed to make a change. So I actively tried to get better and slowly but surely I was getting there.

Then COVID happened. We went into the first of many lockdowns and I was isolated from everyone. It wrecked me. I had, what I guess I could most accurately call, a relapse. I fell straight back into my self-hating ways, but this time it was worse. Not only because I was aware of my problem now, so my self-hating tendencies were just another thing for me to dislike about myself, but also because I didn’t see other people that much anymore. I realised that I might’ve been getting better but I was getting better in the wrong way. I was getting all my self-worth from other people and their opinions of me and that shouldn’t be where you get that from. You should like yourself because you do, not because other people do.

At one point during the second lockdown in 5th year, I hit rock bottom. I hit the lowest low ever in my life. For a long time before that, I had been having the same thought every day, that I didn’t want to not be alive anymore. I just didn’t want to be me anymore. Getting out of bed every morning felt like tearing my skin off. However, no matter how bad it got, I never told anyone. I would drag myself out of those dark moments.

I have never talked about any of this to anyone before. My sixth year so far has been pretty stressful and at times I didn’t think I would make it through, carrying on the way I was. Nevertheless, I wouldn’t have been able to have the experience leading the retreat that changed the trajectory of my life, without a teacher who I trusted and who was willing to listen. It wouldn’t be apt to owe all my self-improvement to Mr Ferrie and my retreat experience, but I now can see that I owe a lot to myself.

My role as retreat leader didn’t just make me talk about things I had never before, but it made me think and confront things I had long since buried. It made me realise my self-worth and how much I am capable of. It sounds cheesy to say that this experience has enabled to follow my dreams, but it has. All my life I’ve been so scared that I’ll fail, that I’d never try. I was so scared I wouldn’t be able to or good enough to do what I wanted. I want to be a film director but for so long I wouldn’t let myself think I was capable of doing it, and right up until my leadership role I wasn’t going to because I didn’t think I could.  My friends and family have always been there for me and I now realise despite all that I’ve been through, all that I don’t have and all that I’ve lost, how much I do have and the privilege that I have.

Talking to someone. A cliché that’s been used time and time again, but that doesn’t undermine its importance. There are people in your life that you know you’ll always remember. I will never forget Mr Ferrie and the group of people I was with on retreat for helping me break away from being that girl helplessly tapping on the glass of her own grief terrarium, waiting for someone to come and save her.  They helped me become this version of myself, where I can hold my head up high, and be proud of who I am.

Gemma White: Why Vinyl Is Better Than Spotify

What comes to mind when you think of a record? For some, it could be the signature crackly sound, for others, old 60’s music playing on a dusty shelf. Perhaps you or your parents may have owned some? Maybe you’ve walked past some niche record shop with rows of untouched vinyl? Or, if you are part of the younger generation, you may recognise them from the single “You Spin Me Round”, which has been re-recorded by many different artists. Many people don’t understand the fuss around vinyl records as technology has advanced since then, so why do so many people, to this day, still use them? In this essay I will explain how vinyl is actually better than online digital streaming.

To start with the most obvious one, the quality of the sound. It’s hard to argue that vinyl has better sound quality than digital streaming; it’s simply a fact. Some believe that listening to a song through the vinyl medium is the best way to hear that song. Of course, this would be affected by the quality of the record player itself, but for the most part, they would be correct. Due to the way vinyl records are created (they are made up of small grooves which the needle is lowered onto and spun on) every single part of the song’s analogue sound-waves is captured in the grooves. This makes them the only true lossless format of music. Whereas with digital music, a digital kit is unable to read analogue sound-waves. This means that they have to translate the waves into a digital signal and back again into sound-waves. This leaves some information lost or changed in the process, not giving the listener the true sound. For a personal experience, I remember playing a record for my brother and his reaction to a song that he had only previously heard digitally. He was taken aback by how you could hear every instrument more clearly and the vocals were smoother. Then he proceeded to ask me, “Why does it not sound crackly?” This crackly sound which many people prefer when listening to music on vinyl, occurs when dust and dirt accumulate in the grooves, causing the needle to jump and produce the noise.

Another reason why there is a buzz around vinyl is not to do with the music itself, but with the experience of buying the records. When you walk into a record shop you can expect to find a few old men looking at classic rock or jazz and possibly some hippie art students flipping through 60s psychedelic pop, but you are guaranteed to fall in love with the atmosphere. Spending hours flipping through rows of old and new records just simply cannot be compared to staring at a screen to select what song to listen to. The rush of dopamine you get when you find an album you like among hundreds of mediocre ones, going out with friends and spending a day looking at music, bringing a parent along and watching their face light up when they find something they “haven’t heard since they were your age,” are just a few of the great parts about going record shopping. Of course, if you are not into the whole social aspect of going out to buy a record, then you can find virtually any record online begging to be part of your collection.

The main reason so many people love vinyl records, including myself, is that they are a physical representation of the music. They can last decades while remaining in a relatively good state. This means that vinyl tends to be an investment for many people and that second-hand records are also very popular. With digital music, there is, of course, no physical representation of what you are listening to. You cannot buy music that someone has already listened to online, but when you buy a used record, you are physically passing music from one person to another. As they are physical, they can make great gifts for people. I have bought many people a vinyl record as a present as it is an easy option and always goes down well. Not to mention, the connection you build with the music while gently putting it onto the table, placing the needle down, and eventually flipping the side over is just far superior to simply clicking a button to play a song online. When I first got my record player my mum looked out a box of her old collection and passed them onto me, thankfully we share a similar music taste, so to my delight I found many albums I enjoyed that were still in good condition such as ‘A Tango in the Night’ by Fleetwood Mac and Paul Simon’s ‘Graceland’ and of course no vinyl collection is truly complete without ‘Blue Monday’ by New Order, but not only did I enjoy listening to these, it was also the connection I had while listening to the same vinyls my mum would’ve at my age that simply could not be replicated if I played them digitally.

If a problem you face while listening to music is figuring out what to play next, then you are not alone. When listening to music on streaming services such as Spotify, sometimes the endless options available can feel daunting, and often you spend more time looking for something to play than actually listening to the music. This is where I feel like the saying “less is more” can be applied, with many people nowadays not fully listening to an album and liking to jump between artists. This is harder to do so with vinyl, as the format forces you to listen to the majority of the songs on the album. This can be good for expanding your music taste by allowing you to listen to more from the same artist. Also, it relieves you of the pressure of, “What should I play next?” as another song will play automatically after the next. This way of listening to music can help you appreciate the effort some artists put into their work, as the arrangement of the songs can play a crucial part in making the music flow well together. Actually sitting down and engrossing yourself in what you’re currently playing is a much different experience than the casual way of playing something through Spotify.

However, many people argue against the use of vinyl. One viewpoint is that they are very fragile and can be easily ruined. Therefore, why would you want to spend money on something that could be rendered worthless so easily? While they are correct in some aspects, I believe that it doesn’t hold enough weight to deter vinyl lovers. Vinyls do need to be stored correctly to be kept in good condition such as; keeping covers on them, keeping them upright, making sure dust doesn’t get collected in the grooves, and the list goes on. Then, while you are listening to them, you should be careful not to make any movement that could cause the needle to jump and create a scratch, as that will lead to the record skipping and being unplayable. Similar to how you will find book lovers that scoff at the idea of downloading a novel on a Kindle as it doesn’t give the same experience as flipping the pages, the same principle can be applied to vinyls. Ultimately, you cannot create the same experience with technology. Taking all of this into account, the fragility of the vinyls adds to their value and makes you appreciate them more.

In conclusion, I believe vinyl is better than digital streaming, such as Spotify. You can find practically any album or song you like in vinyl format, meaning it is an option open to anyone who really enjoys music. Furthermore, the physical aspect of records helps create a deeper connection between the listener and the artist, and the casualness of digital music has, in some ways, watered down the potential impact music can have on people.

Discography

https://gearspace.com/board/so-much-gear-so-little-time/1102707-comparing-vinyl-spotify.html

https://www.makeuseof.com/tag/reasons-why-vinyl-better-digital/

https://www.sciencefocus.com/science/does-vinyl-really-sound-better/

https://troymedia.com/joint-venture/why-are-vinyl-records-so-expensive/#.YVZJ-9TYq00

Callum Thomas: Primal Instincts

A subtle wind blew through the forest, the blazing spring dawn light penetrating through the leaves. A dappled green glow lit up the forest floor like a flame, dancing with the swaying of the branches overhead. Pebbles and stones littered the ground as he silently stepped into the babbling brook, almost spilling up over the top of his boots, quiver on his back.

Over the songs of the larks and rush of the stream, he could faintly hear his prey, one which he had been stalking since the break of dawn. A stag.

Stood proudly with its illustrious pelt shining in the sunlight. Its be-speckled coat was gorgeous, matched only by the nobility and beauty of the animal which bore it, with antlers which spread from its head like well-groomed branches of a tree.

Disappointed would he be if this was not a successful hunt and yet, something stirred inside him as he edged ever nearer to it. How sad it would be to see that creature mottled by the blood from its very heart. Such a majestic animal to be taken so cruelty by the need of his for food. But he did not have any other choice.

He walked as softly as he could, the twigs on the floor proving to be his biggest enemy, one wrong step and he would go without dinner for the fourth night on the trot. As it happened it was only a matter of time, soon his foot fell, and, crunch. He had not stepped on a twig but a branch and the sound shattered the silence of the wood like cannon fire. Slicing through the tranquility of morning. It was almost deafening, and it did not fall on deaf ears. No. The stag lifted its head cautiously, and looked around like he was trying to find someone in a crowd. And in the crowd of trees he spotted the boy rooted to the spot.

Countless things happened at once; the stag’s ears perked up, and the next thing that the boy knew it had turned tail and took flight. Simultaneously he had broken into a sprint in hot pursuit. All that he was thinking was that he had to chase this stag. He had to catch this stag. But then in the back of his mind he thought, ‘Why can I not let this beautiful creature go, I need not kill it, I’m sure I will find another.’ Quickly though, the part of his brain which was embittered by hunger and exhaustion quashed this thought, thinking only – I need food. Those primal survival instincts kicking in.

He thundered through the forest, his heart pounding in his ears, trampling small shrubs and the twigs which had first scared off the stag and leaping over the bigger logs. He fixated his eyes on the stag, though they were fleeting glances blocked by trees and boulders. Soon enough though it seemed hopeless, he had lost it. But spurred on by his hunger he kept running, following the tracks, which, with him, had left far behind by the gorgeous beast . Until suddenly he tripped. Falling for what seemed like a life time until finally he hit the ground. Then all went black.

He came to, but after hours, he could tell because the sun was now beating down directly over head. Dazed, he simply lay there, with a trickle of warmth dripping down his face, and falling into the pool of blood in which he lay. Tentatively he raised his hand to the side of his head. A throbbing pain coursing through his temple. As he took his hand away he saw to his horror, a hand covered in blood.

Despite this minor inconvenience he gritted his teeth and, with his resolution set, stood up. Then the world flipped upside down and then back, spinning like a top. He staggered maybe ten yards and then reached out for a nearby tree, missed and then fell to the ground again. But this did not deter him, he got back up and noticed where he was. A waterfall was draped down a cliff like a cloak into the shimmering pool in the valley. Water. That is all that went through his mind. He began to tentatively creep down the hill, grasping at anything he could for support.

His mind suddenly became clear, however, as he saw in the reflection of the pool that beautiful creature.  One with a be-speckled coat and sculpted antlers rising elegantly from its head. Bent down and taking a long drink. The very stag which he had stalked this morning. This was the very stag which he had foolishly scared away. This was the very stag which he had chased this very morning. This was the very stag which was the last thing he saw before all went black this morning.

He dropped to the ground, his view only obstructed by the shoots of flowers penetrating through the hard ground. He took his bow from his back and an arrow from the quiver. He cocked the arrow and waited. He could feel his heart trying to burst through his ribcage it was pounding so intensely. He attempted to judge the distance, forty yards. Easy shot.

He took a moment and looked at the stag, gaining his composure. He really didn’t need to kill it did he? The battle in his head between the admiration for the beauty of this stag, and his own primal instincts as old as the Earth which he stood on. He needed food and yet he couldn’t bring himself to kill this creature, such a crime to nature would leave a deep and indelible mark on his soul.

This stag was ultimately just the same as him though, a stranger going through life. It seemed so human in its actions, drinking as he would from that pool.  But the cave man inside of him longed for food. It longed for nourishment. And it beat back his instinct to let this magnificent stag go.

Resigned to his fate, he drew back the arrow until the cord was as tight as he could make it. And in that instant, for the second time that day it looked up and locked eyes with him. But it did not run; it too seemed resigned to its fate. Its big doleful eyes made a last plea to the boy. But he simply ignored it.

He breathed in, deeply. And then out again, and just as there was no air left to exhale, he released the arrow.

Joseph Green: Time to Knock Down Our Dark Past

The purpose of a statue is to honour greatness. Yet, Britain is peppered with statues to those who have harmed people, such as slave traders and colonialists. Events in the summer of 2020 sharpened the focus as the world reeled in the aftermath of George Floyd’s death. This was a symbolic catalyst. Since then, an incredible seventy UK statues, dedicated to slave traders, colonialists and racists, have been removed. But, far too many still remain. Dismantling such symbols of oppression is, in my opinion, entirely justified. Why on earth would we glorify those who wronged and harmed people?

Statues celebrate the glorious, so why keep the inglorious on display? Statues usually commemorate the honourable. Surely then, it is contradictory to keep those commemorating dishonourable slave traders. Who wants to immortalise those who traded in human misery? Until June 2020, Bristol city centre was dominated by the towering bronze figure of 17th-century slave trader, Edward Colston. From the 16th century to the 19th century, an estimated 10 to 20 million slaves left Africa. Forced from their homes, and families, they were transported to the Americas to work in plantations. Undoubtedly, this is one of the most horrific stains on our humanity. Why then do we continue to accept the presence of statues to these ogres? And big names are among them: there is the famous explorer, and murderous slave trader, Sir Francis Drake; then there is Henry Dundas, a Scottish politician, who prevented the abolition of the slave trade for fifteen years after it should have been eradicated in 1792, which ultimately led to 630,000 slaves having to wait more than a decade for their freedom. After all, in other contexts, in other places, statues of the shameful have been toppled. Take the tearing down of a monument to Saddam Hussein, in 2003. Iraqi strongman, Kadhem Sharif “al-Yabani” Hussen took a sledgehammer and smashed the statue of the shamed dictator known as the ‘Butcher of Baghdad’. Obviously, he understood the contradiction of a statue celebrating a disgraceful man.

Moreover, since the UK is more multicultural than ever before, many are offended by the continued presence of statues celebrating colonialists. With changing attitudes, a large chunk of society now sees the British Empire as pernicious; yet, statues glorifying colonialists remain. Modern-day Britain is struggling with racial tensions, much of which springs from colonialism. These tensions are heightened by the myriad colonialist statues that still stand. Take the statue of Cecil Rhodes. Standing proudly outside Oriel College, Oxford, Rhodes is a controversial figure. Today, many view him as the 19th century poster-boy for everything that is disgusting about Empire. He epitomises white supremacy, colonialism and unalloyed racism. In 1895, his British South Africa Company established the southern African territory of Rhodesia, now Zimbabwe, as a British colony. In 2015, a protest group called Rhodes Must Fall, started at the University of Cape Town, South Africa, which also has a Rhodes statue. The movement insisted that it was not targeting Rhodes himself. Rather, that by continuing to prominently display the statue, it legitimises the colonialism he stood for. Surely, that is indisputable. His will leaves no doubt of this. In it, he admits that his, “… true aim and object whereof shall be for the extension of British rule throughout the world…” Surely, leaving Rhodes’ statue standing outside one of the most prestigious UK universities suggests that those in power still harbour visions of racial superiority.

Undoubtedly, many of our inherited statues are no longer compatible with today’s progressive values and so should be removed. They should be replaced with structures that are truly representative of contemporary Britain. According to the 2011 Census of England and Wales, out of a population of over 56.1 million people, 14% identified their ethnicity as non-White European. That’s 7 million people. Yet, out of the 950 UK statues standing today, a mere 16 are of black people. This is wrong. We need statues to represent who we are in today’s society. We need statues that represent how we want the rest of the world to view us. And surely that is not as a country where being white, being a man and being privileged is truly representative of the population as a whole. Therefore, it should be celebrated that in September 2021, a public statue was raised in Cardiff to Betty Campbell. Notably, she was not male, or white or posh. During the 1970s, she was the first black, working-class woman to reach the position of headteacher in a Welsh school. Just as notably, her statue was erected as a result of a public vote. Her school, Mount Stuart Primary in Butetown, Cardiff, was an example of, “…best practice in equality and multicultural education throughout the UK”. Therefore, the Welsh people who voted to commemorate her, in a statue, are sending out a vision of themselves as inclusive. And she is not the only person to have done good for their community. There are many people who could better represent our society. Marcus Rashford is a good candidate. There is already a mural to him in Manchester, which states underneath: ‘Take pride in knowing that your struggle will play the biggest part in your purpose’. In the summer of 2020, Rashford campaigned successfully for the continuation of free school meal provision for underprivileged children. Despite his wealth and fame, he exemplifies social conscience. Certainly, this is the image of the UK that should proudly beamed out – not that of a disgusting, colonial past.

However, the British Government does not wish to see such statues dismantled as it believes that they are part of our history. The Prime Minister, Boris Johnson, has stated that, “To tear [statues] down, is to lie about our history”. In fact, the Government is so concerned that it has brought in new laws to protect statues. These will ensure that historic memorials are ‘retained and explained.’ They think that it is a better to keep statues and have a plaque nearby to explain the actions – good and bad – of the person honoured.

If the UK Government believes statues to murderous slave traders must be preserved, why did Spain, Germany, Ukraine and Georgia, amongst others, tear down statues of equally murderous men like Franco and Stalin? For example, in 2007, Spain’s Historical Memory Law, demanded, “the removal of all Francoera symbols from streets and buildings”. In 2010, a statue of Stalin was removed from Gori, Georgia. Did these nations not care about history as much as Boris Johnson does? More likely, they wished to signal how much they disapproved of what these men did. The UK Government’s failure to recognise that the continued presence of statues, like that of Edward Colston, was offensive suggests that it does not wholly disapprove of how Britain’s wealth was built off the backs of enslaved people. Ben Luke, editor of the Art Newspaper agrees that, “Statues are not history; often they are impediments to truth because they are erected to glorify the powerful as a fig leaf for their flaws and iniquities.” Edward Colston was a powerful man who had many such flaws and iniquities, most prominently the enslavement of human beings. What is his statue if not a glorification of the slave trade?

Ultimately, no matter how greatly a city, or country, benefited, in the past, from evildoers’ contributions, this is nullified by the fact that they made that contribution at the cost of human lives. Statues to such individuals are an eyesore. They misrepresent what Britain wants to be today. Instead, we must strive to be what Robert Louis Stevenson described as an inclusive, non-exploitative community of, ‘multifarious, incongruous, and independent denizens’. And the statues erected must reflect this.

Bibliography:

https://www.theguardian.com/world/2021/jan/29/tributes-to-slave-traders-and- colonialists-removedacross-uk https://www.toppletheracists.org

https://www.nationalgeographic.com/culture/article/mongols https://www.history.com/news/10-things-you-may-not-know-about-genghis-khan

https://www.washingtonpost.com/history/2019/10/14/here-are-indigenous-people- christophercolumbus-his-men-could-not-annihilate/

https://www.smithsonianmag.com/smart-news/its-way-too-hard-to-find-statues-of- notable-women-inthe-us-180958237/

https://www.procon.org/headlines/historic-statue-removal-top-3-pros-cons/

https://www.bbc.co.uk/news/magazine-17604991

https://www.theguardian.com/artanddesign/2021/sep/07/nazis-hitler-favourite-sculptors-germanypublic-artworks-art-exhibition (David Olusoga historian)

https://www.brh.org.uk/site/articles/the-edward-colston-corrective-plaque/

https://www.ethnicity-facts-figures.service.gov.uk/uk-population-by-ethnicity/national-and-regionalpopulations/population-of-england-and-wales/latest (nationalarhcives.gov.uk).

https://www.theguardian.com/uk-news/2021/sep/29/wales-honours-betty-campbell-first-blackheadteacher

https://www.bbc.co.uk/news/uk-scotland-edinburgh-east-fife-52978121

https://www.scotsman.com/arts-and-culture/exploring-glasgows-links-18th-century-slave-trade-1424104

https://www.bbc.co.uk/news/blogs-news-from-elsewhere-53500436

https://www.gov.uk/government/news/new-legal-protection-for-england-sheritage#:~:text=The%20new%20legal%20protections%20mean,and%20explained’%20for%20future%20generations.&text=Historic%20England%20and%20the%20Secretary,in%20the%20most%20exceptional%20circumstances.

https://www.theguardian.com/world/2007/nov/01/spain.international2

https://collections.ushmm.org/search/catalog/irn1001506

Peter Inglis: The Food Trolley Lady

‘It’s that time again’ she thought to herself, while tearing off a piece of some sort of stale bread to dip into her soup in the Hogwarts staff room. She slipped on her red cotton tank top and headed to the secret nook she had found a few years ago. This was her place, where she did it every year. She swished her wand a few times at a large silver trolley as blue and pink sparks spewed out of it and just like that the trolley was filled to the brim with every kind of magical sweet you could imagine, with a little tray on the side for the money.

The small, old lady hobbled along to Dumbledore’s office to say she was off. After a brisk and painful walk to the train station she made it just in time for the departure to Kings Cross, platform nine and three quarters. She was hoping there weren’t any nasty first years this time. She looked back into the past when Fred and George had joined Hogwarts and played a nasty trick on her by giving her the teeth of a rabbit, meaning that every carriage she went to she got lots of strange looks and sniggers.

The train had arrived and crowds of children with all sorts of things with them piled in, looking for sweets and seats. After a while of confusion and tearful goodbyes, the great steam-powered beast started to move again, letting out a blood-curdling scream of the whistle as first years scurried to try and find somewhere to sit. It was her time.

She went around all of the little pockets in the steam engine, saying the same thing every time in her soft old voice: ‘Anything from the trolley, dears?’ Usually people would just buy a few chocolate frogs or some Berty Bots jelly beans for a joke, or a group of Slytherins would rudely tell her to buzz off.  She didn’t like most Slytherins, because they were like spiders waiting to catch someone in their web of mischief.

As she made it to the final seating area and opened the slightly rickety door she immediately recognised a face she thought she would never in her lifetime see in person… Harry Potter. This was nerve-racking, as she thought he would be a mean, lean, cocky machine, but to her surprise, he seemed very timid compared to what she’d heard. She said her line and all he replied with was ‘We’ll take the lot,’ handing her a big pile of money. This obviously surprised the Weasley who was sitting across from him as well, with his bright ginger hair and many freckles.

And that was her shift for another year, and it was a good one at that.

Eva McGhee: The Food Trolley Lady

I love my job. The kids are so nice, apart from a few who I won’t go into much detail about! If you didn’t already know, I’m the lady who sells sweets off the trolley on the Hogwarts Express. Now, I know you’re probably thinking that you don’t care and that this is going to be some boring story about my job because the kids don’t think much of me. I mean don’t get me wrong, they’re nice enough, they know their manners and thank me when they buy sweets off the trolley, but they definitely don’t think much of me. I’d be surprised if they even remembered what I look like! For example, not one of them said to me ‘good to see you’ or ‘how are you?’ But I’m used to it by now, I’ve been doing my job for years. Now, enough of me complaining! Let me tell you my story.

A long time ago, I went to Hogwarts myself. I was a pretty good student, straight A’s and generally good reports but I had this one teacher who hated my guts! Professor Dolicrumus. Stupid name, I know, sums up his stupid personality! I’ve heard some of the kids talking about Professor Snape and thought he sounds a lot like Dolicrumus. Although that’s just from what I’ve heard, he could be a perfectly nice man for all I know! But anyway, back to the point. Dolicrumus hated me and my best friend Lilly Potter. Her name wasn’t actually Potter, I just called her that because she had the hugest crush on James Potter and I knew he liked her too and I always knew that they were going to get married! Dolicrumus would always give us extra homework and random detentions for not knowing answers to really hard questions and would make us write lines which took hours, or at least felt like it! Lilly was a good student as well, we didn’t know why Dolicrumus hated us so much. Lilly said it was probably because she was in Griffindor, but I was in Hufflepuff but there was no excuse for me! He was the head of Slytherin, of course, with platinum blonde hair, and he kind of looked like a rude year 7 boy I served on the train a couple of days ago. Would be a coincidence if he gets Slytherin too!

Anyway, there was this girl, Estella who bullied me for not having enough money, for having hand-me-down robes and not living in a big mansion like hers. Although it bothered me, Lilly always stood up for me. She was very confident but I was very quiet and easy to pick on, so how we became friends, I don’t know! One day while Lilly was sick and was staying at the Griffindor dorms, Estella was horrible to me again. This had been going on for about a year now so I just FREAKED OUT, stood up and punched her. She was taken aback, especially since Lilly wasn’t there so there was no way she could back me up now. I was scared of what Estella was going to do to me. But she didn’t hit me back; she just fake-cried and screamed ‘in pain’. I didn’t know what to do. ‘Should I run?’ ‘Should I hide?’ Thoughts came rushing into my head but there was no chance: Professor Dolicrumus ran out of his office as if he had been waiting for this moment his whole life.

“I should have known it would be you.”

And with that, he grabbed me by the scruff of my collar and dragged me along the corridor, up the moving staircases and to the headmaster’s office. I remember crying because I felt so sorry for myself and because Dolicrumus was holding me so tight and it hurt!

And that was it. My Hogwarts journey over, and only in year 11… What were my parents going to think? Were they going to think I was a disappointment? What about Lilly? She wouldn’t know what had happened to me. I cried and cried. The saddest part was, I never got to see Lilly again.

I didn’t know what to do for a job since I couldn’t just get a normal job in the muggle world, since I’m a witch of course! So I begged the headmaster for a job at Hogwarts. I was willing to do anything! But he said no. So I finally found a job here. A train worker. Pathetic, right?!

I always wondered what happened to Lilly, and if Dolicrumus was still nasty, but that was an obvious! Then 11 years ago, I heard the news… Lilly was dead. It broke my heart. I cried for weeks and despite me having been her best friend up to year 11, I couldn’t go to her funeral since I had been expelled from the school. What if I could have helped? What if I could have been there? I really regret punching Estella. I wish I could have said goodbye to Lilly.

Then, on the train, I heard the kids whispering ‘Lilly and James’ kid’… ‘Yes, yes Harry Potter’. My eyes lit up but then again, I thought it must be a joke until I went into a carriage and saw him. Those eyes. That scar. Definitely Lilly & James’ kid. I asked him if he wanted anything off the trolley and he replied “We’ll take the lot”. I thought he was joking until he pulled out so much money! It was more than I’d ever seen in my life all at once! It was crazy! Exactly what Lilly would have done, I thought. I gave him the sweets and left. I didn’t want to embarrass him.

Besides, he probably doesn’t know who I am because after all, I am just a failure who was expelled from Hogwarts…

Aoife Toner: Gorilla

He’s built like a ten-storey building

Eyes like two glowing full moons

Muscles like a seven-foot bodybuilder

Pupils like lumps of coal from Santa’s naughty list.


He lumps along like man and load,

Swings through the trees like Tarzan himself,

Or glides through the jungle like a jet-ski on waves

Gobbling up everything in his way.


He lives in the jungle with trees so high,

Rivers flowing fast to cool him down.

Treetop platforms make for great naps,

Sun blazing warm all day,


Until it sets at dusk

And he begins to snooze,

Snoring like a grandad in a deep sleep.

Darcey Kerr: Panther

Fur as dark as midnight’s sky,

Eyes as orange as summer’s first dawn.

With a calls that could break the deepest of sleeps,

And stride so strong and powerful.


The panther darts and dances and dives

Gliding along the damp forest floor

He cries with the might of a million years,

Alive in the buzz of the deep green maze.


He will sing his song of hope and glory,

And speak his words with tenderness and love.

Yet the panther is watched by the animal kingdom,

As they gaze at the creature with a fearful stare.

Rory Conway: Tomorrow

Mr. Sweeney sat alone on the fourth floor of the library almost directly underneath the sign for the expired books that read ‘PUBLIC DOMAIN’. He sat with his legs crossed and the lid of his pen between his teeth. His hair was overgrown and the humble beginnings of a poorly-kept beard were visible. Outside it was warm. Inside he wore a dark tweed jacket and trousers that rested on him loosely. The sun was bright and illuminated the threadbare carpet. It glared on the dust that came from the carpet with every step.

         “Good afternoon”, the librarian said. The wrinkles around her eyes smiled at him. He had known her for years but didn’t bother to learn her name. He had no reason to.

         “Is it?” he replied. The librarian tensed quickly and returned to her screen. She should be used to him by now. The ageing woman addressed him slyly. “You should be out, no? You’re wasting a day like this.”

         He glanced at her as she spoke mindlessly at him. He hadn’t ever looked at her long enough to see past her tired blue eyes. She had a face that seemed to fade as quickly as the cries of a hungry child. Her fingers were long and told of her age. She wore a modest ring, likely engagement, but had no wedding band. He got back to his work.

Some time had passed. He had flicked through a number of children’s novels before returning ‘We’re going on a Bear Hunt’ and deciding to leave. His eyes pointed from person to person. Students sat, just as countless others had for years, studying for the same exams that occur each year. ‘Why them?’ he thought. A life so easily replicated. He stopped himself. He didn’t want to think this way during the day. They shifted in their seats as he passed them like a cold breeze from the warmth of outside. He noticed but did not care. The door before him opened politely but he didn’t move. He heard a shyly muttered apology and saw the reflection of a young woman in the door. His breath shortened. She seemed just years younger than him but he felt decades older. Her hair was long, like her’s was. Like her’s, her hair was perfectly curled at the bottom to rest just above her waist. He remembered that day they came home from the library together. She wasn’t behaving like herself this day. Her steps were nervous and her eyes wandered from him tentatively. It was the day she decided to abandon their studies and it was the last time they would see each other. She announced with ease her departure.

         “What?” he muttered.

         She repeated herself. His jaw tightened as he shrunk under the weight of the news.

         “I’m leaving,” she said coldly. She explained how she couldn’t ‘fix’ him and that he needed help.

         “I’ll call you,” she promised. He waited for her to call but she never did.

         His feet remained still as he stared blankly at the woman in front of him, trying to swallow the lump building in his throat. She had crossed her arms before reaching into her bag. She seemed awkward and wanted to look busy. She excused herself and he kept moving, but his mind stayed right where she left him.

His head hung low as he walked home against strong winds. Leaden clouds were moving above the trees that lined the pavement. It had gotten dark and he could not escape the echo of her final words to him. The streetlight was very bright in the darkness of his cul-de-sac. It cast light on the impressive home he occupied, and the dignity that he had lost. It was once a fine home. It hosted respectable parties. The walls, plastered blue, had heard the sound of first words and honest laughter. His car that sat parked across the street wasn’t always that dirty. The ivy growing over his windows was once kept at a careful length. The grass outside his home hadn’t always crept up beyond the windows of his front room. The nursery, now with four yellowed walls, was once home to teddy bears and tired eyes at 3 A.M. awake for feeding.        

         He knew he had veered off course but didn’t bother to straighten himself out. What was the point? He never stopped going to the library, but he would sit at night alone. The TV would play something he wasn’t interested in. His books would collect dust and lay untouched. Sometimes, looking at the dull cards that had sat for years on the mantelpiece, he would think. Initially, he would think of the gifts of clothes that would “fit when he’s a bit older” that went to waste. He would think of the money innocent relatives spent on a life never to be lived. He would blame himself for not thinking to donate what was left. And then, he would blame himself for not being the one that was taken. They called it ‘survivor’s guilt’. But he was only a child. He was so harmless and vulnerable, yet so overlooked. How could he be wrong for wishing it was him instead?

The evening had passed and with it the winds grew fiercer. By now he had drunk so much that he didn’t know if he was sweating or crying. The winds on the door grew into a knock and he struggled to his feet. It was his sister. She tried to see him often but he rarely complied.

         “Hi, Jill,” he said. She immediately embraced him and his attempts to forget the significance of the next day failed. She welcomed herself into his home and handed him flowers from the nearest shop and a small card. A cartoon bear held a sign that reminded him she was “Thinking of you!” They sat together for some time but he could never recall what they were talking about. He could tell she was growing frustrated but hid it well.

         “Do you want anything to eat?” He realised he hadn’t offered her anything yet. She followed him into the kitchen.

         “I’ll help myself. Sit down, will you?” She replied as she rummaged through his cabinets. She was wearing an expression that told him she had news she didn’t want to share with him. He was right.

         “I’ve met someone. Finally.” she confessed. “I’ll be moving again. Further, this time. I’ll come and visit when I can, but it won’t be as often. I – I’m sorry.” Her words trailed off as he tried to find something to say. He gave a slight, involuntary sigh. He had the urge to tell her all that he was feeling. He wanted to make a joke of it, lighten the mood, prove to her that he was better. But he would never get better, nor would he ever want to be, he thought. What was the point?

At last, she left. As she floated out the door she rhymed off that he could “call me if you ever need anything” and that he was “doing him proud”. He heard her car door slam shut as the headlights of her car beamed in to his front room. As her engine roared into the distance the silence returned and once again engulfed his home. As he shut the door he threw the supermarket flowers away. But he couldn’t bring himself to toss the card. He read it over and over. Eventually he sat down again and reached under his sofa for the only toy he kept. He held the old teddy for a moment. Its glossy eyes seemed to stare at him and he could see his reflection. He thought of all the toy bears he had been given since he passed. With every one, he was told it would get better with time, but he knew it would never really leave him. He knew in that moment that people would leave and find happiness, something he couldn’t provide, and no one would really stay. But, at least, this would.

He lay alone with the stuffed bear by his side. It had gotten cold but he hadn’t bothered to pull up a blanket. He looked at his alarm clock, whose red lights read 02:36. The cold night breeze outside rattled onto the windows of his bedroom as his mind drifted. He thought of the bear that comforted his chest, moving as he breathed. He marvelled at how animals of such force had been reduced to this. How his son’s life had been reduced to this. He thought of their struggle, always alone and never settling down, but always ready to escape. He thought of how they were lured in with promises, only to be shot down. His chest swelled as he imagined their helpless defeat displayed as a human victory. Like them, he lay exiled from the peace and life he longed for as he submitted to the fatal listlessness that would consume his tomorrow.

Arianna Connelly: Bassiano’s Monologue

Gold. Silver. And lead. Hmm, which I shall I choose? Gold, a beautiful metal, would symbolise materialistic and valuable possessions; however, a sense of greed…  Silver, despite its preciousness, it’s not as quite luxurious as gold – perhaps displaying a cautious greed… At last, lead. Lead? I wonder why lead is present within the range of these caskets. Lead portrays warning and danger; if so, I’d risk anything for my beloved Portia – in spite of the consequences. I have nothing to offer but my love for her, I don’t own anything as exquisite as gold nor silver which is why I’ve made my decision to settle with the lead casket. Portia is more than a priceless necklace or a shimmering crown. She needs someone who would risk everything for her, a brave and courageous man like me! However, I can’t stop contradicting myself. I couldn’t bear the thought of some disgustingly rich prince stealing Portia away as some type of reward or to boost his ego even more plus benefiting his wealth.

The lead casket is calling to me. I can hear the words, “Open me, open me” repetitively spiralling in my head. The words get gradually louder and louder- until I reach my hand out.

I examine the casket carefully, the chest is made from a humble metal, and within the chest, I encounter a picture as well as a poem of Portia. I glance at the poem, scanning every cursive word. And just in that moment, I realise that I have opened the correct one! I’m still in disbelief that I have obtained the fairest woman within the land. Oh, my sweet Portia! Even the moment I laid my eyes on her I was captivated by her enchantress; her long, luscious hair as it glistened in the sun and her angelic ocean eyes hypnotising me into an extraordinary spell.

Nonetheless, the lead casket recognises Portia as herself. Portia won’t remain young and beautiful forever. Eventually she’ll grow to be old and plain – despite it, her inner beauty will last for eternity, furthermore my unconditional love.

*  *  *

Finally, the day arrived when I married my true love. I felt superior as numerous amounts of maids were either polishing my shoes, delicately washing my suit or fixing my hair with many applications of gel. I already felt one step closer to being a king. I was escorted to my bedroom, the maids insisted of cleaning my room before my arrival. As I entered the room I was continuously gazing at the magnificent golden decorations throughout the room, appreciating every amount of detail. Most importantly a gigantic bed full of soft clouds – it was very tempting to lay amongst it, however I managed to resist the urge. I was startled by the loud knock from the door; it was Portia’s lady in waiting, Nerissa? I’m positive that was her name. She led me to the church, to end up discovering that the whole nation was invited! A wave of terror washed over me. My heart was pounding. Palms sweaty. Knees trembling. Nevertheless, I managed to relax myself – breathe in, breathe out, breathe in, breathe out. Slowly, step-by-step, I made my way towards the altar, patiently waiting for Portia. As the doors slowly opened, an elegant melody began playing – and as they widened, Portia finally appeared. As she walked along the aisle the church began to brighten in her presence. She was breathtaking, radiant, glamorous – no possible words could describe how perfect she looked. I held her hand tightly, with a beaming smile upon my face. I looked deeply into her eyes and said…

“I do…”

Tom Ralph: Maria Antonia

This feeling.

I wouldn’t call it shock, we all knew this was coming.

Maybe a twisted sense of relief. Relief that the wait is finally over. That the blade hanging over my neck has finally dropped.

I know what’s coming. I’ve seen what they write about me; how I plunged the nation into poverty, how I have no understanding of the real issues the people face. They see me as a monster, some kind of beast whose only goal is to ruin the lives of my countrymen. They turn those who wronged me into heroes and those who helped into demons. It seems they want nothing more than for this country to fall into ruin, as long as it is at my hands.

Who blames the naive king when there is an evil queen?

I am told Louis is trying his best to calm the mob. He has invited some of those desperate enough to march on the palace to negotiate, meanwhile – much like the rest of my life – I am kept in a bedchamber and told to look wait and pray for the best. Just like a butterfly, I always thought, admired for its beauty but caught, killed and displayed if the chance arises.

What these revolutionaries fail to see is that I tried to help, but I am always dismissed. Louis doesn’t acknowledge my solutions, in fact, he doesn’t acknowledge me much either, I think he’d rather have married a lock and key than me. After all, he’s always made it clear his only true passion is locksmithing. Sometimes it seems I spend more time fretting over the economic crisis than he does. I tried so hard to be the perfect wife, but instead of praise my efforts were met with rumours of affairs and scandal, and there was a time I had to accept my tastes are not those of the king.

BANG! BANG!

It takes me a moment to realise that the noise is coming from the door rather than outside.

The children. The thought I’ve been trying to ignore for the past however-many-hours comes before I can stop it. I see my knuckles whiten as my fist tightens around the door handle.

“Now is not the time for rage, Maria” I tell myself softly, “It is not just your life that depends on it.” And with that, I reluctantly open the door.

I breathe a sigh of relief when I am met with the timid face of a servant rather than one of those grotesquely distorted by rage banging on the palace walls.

 “Sorry to disturb Mademoiselle, but the King requests that you ensure you are proper in case your presence is needed,” she said. Of course, even in the face of death, the King does not trust me to handle myself.

“Merci, there is no need to continue. You can be assured that I need no one’s guidance in anything concerning propriety.” I watch as she scurries away, clearly relieved to no longer be addressing me, and that never stops being painful. I turn around and catch a glimpse of myself in the mirror. Louis was correct. If I am to appear, even for my death, I must look proper and now I look anything but it.

Something people don’t understand about being a queen, dressing is a difficult task.  Of course, I usually have people to help but I think being alone is the best thing for everyone right now. I look past my most extravagant wigs; now isn’t the time, the people will be angered enough by my presence alone, they don’t need any more fuel for their hate. It may sound ridiculous but knowing what to wear isn’t easy, you have to balance showing no weakness; your allies and enemies can’t see us as any weaker, but dressing lavishly will make the poor hate us. It seems everything I do as Queen is unnecessarily complicated. It’s certainly not what I had in mind when I was told at 12 that I was going to be whisked off to France to marry some prince. It sounded like a fairy tale: too good to be true and quite obviously it was.

I decide on a rather simple pouf style, something more humble while still showing a sense of power. Looking for a necklace, I reach out for a larger diamond one, but I think better of it. It was only a few years ago the ordeal now referred to as the affair of the diamond necklace took place, while some may think nothing of it I have been told the woman who masqueraded as my friend has been turned into somewhat of a hero. It’s utterly ridiculous, that swindler is being praised for breaking laws while I am made into some sort of puppet master of the crimes.

Now I can hear the hustle from outside the palace walls, it appears that this is indeed the end of this fateful facade of power which has been rather pitiful of late. That seems to be a common theme in my life recently, everything around me decaying while we simply watch, doing nothing to stop the now-recurring pattern of a rich man’s disregard leaving destruction and dolour in his path. Often it feels as if no matter how many homes for mothers I open or royal property I sell to help the poor there will always be a rich man, emblazoned by a life of privilege, willing to send men to their deaths and empty our treasury rather than bruising his already undeserved ego.

Now I can hear footsteps coming down the hall. I edge slightly closer to the door to listen for any clues to my fate. There are voices. Even from a distance, I can tell they don’t belong to the servants.

Louis failed.

Instead of panicking, I do what I must. I must be a queen. I return to my seat and wait. It’s rather poetic is it not, the people were made to wait to gain their power, and now I must wait to lose it.

I watch the door handle as it is pushed down, such a mundane thing turned into a death sentence, the reality that there is no escape. The man swings it open and says two words. The two words that have haunted me for the past twenty years.

The words which marked the end of my life in Austria.

The words which now mark the end of my life in France. “Marie Antionette.”

Ruaridh Kelly: Norse mythology

It was calm for once near the cliffs of Midgard, the Centre of the Universe. The winds were gentle and somewhat quiet, so you could hear the waves smashing themselves on the rocks below. The waves punched and crashed into the stones hard, over and over again, making the rocks shine black as the waves drenched them. Rising above the water, on top of the cliff was a beautiful patch of greenery stretching as far as the eye could see. The grass was as green as the most prestigious of emeralds; the bluebells as cool in colour as ice and the daises as white as the snow on the high mountain tops overlooking the meadow. There was a single flower however that captured the most attention. A scarlet rose lay in the middle of this majestic meadow. There was no other flower like it. The rose stood near a large stone facing the sea, as if it was guarding this stone. Suddenly the winds began to change. They became heavier and more violent and the waves too became almost angry. Then, as if nothing had happened, back to calm. Someone had arrived at the meadow. That someone, was a god to the mortals of Midgard. His name was Thor, the God of Thunder.

Thor was taller than most of the men of Midgard and struggled to fit through most doors. He was stronger than any wild beast that wandered the land and could cause the trees to fall with his fists alone. He had a magnificent flowing red beard and hair. The colour was similar to that of a dragon’s fiery breath. His garment was an earthy brown with a fur shoulder wrapped around him to protect him from the bitter cold mountains. The helmet he wore was gold plated with two large antlers sticking out. His whole presence was menacing to every enemy he faced. As he walked he put his left hand out to feel the breeze and the long stems of grass. In his right he wielded his mystical weapon, Mjolnir.  It was grey like the rocks of the cliff and was in the shape of a blacksmith’s hammer. It was immensely powerful as it could summon lightning strikes and storms with a simple command.

Thor wandered through a plethora of beautiful violets and lilies until he reached the tall stone and the rose at the meadow’s heart. He sat before it, placing his hammer on the earth. Carved into the stone was the name of a woman who had been close to him. He looked at the date. He had actually forgotten how long ago it was. He had been on this Earth for more than 500 generations. Thor knew she was mortal and so it was inevitable she would grow old and wither. He missed her. Perhaps he had even felt what she had described as love.

As Thor pondered, he began to feel a cold sensation slither down his back. He looked to the sky to see it had turned to a white blanket, completely enveloping the once clear blue sky. He then felt snow fall on him, getting heavier and heavier, until it quickly completely covered the meadow. Thor in confusion looked to the distant mountains, and there he saw the behemoth. A Frost giant.

The frozen colossus marched through the high mountains and hill tops. The juggernaut’s footsteps obliterated everything in its path. Trees and boulders were destroyed in an instant. The size of the creature was unmatched to any other being Thor had seen. The beast was so large that it was almost touching the snowy clouds. No hair could be found on the frosty monster as every aspect of its body was completely frozen. Its eyes were as blue as the frozen sea. The teeth were jagged like chunks of broken glass. Its shoulders were wide and appeared to have sharp glaciers protruding from all over its body. A tunic that was old and withered attached to the giant but was full of holes and gaps. The creature grasped at what appeared to be a large rime axe which was almost as big as the ice giant itself. As Thor continued to gaze upon the beast, it seemed that it was also looking back at Thor. For a brief moment the being looked confused and even frightened, as if it knew what the Thunder God was capable of. The giant tried to flee from the mountains. The god knew he would have to act swiftly in order to stop this monster from escaping. He rose like an arrow above the bed of snow and into the clouds which darkened as he did so.

With the clouds turning as dark as night, Thor struck. The Thunder God was like an ant compared to this icy Goliath but carried on with a smirk on his face. He raised his hammer to the sky and soon enough heavy rain fell upon on the land and washed away the snow that had gathered by the colossus. Thunder boomed from the sky and could be heard by every living being in Midgard. With all this power granted to him, Thor gave a cry of attack and launched himself at the beast. As he did so, a lightning bolt struck the giant with a mighty crackle. Thor then slammed his hammer into the forehead of the frost giant. Cracks appeared across its skull and the lightning strike had blinded it in one eye. This juggernaut, although fatigued, did not give up and attempted to hit the Thunder God back with its ferocious axe. Thor, with his quick reflexes, managed to swiftly evade this deadly attack, and again flew to his opponent and flung his hammer. Thor had demolished the teeth of the beast. One more hit and it would not get back up. One more hit and it could not return to the home it was trying so desperately to reach again. For a final time, the giant lifted its weapon to try and defeat its foe. Thor was ready. The giant looked up to see a flash of light and could only hear the roaring of the thunder. The forks of the lightning strike had pierced through its cold heart, and then the all-powerful Thor smashed open the giant skull causing ice to splinter in all directions.

The giant crashed to the ground causing a shockwave through the earth when it fell. Its pain was relentless. It had never felt such a feeling as this before. It did not want to fight anymore, only to rest. The sad creature looked to the sky to see an evening sun shining upon the frozen behemoth one last time. And with that the giant closed its eyes to sleep and never again wake. Thor glided down to the corpse of the colossus. He then in surprise saw that a single tear drop had frozen on the cheek of the giant. Thor began to feel a sense of guilt and even felt pity for this fallen creature. Maybe he did not have to kill the wandering giant. Maybe there had been another way. Thor returned to the now dry meadow, and as he approached he could immediately smell ash and cinder. Thor found a crater where the flowers and stone once stood. A stray lightning bolt had destroyed the meadow, destroying the violets, the daisies and the once magnificent scarlet rose, as well as burning everything left. The centre of the stone had split in two and the name upon it could now hardly be read. This grave had belonged to someone. Thor turned his back and began to walk. That mortal being was no longer of any importance to a thunder god.

Orla Keenan: What Happened Next?

Lieutenant Kotler made his way into the trench, allowing his legs to collapse beneath him. The distant sounds of weapons being fired were slowly merging with a ringing noise that was growing louder by the minute. He had been here for so long that he was losing sight of who he was before. He could remember snippets, of a Bruno? or maybe a Gretel? He shook his head; he was being silly.

He slumped against the hard trench wall, knocking blades of grass over the edge of the trench as he slid down onto the floor. He found a ragged blanket to shield his clothes from the dirty floor. The ringing was becoming deafening. He looked up into the grey sky and pondered… where did he desperately want to be? He wanted to be back at the manor, being ordered around but warm and full. What did he want the most? To see his father again, he

He awoke with a gasp as rain hurled down on him. The trench floor had become somewhat of a mud bath and the mud was seeping through the rag. Though… something was missing… something he’d been listening to for what felt like years. The noises had stopped. It was eerily quiet. He reached out for a stray weed hanging out of the wall and used it to pull himself up. He peered above the wall. Just as he thought. No guns were being fired.

He slow rose out of the trench, stumbling over the loose dirt on the edge. His head pounded, his eyes couldn’t focus and it was just so hard to walk.

He reached the barbed wire, hesitating to look around. His hands automatically latched around the wire, he hissed through gritted teeth as he quickly pulled them back as the spikes dug into his skin. A mist hung over no-man’s land, helping the droplets of rain to blind him further. He clambered over the barbed wire, lodging a sliver of wood into his palm, but that didn’t matter. He was going to get into the Allies’ trench and stop the war and –

Thud.  

Jane Eadie: Twice Upon a Time in Hollywood

British singer Adele is set to star in a remake of Jonathan Demme’s classic psychological thriller The Silence of the Lambs. No, of course she’s not: if she were, you would not have been able to avoid the adverts in magazines and on the sides of buses for the last three months. But if she had been cast in such a role, would you have been surprised? You could see it happening, couldn’t you? Any film studio on the planet would love to make this scenario a reality but why should they jump at the chance to have Adele as the headline star in such a reboot? Is it because she has a proven track record as an actor? Is it because such a talented singer is likely to be able to mine their emotions to turn out a brilliant acting performance? Or might it just be because, with 60 million worldwide album sales to her name and a voracious fanbase, anything she is associated with is a sure-fire hit? 

The fact of the matter is that, regardless of how much of a dud your script might be, or how appalling an actor Adele ends up being, the chances are your movie will attract a huge audience and earn loads of pounds before the penny drops. It’s a scenario we see all too often: David Baddiel- comedian turned children’s author, James Corden- British comedy actor turned US chat show host, Madonna- pop mega star turned Golden Raspberry award-winning worst actress, or even Rylan Clark- talent show wannabe turned surprisingly credible presenter. 

My point is not whether these conversions are a critical success or failure (chances are they’ll at least make money), nor is it a criticism of these people themselves (who wouldn’t seize the opportunity if offered?). It’s that for every lazy decision to overextend and exploit the already famous, to bank on the bankable, there is the likelihood that a truly original, unique and as yet unheard voice gets stifled. 

There’s a laziness too in the assumption by Hollywood producers that the likes of Leonardo DiCaprio’s yet to be born son will grow to become a world-renowned actor. But it’s the same lazy assumption that fuelled the careers of Dakota Johnson, Jayden and Willow Smith, Lily-Rose Depp and many others who through no fault of their own, got their foot in the door. Would Lottie Moss ever have graced a catwalk if she had a different surname? Or Miley Cyrus have got a record deal? Of course, it’s not just in the entertainment business that nepotism flourishes but it’s somehow a bigger injustice, where there is such huge fame and money at stake, that someone should get their lucky break on the strength of their surname rather than their sheer talent and drive. Then again, does it not stand to reason that children who are brought up surrounded by famous parents, steeped in the world of show business, would not be attracted by the allure of the same career? And what’s to say that when a famous parent passes their surname to their son or daughter, that they don’t also pass down some of the genes that made them the stars in the first place? Who’s to say that Kaia Gerber wouldn’t have made it as a supermodel even if she hadn’t been the daughter of Cindy Crawford? And then there’s the fact that some famous offspring take a very different path than their parent: it seems difficult to believe that Stella McCartney could credit her ability to design a handbag from the fact that her dad was one of the Beatles. 

But my point here is that I’m not blaming the children or the parents, or denying that the former might be brilliants talents in their own right. My issue is with those in the entertainment industry who always seem too willing to default to the easy option – the lazy option – of trying to get ever more mileage from a limited pool rather than go to the effort of spreading the net that bit further and seeing what treasures lie in uncharted waters. 

It’s the same laziness that seems to prevail when it comes to the actual product: be it an album, a musical or a film. Whether it’s a reboot, a remake, a sequel or a translation of a foreign film, how often do we see valuable funding and studio production time given over to seemingly endless rehashes of previously successful books, films and music, leaving little room for nurturing newer talent with fresher ideas. A successful movie franchise like James Bond or Star Wars is one thing but at least there is a vague attempt to switch up the storylines each time. But does the world really need another adaptation of Little Women? Having had two BBC versions in the 1950s and in the 1970s and two animated series in the 1980s, as well as film versions in 1917, 1918, 1933, 1949, and 1978, there was arguably a case for there to be a slightly more contemporary version.  Having had that as relatively recently as 1994, however, why was there felt the need to churn out yet another mini series in 2017 followed by a seventh film adaptation in 2019. Let’s face it, the story was set in the early 1860s and it hasn’t really changed! 

With the recent release of the latest instalment of the current Spiderman franchise, featuring Tom Holland’s incarnation of the friendly neighbourhood superhero, we start to wonder how long it will be before he is ditched in favour of another series reboot featuring an even fresher face, like Andrew Garfield and Tony Maguire were before him. Since 2002, we’ve had 3 remakes of a series of 3 movies telling essentially the same clearly money-spinning story to 3 successive audiences. That’s not to say that there’s not an appetite for this type of stuff – I speak as someone who’s seen all 9 and counting! – but it’s so obviously driven by money over original creativity and the laziness of Hollywood producers turning out batch after batch of a winning formula rather than experimenting with some new ingredients.

If that’s not lazy enough, did the producers of the 2021 reboot of the 6 season 2007-2012 phenomenon that was Gossip Girl even get out of bed to decide that a remake was a good idea? With the original cast still young enough to play themselves and the still teenage audience getting a strong sense of deja-vu, how long will it be before we see a series starting to be remade before the original version has even finished its run? 

If there can be any legitimate justification for this for this lazy approach to producing works of entertainment it’s that audiences feel comfortable with names and faces, characters, scenarios and even plots they’ve grown familiar with. Just about everyone on the planet must’ve tuned in, whether by accident or design, to an episode of Friends that they’ve already seen but that hasn’t stopped them continuing to watch to the end. Perhaps the laziness of the producers, agents and promoters is fuelled by the fact that they’ve recognised that audiences are lazy too!

Ultimately though, the pursuit of art and entertainment relies on new faces, original ideas and unique talents. Classical music would never have moved on without Mozart. Art would never have moved on without Picasso. Bob Dylan moved the dial, not his son, Jakob. It was the original Star Wars in 1977 that really pushed the boundaries, rather than the concluding chapter in 2019. It’s the original raw talent that needs to be sought out and given a break. That’s where the creative and entertainment industries ought to be channelling their not inconsiderable energy and resources. Although there’s a cosy satisfaction to be had in reading a novel written by a familiar name, watching a tv series with a well-known actor or seeing a film adaptation of a much-loved classic, it’s time to wake up and realise that the truly thrilling and rewarding is only to be found in encountering a piece of art, literature, film or music that is utterly groundbreaking. Whether it’s the talent spotters that discover, the agents and producers that nurture or the audiences that consume, it would be refreshing to see a bit more effort. Let’s stop being lazy and clinging to what we know already. Let’s embrace the new.

Bibliography:

https://www.cosmopolitan.com/entertainment/celebs/g12198161/celebrities-with-famous-parents/

https://www.goodhousekeeping.com/life/entertainment/a30796677/little-women-original-remake-movie-plot-comparison/

https://www.hollywoodreporter.com/lists/critics-picks-best-worst-major-little-women-adaptations-1263303/4-little-women-2017-miniseries/

Louise McFadden: Unhappily Ever After: The Harmful Effects of Traditional Fairy Tales on Children

Once upon a time there lived a little girl who was captivated by fairy tales. At bedtime, she listened carefully to her mother’s voice reading the stories aloud, and gazed at the colourful illustrations which brought them to life. Every night, disturbing thoughts of wicked stepmothers, children abandoned in forests and wolves devouring grannies swirled around her young, innocent mind. Such cruelty and brutality are common themes in traditional fairy tales, leaving many children terrified and anxious. Considering this, as well as the sexism, lack of diversity and questionable morals displayed, is it any wonder that little Louise grew up and felt the need to write an essay condemning these damaging and outdated stories?

Murder, kidnapping, mutilation and cannibalism: these are just some of the atrocities that make traditional fairy tales inappropriate for children. According to the historian and mythographer Professor Dame Marina Warner, as well as the fairy tale expert Professor Jack Zipes, many stories were not originally intended for children, but for adults. This includes the popular Brothers Grimm stories of the 1800s, such as ‘Little Red Riding Hood’, ‘Snow White’ and ‘Cinderella’. The earliest adult versions of ‘Cinderella’ contain gruesome details – the ugly stepsisters amputate their own toes to fit into the glass slipper, and later their eyes are pecked out by birds. Originally, in ‘Snow White’, the wicked stepmother is made to dance in red-hot iron shoes until death. Lovely. While some stories have been rewritten over the years in an attempt to make them more child-friendly, a disturbing amount of death, brutality and abuse remains. For example, do you think a story about abandoned children being lured into a cannibal’s house sounds appropriate for a four-year-old? It sounds like the plot of a horror movie. According to Reader’s Digest, ‘Hansel and Gretel’ was one of the nine most popular fairy tales in 2021. What makes this worse is that, like many other fairy tales, it was based on horrendous true events. Many real-life children were abandoned, some even eaten, during the Great Famine of 1314 to 1322. Many parents don’t know the origins of these stories. If they did, perhaps they’d think twice about sharing them with their children. Some, however, do realise the anxiety caused by the cruelty and gore. A OnePoll study in Britain in 2018 revealed that a third of parents said their kids cried at Little Red Riding Hood being eaten by the wolf, and over a quarter change the stories they read to their children. It goes without saying that parents shouldn’t have to adjust the barbarity in their children’s stories – there should be no barbarity to begin with.

As well as the wicked violence of the stories, the endemic sexism also has a damagingly corrosive effect on children. Hundreds of years ago, fairy tales were intended to teach boys and girls their roles. According to Liz Grauerholz, former Professor of Sociology at Purdue University, and Lori Baker-Sperry, Professor of Women’s Studies at Western Illinois University, in their study of Grimm’s fairy tales titled ‘The Pervasiveness and Persistence of the Feminine Beauty Ideal in Children’s Fairy Tales’ (2003), young women were to be “domesticated, respectable, and attractive to a marriage partner”. Why are we still indoctrinating children with outdated gender roles in 2022? Princesses in traditional fairy tales typically do housework all day, lack ambition and have zero independence. They have very shiny hair, though. In fact, the disturbing emphasis on feminine beauty is highlighted by the well-known quote from ‘Snow White’: “Mirror, mirror on the wall, who is the fairest of them all?” Grauerholz and Baker-Sperry’s study states that 94% of Grimm’s fairy tales mention beauty or ugliness. Pressuring young girls to meet impossible beauty standards is unethical and brainwashes them to believe that their appearance is their most important trait. It is not. Seriously, what sort of message are we sending our daughters? That they should sit looking pretty, waiting for a man to save them? Four of the most famous traditional fairy tales follow the recipe of the passive princess waiting to be rescued by the powerful prince – ‘Cinderella’, ‘Snow White’, ‘Rapunzel’ and ‘Sleeping Beauty’. Girls can be so much more than this. They can provide for themselves. They can be the heroines of their own stories. Should parents really be creating a situation where young girls idolise princesses like the Little Mermaid, who sacrificed her voice for a man? As for boys, toxic masculinity is encouraged. Princes in the aforementioned fairy tales tend to have very little characterisation other than being the tough, heroic rescuers and protectors of women. We must stop teaching boys to be strong all the time and show no weakness, emotion or vulnerability. It’s unfair to weigh these restrictions and expectations on anyone, let alone a child.

Traditional fairy tales have a lack of diversity. If I asked you to imagine some characters from fairy tales, you would most likely picture young, white, able-bodied princesses with clear skin and twenty-inch waists. Princes tall and muscly, witches old and wrinkly. Where is the representation for children of colour, disabled children and the LGBT community? There’s no excuse not to include characters that these children could relate to. It’s extremely important to have racial diversity in children’s stories for children of colour to feel included and represented, and to prevent racism developing from a young age. Additionally, there is no body diversity. All characters (except villains because everyone knows that a character’s goodness is directly related to their physical attractiveness) are thin and good-looking. One exception is Hans Christian Andersen’s ‘The Ugly Duckling’ … who eventually turns out alright on the basis that he becomes a beautiful swan. Consequently, some children struggle with low self-esteem, continuing throughout adulthood. What harm would having some more inclusive stories with diverse characters possibly do to our children? Apart from making them happier and more empathetic?

The tales are crammed with bad morals and messages – poisoned apples, corrupting children’s minds, and giving them a twisted perception of good and evil. Every detail from the stories plants a seed in their heads. For instance, stealing and greed are condoned in ‘Goldilocks and the Three Bears’ and ‘Jack and the Beanstalk’. When you see the Prince harmlessly kissing Sleeping Beauty to wake her from the evil fairy’s spell, your six-year-old sees that it’s okay to kiss people when they are asleep. Is it really true love’s kiss or is it sexual assault? Another example of an insidious message is in ‘Beauty and the Beast’. While there is some debate over whether Belle suffers from Stockholm Syndrome (a psychological condition causing hostages to develop positive feelings towards their captor), the story is nonetheless problematic. Belle changes the Beast, teaching him kindness and eventually transforming him back into a prince. Stop teaching young girls that it’s their responsibility to fix men who abuse them. In addition, distorted messages about romantic relationships create unrealistic expectations for children. Fairy tale couples are usually adolescent, implying that love is found easily and quickly, and is only for young people. This can lead to anxiety and depression even when the child is grown up, still looking for “the one”. Moreover, the fact that many tales end with a magnificent wedding insinuates that marriage is the ultimate prize and sign of success. This isn’t true. Love and success can come in many forms and it’s important to teach our kids different happy endings.

I’m aware of the argument that fairy tales improve children’s imaginations. However, they often simply can’t tell the difference between magic and reality. Over fifty American youngsters who kissed frogs hoping for a real-life prince to appear (after watching the Disney film ‘The Princess and the Frog’) certainly didn’t gain a better imagination – they gained salmonella poisoning. And to those who argue that the stories are entertaining – no one is saying that children shouldn’t be told stories, just that there are more suitable ones which could aid childhood development.

Traditional fairy tales do more harm than good. Perhaps if we replace these traumatic stories with ones that are enjoyable, while also being more up-to-date, ethical, inspiring and inclusive, we can all live happily ever after.

Bibliography

Websites:

https://www.bbc.com/culture/article/20190402-is-it-time-to-rewrite-fairy-tales

https://www.bbc.com/culture/article/20130801-too-grimm-for-children

https://brightside.me/wonder-films/7-dangerous-messages-in-popular-fairy-tales-and-ways-to-protect-your-kids-from-them-797575/

http://centerpointseniors.pbworks.com/f/beauty+and+fairy+tales.pdf

https://www.cherylblackford.com/bookish-wisdom-blog/harmful-stereotypes-in-fairy-tales-some-thoughts-and-alternatives

https://en.wikipedia.org/wiki/Fairy_tale

https://www.history.com/news/the-dark-side-of-the-grimm-fairy-tales

https://historyofyesterday.com/hansel-and-gretel-was-a-true-story-and-a-horrible-tragedy-fcce02b3d95c

https://www.huffpost.com/entry/why-fairy-tales-are-bad-for-our-kids_b_6736634

https://www.independent.co.uk/life-style/health-and-families/fairy-tales-children-stop-reading-parents-body-image-gender-roles-women-girls-sexism-a8067641.html

https://www.independent.co.uk/news/uk/home-news/politically-incorrect-fairy-tales-parents-modernise-cinderella-out-of-date-a8347071.html

https://www.irishnews.com/magazine/entertainment/2020/12/03/news/isla-fisher-we-need-to-rethink-the-negative-stereotypes-in-fairytales-2149818/

https://lis721fairytales.weebly.com/negative-effects.html

https://metro.co.uk/2018/10/22/fairytales-dont-give-children-the-wrong-social-values-parents-need-to-teach-the-right-ones-8062983/

https://metro.co.uk/2010/02/01/the-princess-and-the-frog-fans-fall-ill-after-copying-film-67331/

https://www.nationalgeographic.co.uk/history-and-civilisation/2019/09/brothers-grimm-fairy-tales-were-never-meant-kids

https://www.neh.gov/humanities/2015/marchapril/feature/how-the-grimm-brothers-saved-the-fairy-tale

https://opuszine.us/posts/fairytales-send-the-wrong-message-to-modern-children

https://psychcentral.com/blog/pros-and-cons-of-exposing-kids-to-fairytales#1

https://www.purdue.edu/uns/html4ever/031111.Grauerholz.tales.html

https://www.rd.com/list/most-popular-fairy-tale-stories/
https://theculturetrip.com/europe/united-kingdom/articles/the-10-most-dark-and-disturbing-fairy-tales/

https://www.theguardian.com/books/2014/jun/05/are-fairytales-damaging-to-children

https://www.theguardian.com/childrens-books-site/2016/jan/12/charles-perraud-google-doodle-fairy-tales

https://www.theguardian.com/childrens-books-site/2015/may/22/human-rights-in-fairytales-abie-longstaff

https://www.womensmediacenter.com/fbomb/the-problem-with-fairy-tales

Books:

Hilda Boswell’s Treasury of Fairy Tales

The Usborne Fairy Tale Treasury by Rosie Dickens

Zoe McGinley: Should Chocolate be kept in the Fridge or the Cupboard?

It’s hard to find someone who doesn’t like chocolate: we are a race of chocolate connoisseurs. There is no argument that the feel-good chemicals released from its consumption play a massive part in how so many of us find chocolate so delightfully irresistible. But the real debate is not about which satisfies the palate more between a Snickers or a Mars Bar, or even how each of us prefer to eat our Creme Egg? The much less documented but highly contested argument which has been splitting opinion between families and friend groups is… should chocolate be eaten straight from the fridge or not? Of course it should! There are simply no words in the English language that can fully describe the euphoric sensations of a cold Cadbury’s Marvellous Creations sweetly and tantalisingly caressing the taste buds.

Chocolate is a renowned and popular household treat today but, surprisingly, many people today aren’t completely familiar with the full history of chocolate. It is thought that chocolate originates back to the Olmecs in Latin America around 4000 years ago, who picked the fruit (pods) of cocoa trees, dried and roasted the beans and then used them to create a chocolatey liquid. There is some further evidence, centuries later of the Mayans who had created a warm ‘brew’ of ground cocoa seeds, chillies, water and cornmeal which they named ‘xocolatl’. By the 15th century, the Aztecs believed that chocolate was a gift from the god Quetzalcoatl and, realising its widespread demand and use as an aphrodisiac, used the cocoa beans as currency. 

Of course, overtime things like sugar and honey were used to sweeten the bitter taste of chocolate, which ultimately, led us to the birth of a new method where the cocoa butter was squeezed from the beans to make a powder which was mixed with liquid and then poured into moulds. Thus, chocolate had evolved from a tangy and presumably unpleasant drink into the sweet, deliciously indulgent confectionery we know and love today through the added genius of master chocolatiers.

When Swiss chocolatiers, Daniel Peter and Henri Nestle added a little milk powder into their cocoa mixture, this opened the floodgates for companies like Cadbury’s who had absolutely mastered the art of chocolate making by producing, in my somewhat connoisseur opinion, the best milk chocolate on the planet. Of course, others may contest that opinion but that’s not the issue I want to debate here – the real argument is whether chocolate tastes better straight from the fridge? Yes, we all purchase our daily or weekly (ok, sometimes monthly) indulgent supply straight off a room-temperature shop shelf, but I think that there is simply no better way to eat chocolate than straight from the fridge! Some agree, some disagree, and some just don’t want to admit that they agree. I fully understand that taste is subjective and this is all just a matter of opinion, however there is in fact scientific evidence to back up this delicious preference. An article from 2012 by Chemistry Matters states the reasons why chocolate does indeed taste better from the fridge. This is all to do with polymorphism which has the ability to form a solid to exist in more than one crystal structure. These structures are called polymorphs. It’s all a bit too technical to explain in scientific detail but, essentially, the ingredients in chocolate have numerous properties that react in different temperatures. Ok, you must be thinking what does this have to do with why we should store chocolate in the fridge? Well, in a nutshell (a Fruit n Nutshell) some polymorphs are too bland and too brittle on their own to act as chocolate and some other properties can change if left at room temperature therefore creating a distinct change in taste but, by storing chocolate in the fridge (a stage known as crystallisation) it prevents the polymorphs from changing as it would whilst sitting in a cupboard at room temperature. Basically, when chocolate is stored in a fridge it is of course colder which adds and an additional level of flavour to release tantalisingly over the taste buds as it melts in the mouth. 

This whole debate has proven to be somewhat contentious with a hugely divided opinion over the issue and not least within my own household. Yes, there are some ‘non-fridger’ members of my family who are brave enough to risk my wrath by having the nerve to remove our chocolate stash from the fridge by citing that it should indeed be enjoyed at room temperature. As a more heated debate ensued, we all agreed that the only way to settle the argument was to find some official conclusion from the big confectionery companies as they’re the experts, right? Wrong! In reply to a recent online blog which asked readers whether chocolate should be kept in the fridge or pantry, Cadbury’s themselves had indeed waded into the matter to state “Chocolate should always be stored in a slightly cool, dry, dark place such as a cupboard or pantry at temperatures less than 21C to ensure the quality isn’t compromised”. So who do we trust – those who spend years in university to become scientists or those who work in the factories watching the machines do the chocolate making? 

But what about melted chocolate? Well, that argument I understand, there’s nothing better than the experience of coming home to make a cup of hot chocolate after a long winter’s day or the texture of biting into a perfectly melted chocolate cookie straight from the oven. My question is, who would want a room temperature chocolate bar melting into your hands on a hot summer’s day?

Who are these “experts” to tell us the “correct” way to eat our chocolate when really, it all comes down to preference? Should we consider the claim from Cadbury’s that they know the perfect chocolate storage conditions for ultimate flavour when, in reference to their Crème Egg, they have devoted a whole advertising slogan offered back to consumer choice when they ask ‘how do you eat yours’? It’s also a safe assumption that the Aztecs would not have just believed their chocolate drink to have come from one god, but rather the ultimate gift from all the gods had they only had access to a fridge!

So now, I encourage you, stick your favourite chocolate bar in the fridge and tell me I’m wrong.

Bibliography:

https://www.history.com/topics/ancient-americas/history-of-chocolate

https://danthechemist.wordpress.com/2013/02/12/why-refrigerated-chocolate-tastes-better/https://www.independent.co.uk/life-style/food-and-drink/cadbury-chocolate-bar-fridge-pantry-cold-how-to-a9526636.html

Niamh Graham: Is a University Degree a Requirement for Career Success?

Is it the end of the world if you don’t go to university after school? Most people’s immediate answer to this question will be, ‘Yes, of course you need to go to university if you want to succeed in life and get a good job.’ In fact, this is not true: you don’t need a university degree. There are other ways to go about getting your dream job. In fact, many people that have become successful have never even set foot in a university; many more dropped out, having not lasted long enough to get their degree. This essay will explore the reasons why not going to university may be better than wasting four more years of your life stuck in a classroom. 

One of the main problems for people thinking of attending university is whether or not they can afford it and whether the cost is really worth it. To answer the question – spoiler! – it’s probably not. With maintenance loans and tuition fees to pay, graduates are finding themselves in thousands of pounds of debt before they have even applied for their first job. In 2021, students graduating from English universities will have incurred an average student loan debt of over £45k, compared to almost £28k in Wales, over £24k in Northern Ireland and just over £15k in Scotland. So, you really need to ask yourself: is the money you’re willing to spend going to be worth it? Even after the financial risk there is still no guarantee that you will get a good, well-paying job. In fact, only 59% of those who qualified from Higher Education went on to full time employment. If the job you think you want to do does not require a university degree and further education, the solution is simple: don’t go. It’s not worth the time, the money or the stress.

Speaking of stress, a Uni Health study found that 80% of those studying in Higher Education reported symptoms of stress or anxiety, while NUS surveys found that nine in ten students experienced stress. Would you want to be spending an extra four years (minimum) doing more assignments and exams when it’s not entirely necessary? I wouldn’t. Taking work home is a fundamental part of university life. You are never finished. You always have something you should be doing instead of relaxing, taking a break or seeing friends and family. This results in feeling that, in those moments when you’re not working towards your degree, you feel like you should be.

Nowadays, after you finish university the likelihood of you getting your desired career from the course you took is diminishing. The job prospects for grad students is decreasing at quite a significant rate. Average student satisfaction rates (which take into account factors like support from university, quality of teaching/tutoring, course structure and, crucially, career prospects after graduating) have fallen consistently over the last few years. Last year, the government released sets of data about the career prospects of a degree, broken down by subject or institution of study. While some courses have great earning potential, the data showed that a large number of courses don’t lead to well-paid employment afterwards, which is why the majority of people chose to go to university in the first place. This is leading to an increasing amount of people who are realising that they don’t need a degree to secure the jobs and careers they want.

Lastly, it is a well-known fact that some of the wealthiest and most influential entrepreneurs in the world dropped out of college and university. Steve Jobs, Bill Gates and Mark Zuckerberg are some people who left college before they could collect their diplomas. Lesson: you are still able to get a well-paying job without a degree. Here are some of the highest paid jobs in the UK that you can get without going to university: air traffic controller, digital marketing, SEO expert, white hat hacker, firefighter, offshore energy jobs, game developer, translator, police constable and entrepreneur. All of these jobs still pay a handsome amount of money and you can start them straight out of school. Your level of education does not need to define your career or your success. Just because you’ve got a degree doesn’t automatically mean that you are entitled to a higher salary: you have to earn respect in the workplace by showing what you can actually do and, of course, in some cases you learn much more on the job.

But I do also understand why some people choose to go to university. It gives you time to explore different career options and experience a taste of the different courses available if you haven’t decided what you want to do with the rest of your life. Going to university also gives you the chance to learn and obtain some very valuable life skills that you can take with you after you leave. Many of the people who go to university leave it blessed with long-lasting relationships with the people they met while they were there. The academic aspect is a big part of attending but it also gives you the chance to bond and connect with people who are likeminded and who enjoy the same interests that you do. And yes, there are of course a number of professions where you are required to have certain degrees before starting on the job.

In today’s world, there are so many more options and career routes that are available to ambitious individuals who are willing to roll up their sleeves and work hard. In fact, many of the professions that traditionally require a degree are now reassessing their requirements and route to qualification. The key to success is about having a focused approach to what you want to do and finding out as much as you can about that career. Speak to people who already do the job and be prepared to be flexible and to have the ability to adapt to circumstances and take advantage of opportunities when they present themselves. More often than not, these characteristics make for a much more employable candidate than one who has a certain combination of letters after their name.

Bibliography

https://www.topuniversities.com/student-info/student-finance/how-much-does-it-cost-study-uk#:~:text=Now%2C%20UK%20and%20EU%20students,Survey%20of%20University%20Tuition%20Fees).

https://www.hesa.ac.uk/news/18-06-2020/sb257-higher-education-graduate-outcomes-statistics/activities

https://www.theguardian.com/education/2019/may/31/why-are-students-at-university-so-stressed#:~:text=Mounting%20social%20and%20academic,in%2010%20students%20experienced%20stress.

https://www.justit.co.uk/insight/4-reasons-why-less-people-are-going-to-university/

https://unihealth.uk.com/is-stress-at-university-always-bad/

https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/924353/The_impact_of_undergraduate_degrees_on_early-career_earnings.pdf

https://www.futurefit.co.uk/blog/jobs-without-a-degree/

https://www.cnbc.com/2018/08/16/15-companies-that-no-longer-require-employees-to-have-a-college-degree.html

https://www.statista.com/statistics/376423/uk-student-loan-debt/

https://unihealth.uk.com/

Philippa Keenan: He Loves Me, He Loves Me Not.

He loves me.

‘How to know that you are in love’.

 ‘You can’t stop staring at them.’

Check. When I see him, everything else in that room goes dark, it’s like he’s the only thing that matters, he is the only thing that matters.

‘Time flies by when you’re together.’

Check. I’ve known him for eleven years, it feels like it’s all gone by in a couple of seconds.

‘You want to touch and kiss them.’

Check. The way he holds me in his arms makes me feel on top of the world, I never want it to stop. And when he kisses me, it feels like gold dust falling on my lips.

See, I am in love. It’s normal to get cold feet before your wedding, right? It’s normal to feel like your life is ending, right? I love him. I’ve loved him since we were sixteen. We grew up together. We got each other through the end of high school, college, my mom dying, his dad leaving. He’s the only boy I’ve ever loved.

Which makes me wonder; what if I had never met him? Maybe I would’ve became a doctor like I’ve always wanted to, and not a useless girl with a useless degree because, ‘why should you need a job if I can provide for us?’ Or maybe I would have travelled the world, gone to all the places I’ve always wanted to go to but ‘I have to finish my law degree, maybe we can travel another time’. I never planned on being the ‘trophy wife’, but here we are.

Its not like he isn’t good to me; anything I want I always get. Whether it’s a Chanel bag, or Dior perfume, or this massive rock on my finger. He ‘provides’ for me, we live in a big penthouse apartment overlooking Central Park. It’s a dream. We have five bedrooms, one for me and him, three for our future kids and a guest bedroom. It always feels cold in the house, he’s never home, just me in a big house myself. Maybe it will feel like a home when we have kids.

He loves me, he always tells me that. But sometimes, sometimes I don’t feel like he does. It didn’t use to be that way. But once he started working, he became angrier. He wasn’t the sweet boy I fell in love with anymore. Then it got worse: one day after a long day in the office he came home, dinner had taken a bit longer than usual and wasn’t ready. I’ve never seen him get so mad. It took me a while to cover the bruise, slowly I got better at covering them. No one knew, no one knows.

I’m getting married in an hour. I need to decide, do I go to the wedding, get married, have kids, grow old with the ‘love of my life’? Or do I run away, start fresh, travel, become a doctor? But who am I without him? The only ‘friends’ I have are the wives of his friends. The only source of money is from his pay check. The only life I’ve ever had is with him.

Suddenly I’m back in the room; I must’ve spaced out because now my hair and makeup are done. I wanted to wear my hair up, but he prefers it down. The room is in panic, we must be running late. I have 3 bridesmaids; my little sister, his big sister and my best friend. His mom is here running the show. Thank God for her, because she basically planned the entire wedding, apart from my dress.

My dress. It’s the dress I’ve dreamed of ever since I was a little girl. It’s slim fitting, mermaid shape, with a long train. It has white roses patterned all the way down it, it’s perfect. It’s the perfect dress, for the perfect wedding, for the ‘perfect’ marriage. ‘We’ve got to go! We’re running so late!’ I hear his mom shouting from down the stairs. We rush out of my room, down the stairs and into the limo.  

My hands are shaking. I’m really doing this. I’m signing myself away to this man, this life. Cooking dinner, gossiping with other wives, waiting for him to come home at night. Or finding out about his mistresses, covering bruises, convincing myself that he loves me. We are almost outside the church, the girls have music on, champagne is in everyone’s hands.

‘Why is everyone standing outside the church?’

Silence

Every head turns and looks towards the church. I can hear my heart pounding. My legs are shaking. Every girl is looking at me for answers, I am looking at his mom. We link eyes; she looks as worried as I am.

His mom orders the limo driver to stop. ‘Wait here I’ll find out what is happening.’ She opens the door and gets out.

The chat between the girls continues, more champagne is poured, more gossip is spilt. I don’t join in, however; I watch his mother as she approaches one of the ushers. The usher puts one hand on her shoulder, pulls her in and whispers in her ear. She looks at the limo and looks back at him.

Slowly she walks towards the limo and opens the door. ‘Can you all get out, please?’

She sounds pleading; something bad has happened.

The girls are slowly budging out and taking their champagne with them. It’s just me and his mom sitting there now.

She is upset, she’s crying.  

‘He’s not here, they can’t find him anywhere’.

He loves me not.

Niamh Jackson: The Butterfly Pin

Have you ever seen a pin, dropped in a crowded room? That was my life, a bustling room. Hundreds of things going on all at once. Until at one point everything stopped. Why did it stop? Well, that’s because somewhere along the line, somebody made the mistake of treading on that pin. The pin that I fatefully stepped on was Alma. It was my decision to do stupid things for love. But just like finding a pin in your foot, there was going to be blood. Blood that I had to live with, which stained my life forever. In that moment I didn’t care about the boy staring daggers at me. I didn’t care that hours later I had assignments due. I wanted to be with her. I shouldn’t have gone out that night. I didn’t think of the blood.

The investigation began on the 2nd of February. When interrogated, both suspects seemed to distance themselves from the victim.

3rd February – Interrogation Room: Suspect One

Oh yeah, Alma. That girl from art? She’s confident, way more confident than me at least. Maybe that’s why we didn’t get along. But what happened to her was a step too far. Listen, just because we weren’t ‘best mates’ doesn’t mean I’d do something like that to her. The night she went missing, I was home alone. 11 Priestly Gardens. We’ve never spoken outside of school, there was no reason for me to be with her that night. I don’t know why I’m here, my parents are going to kill me if they find out that I’ve been brought in by the cops. I don’t know what you want to do with me. I’m no expert, but you could try your luck with that girl from art class. She’s always had some obsession with Alma. Since day dot. Always staring at her. But what do I know, huh? I just want to get outta here. So if that’s all you wanted to get out of me, I’ll be on my way home.

3rd February

I couldn’t tell them the truth. My mouth was coated in the metallic taste of my blood. I’d been slowly nibbling at my lips as I was sat in front of the officer. I’d been summoned to the station earlier in the morning. I knew that they’d found out. I couldn’t tell them that this was all my fault. I couldn’t tell them that I was the one who had said she should go for a walk to clear her head. I couldn’t tell them that I was jealous of the girl in our art class. I couldn’t tell them that I was going to meet Alma the same night she went missing. I was going to meet her. I swear I was. I kept telling myself that she’d never want me. So I sat in my hallway. While she was pacing down the street, waiting for me to show up. I sat there, staring at the rough soles of my shoes. Eventually I shook off my nerves and left to catch up with her. I was too late. I should’ve gone. I should’ve been there. Those few minutes of contemplation would make the difference of whether or not she was alive right now; I think. I can’t forgive myself for that.

3rd February – Interrogation Room: Suspect Two

Alma. I’d heard of her. I’d talk to her in art, period five on a Tuesday. I didn’t know much about her but her art was beautiful. She’d use colours to communicate animals. Butterflies. She’d paint hundreds at a time. I’d never admit it, but I watched her from the corner of my eye. I couldn’t help it. She was mesmerising. I got lost watching her delicately swipe at her canvas. Each stroke led to another array of bright butterflies scattering across her work. I couldn’t imagine what she’s going through, but I’d never hurt her. She was perfect. Everything about her. On January 31st  I was starting my art project, due the following day. The only communication I had with her was that I tried contacting her about what pastels she’d use for her realism portrait. I didn’t get a reply. You can check my phone. I had run out of charcoal and it was late so all the craft stores would be closed. It sounds awful, but I wandered through her location on Snapchat. I had seen that she wasn’t home. She was near this address that I’d never heard of. It was called Priestly Gardens or something. I didn’t pay much attention to it. A few hours later I got a message. Through Instagram a guy from my art class who I’d never talked to before. I can show you the text, but from what I can remember he asked if Alma was with me. That’s when I knew something was wrong. I would never have spoken to him but he seemed really worried. I said I hadn’t heard from her but if I could help, I would. I’ve not heard from him since.

3rd February

She had called me that same night. She was alone. She was going to meet the guy from art. Apparently she hadn’t heard from him. He’s always hated me. I could see him scowling at me whenever I got too close to Alma. His eyes would burn into the back of my head. Especially in Tuesday art. I said that I was free if she needed a rebound. I could tell she was upset. When she agreed I quickly packed up some of my dad’s half empty gin and slipped out into the bitter night air. Christ, I wish I hadn’t been so eager. I’m the reason she was wasted and out of control. I should’ve stayed with her. Made sure she got home safe. I didn’t though. I met with her and we went out to the park. She was wearing nothing but a butterfly patterned dress. I offered her my jumper and she took it. That’s most likely how I ended up interrogated by the cops. The girl that went missing was last seen wearing my clothes. I couldn’t tell them that I left her crying for help.

19th July

I still think about her. I think about how I got jealous of anyone she spoke to. That guy from art class? I never spoke to him again, we occasionally catch each other’s eye. I can’t hate him, I can’t bring myself to. We’ve both lost someone we loved. Alma. God, Alma. I like to think of her as one of her butterflies from her paintings. Beautiful, bright wings sprouting from her back. Unlike her paintings that are now hung next to a memorial of her in the art classroom. She’s free, and she is as perfect as ever.

Finbar McGinn: Coronavirus and the Framing of War

“We are engaged in a war against the disease which we have to win.” – Boris Johnson 3/17/20

Anyone who has been paying attention to the news in the past year, no doubt, has been battered over the head with an excess of militaristic images and jargon, from Donald Trump declaring himself a ‘War Time President’ to the images conjured up in the mind of the ‘NHS frontline soldiers’ battling heroically against the ‘invisible enemy’ and the countless other expressions used endlessly. This incessant use of militaristic language and imagery by the government and the BBC has prompted a chain reaction of artists and public figures declaring N.H.S workers as ‘saints’ and even one image depicting them as blue-suited mask wearing angels with big fluffy rainbow wings and a glimmering halo. Anyone visiting from a year ago would be slightly baffled by the present canonisation of all NHS workers and the deification of the NHS, so what has prompted the shift in language and this drastic new appreciation of the NHS and those involved in the ‘fight’ against coronavirus?

Simply put, it is a popular method that governments across the world use to strengthen public belief in government policy by conveying a sense of urgency and emergency to the public through use of language and metaphors of war. Through the power of rhetoric and propaganda the public are led to believe that civil liberties must be curbed in order to ensure security or, in our case, health security; this process is also referred to as securitisation[1]. However, it is not by sheer rhetoric and propaganda alone that the government enacts its policy; it also employs the use of ritual. This is seen by how the framing of ‘war’ to the British Public is reinforced by the war-like rituals that the public participate in like, clapping for essential workers at 8pm weekly along with the pinning of rainbows on windows across the U.K to show solidarity and support for the ‘frontline’ workers. And of course, it wouldn’t be a true war without the essential war-time speech from the Queen in which she even went so far as to reference the classic WWII song, ‘We’ll Meet Again’ written for Soldiers leaving their families, drawing a tenuous analogy to their sacrifice to our own by our acceptance of Lockdown.

However, historically this is not the first time and only time this linguistic trick has been pulled and in fact, it has been quite popular outside the U.K. Like the U.K, the U.S too has had its fair share of attempts to ‘wage war’ on different issues; the ‘War on Terror’ and the ‘War on Drugs’ both come to mind. The U.S government’s attempt to use the language of war to strengthen public support in its varied political struggles against drugs, crime and terrorism seem to have failed miserably. Public support for both the United States Government’s attempt to crack down on these issues is at an all-time low and in the case of the ‘War on Drugs’ the Government seems to be effectively reversing its policy by gradual relaxation of rules surrounding softer drugs across a third of the U.S as well as some states like Oregon even going so far as to decriminalise all hard drugs. Despite its later failure the initial effectiveness of this policy was quite astounding. Take for example the so called ‘War on Terror’, which caused a significant and permanent expansion to security in Airports and resulted in what many people now deem excessive curbs to civil liberties. To show one of the ways in which the Government used the framing of ‘war’ to their advantage you need look no further than the now infamous Patriot Act. The supposed ‘Patriot Act’ was passed shortly after 9/11 by the Bush Administration in an attempt to crack down on terror by introducing extensions to legal privileges on wiretapping, enhanced surveillance and further loss to civil liberties. The importance of language is emphasised by the government’s decision to use the name ‘Patriot Act’ which obviously suggests that the bill is being passed by sheer patriotic good will. The War effort against Terror become patriotic, and skeptics are deemed as unpatriotic deserters. This is a great case study of how the language of war is used to enable government policy, but also shows one of the ways in which this method can often be dangerous as it permanently reduced civil liberties of Americans and empowered government surveillance of private citizens.

The question then arises, could the War against Covid incur a 9/11 of Health Security and of Security in general – a major health crisis that allows a government to implement sweeping curbs on civil liberties? Such an example of exploitation of a crisis occurred under Viktor Orban’s quasi-fascistic government in Hungary where ‘Orban seized wide-ranging emergency powers and the ability to rule by decree’ according to the Conversation. This clearly shows how the governments often uses issues of ‘National Security’ and the framing of war to expand its power in this one particular example. The results of military rhetoric can also be seen with Donald Trump declaring his campaign against the ‘foreign virus’ from China and even Xi Jinping, himself, calling for a ‘people’s war’ against the virus. What unites these two men in their choice of language is their use of ‘the war against the virus’ for political gain. Trump declaring the virus to be ‘foreign’ and from China simultaneously allows him to take a jab at the rising Chinese Communist Party as well as further raise fear about immigrant populations within the U.S. Although, Xi Jinping’s government has also made equally outrageous claims that the virus originates from the U.S to further hatred towards America and the Western World and expectedly, fixates his language around the ideology of Communism with talks of a ‘people’s war’ against the virus. This highlights one of the central problems of ‘waging war against coronavirus’; that the government can often use the language of war nefariously to gain and expand political power by any means necessary. President Trump’s framing of the enemy as foreign and from China unfortunately resulted in a sharp rise in anti-Chinese attacks across America, showcasing blatantly the potential harm of war rhetoric.

However, more consequential examples across Europe occurred when the different Nations collectively decided that the appropriate response to ‘the threat of the invisible enemy’ was to impose exceptional measures such as lockdown and other general restrictions. Thus, issues of freedom of movement and decisions to open shops became matters of national security and subsequently were decided and policed by a new unrestricted government, a situation unthinkable a year ago. And still at the end of lockdown, as the public desperately cry out for freedom by any means, the government seeks to maintain the securitization of basic civil liberties through use of vaccine passports and even facial recognition to potentially limit your vaccine skeptical uncle from ever entering a pub again in his life. Once again, the process of securitisation and the government’s use of the language of war to facilitate this process highlights the importance of rhetoric and language of ‘war’ in producing a less tempered acceptable attitude towards difficult but important decisions in the public made by the government. The ability to make going to the pub or attending a public event an uncontroversial matter of health security truly speaks to the supreme power of rhetoric and propaganda.

Because of the media and government’s use of ‘war’ rhetoric and the subsequent securitisation of civil liberties, my generation has never known a world without barriers at Christmas markets, machine-gun wielding police at airports and mass government surveillance of private citizens and it now seems that our children will never know a world without vaccine passports at pubs and facial recognition at football games.


[1] This is not to make a statement on whether or not it is justified in each instance to curb civil liberties in the name of security.

Alexandra Carson: Her Muse

The light peeks shyly through the curtains, diamonds sunlight flows, glowing rainbow hues onto the walls and illuminating the French flat, revealing the chic interior that matches the Parisian streets. Hundreds of similar canvases, each with their expressive colours, a wooden easel with slight stains of red and the light slithers across the floor and climbs up the beige walls, the purple curtains and into the bedroom. It is the stage on which her ideas perform. Arisen from her slumber, the dark bobbed woman opens her eyes to the warmth masking her face. Her silk pyjamas slide across the bed as she slithers off to her feet. She makes contact with the freezing floor, silently stepping to her wardrobe, floating, to grab her light brown trench coat. She walks through the open space admiring her quirky furniture and her exciting art. Her portal of inspiration. From her window comes a refreshing gust of air, enlivening the senses and relaxing breath.

The city has a heart, a rhythm and a beat, its blood is its people, and its beat is the people walking, and she can feel this from her balcony. Her eyes are diligently watching over her city, her eyes moving from one person to another, examining each one. Who will be her next victim? She has never painted a boring person. Luckily the streets of Paris cannot produce one. Everyone flows with such grace, each with their own quirky style, not afraid to be an individual and yet fitting the aesthetic of her city. Walking across the road is an elderly lady with her silver hair shimmering in the suit, oversized sunglass making it seem as if she is some Hollywood actress and a monochrome pink outfit. A young blonde woman with a scarf tied into her hair, a dress overall layering her striped shirt ridding her green-blue bike with a wooden basket in the front containing some beautiful flowers; or the elderly gentleman walking with a skip in his step in his bright shirt and tie, beret, dark emerald suit and same coloured trousers that are short enough to show his brightly coloured socks that are long enough to reach into his trousers. Or the young man, she has seen him before; he walks past her flat every morning in his expensive suits, shined shoes and slicked-back hair. Like every other morning, he opens the door to the beautiful bakery; when looking, you’d think the glow was coming from the pastries. She should probably go there one day.

She remembers her first; it was where she gained her passion. It was like love at first sight. She met her first muse years ago when she was a starving artist on the streets of Paris, not a penny to her name, trying to make something of herself. Then he came to her; he saw her talent, and he pushed her to be more. He promised her all the fame in the world she’d be up there with Van Gogh and Picasso; people would flock to get a glimpse of the colour she used. But it never came. Their perfect little life was crumbling in front of them, was nothing they could do. The successes soon seemed so far away, and he blamed her. During the countless nights of arguing, he shouted and screamed insults to her face. To him, her talent disappeared. There was nothing to set her apart; she wasn’t an artist. She just painted.  And he just kept pushing her and pushing her and pushing her until she reached her limit; she hated painting. So the screaming stopped; he was gone. And so she dedicated the last picture to him. However, as it turned out, this was just the first of many. This painting helped her find her eccentric style and the obsession with putting life in her paintings.

The soul in her paintings caught the eye of many, and she was finally recognised for her talents in galleries; critics and fans herded around her artwork to just get a glimpse of the ruby red that characterised her canvas. The fame came at once, and she had the desire to recreate the success and feeling that came as a result of the first, but she was apprehensive. There was no way passion came from her unique process. She was terrified at the thought. And so she made recreations using different methods, and she hated it plain and simple. It wasn’t the same; there was no life in the photos, and models were terrible to work with. They thought they could manipulate her. What did they know about art? Nothing. It was easier this way. Her passion had returned, and the flame only grew brighter with her painting thrown on.

She stops her reminiscing and realises her coffee mug is empty, and so are the streets. It is time to return to the inside of her chamber to continue her work. The painting is always satisfying for her, it is like a form of meditation, and the end product is always worth it. The end product is beautiful, the satisfaction of creating something with her own two hands, everything from the brush strokes to the paint. Every person she paints is personal; she never uses the same paint twice; they are individuals with a story and a part in hers. Every time she picks up her paintbrush, she becomes part of it. She dips her brush in the sweet red sap, thin and flowing, as she circles the brush around. Slowly sliding her hand to the blank canvas, she begins the journey. Sliding her brush from one side to another feels like an elegant dance. She can do it so quickly now; she feels as if she knew this person. She did, but they did not. They were a young woman, tho older than her, with dark hair much like her own. She brings her hand down and round to show her long and thin face. She moves the dark gushing red to contour the face of her muse, her hooked nose and sunken, light eyes.

Stepping back, she admires her work, her eyes following every stroke. She has red paint all over her clothing and face; she loves how it feels, connecting with her artwork as one. The face is exactly as she remembers as if she was alive next to her as if it could speak to her.

She has a spot for her newest creation, and so she carefully hangs it up. She never waits for her paintings to dry. She loves how the red drips down as if it is the blood that flows in the body. She stares at it for a good few minutes; she feels like crying. Instead, she turns around to her workspace behind her and realises it’s time to clean up; the part she hates the most is when she realises the mess in her apartment. She grabs her pots brushes and walks back into the kitchen to grab her mortar and pestle filled with white powder she had ground previously and heads toward the bathroom. She always keeps it locked, and so while balancing the pots, brushes and mortar and pestle, she reaches into her trench coat pocket and brings out an old looking key; it is beautiful and intricate, much like her work. She slides the thin key into the keyhole and turns. Walking into the heavenly white bathroom in front of her is the sink and an antique mirror. She looks at herself, her pale skin, black eyes, and red over her face as if it was her blood. Bending down to the sink, she places everything that is in her hands in the basin. Watching as the water slowly purifies the deep red and black, her sins washed away, baptised into a new life. After cleaning, she sets them to her right to let them dry and then turns to her left. And to her left is her bath and in her bath is a body. A woman with dark hair, a hooked nose, dark and sunken eyes, the same red on her canvas, covered her walls and the woman. She bends down to her bath to ensure her dark eyes are in line with the lifeless ones in front of her, and in her sweet voice, she whispers, “I’m making you immortal, my muse.”

Helen Findlater: Let’s Fix This!

It is 2012, and in a clean, clinical room in Denmark, Angelea smokes crack cocaine to aid chronic pain in her left leg – the result of a serious car accident.  She brings her drugs to the smoking room; they are tested for purity under a microscope.  Constantly supervised by nurses, Angelea feels safe, dignified and respected.  Most importantly, she is given further resources to help; she has greater control over her future.

Mention the subject of drug addiction and most people think criminals.  Me?  I think victims: people with a medical condition that needs properly cared for.  Until we accept this definition the problem will only get worse.  So, how can we make it better?  How can we fix this?  One possibility, already having dramatic results on the continent, is fix-rooms, properly known as consumption rooms.  Fix-rooms are safe spaces where users can take illegal narcotics under supervision.  Fix-rooms already exist in Denmark, Switzerland, Holland and Canada.  Fix-rooms could help fix problems here in the UK.

The facility where we met Angelea earlier is called Skyen and it accommodates between 500 and 700 drug intakes per day.  This project has quite literally changed the way of life for over 5000 drug addicts in Denmark.  I would love to see similar projects running in the UK and I hope to convince you of the benefits of fix-rooms for the good of all.

Fix-rooms are safe and hygienic spaces for victims of drug addiction.  In the UK, in litter-strewn back streets and grubby hostels, addicts share drugs and needles.  The use of a fix-room gives drug addicts a haven, free from disease and infection.  By providing clean facilities and clean equipment (e.g. syringes), fix-rooms reduce injecting-risk behaviour (syringe sharing), ultimately reducing the risk of HIV transmission and fatal overdoses.

The UK now has the worst drug mortality rate in Europe: in 2017 Denmark recorded 237 overdose deaths whereas the UK recorded 3,256 – an unacceptable and avoidable loss of 3019 lives.  Scotland holds the unenviable prize of first place for the highest drug mortality rate in Europe – that’s a scandal of epic proportions and the fact that our UK neighbours, England and Wales, share third place is no consolation.  We are clearly getting our approach to drugs wrong in the UK.

Fix-rooms would be a step in the right direction for us since there has never been a recorded death in any of the 78 fix-rooms that exist on the continent!  They employ highly trained medical staff who care for the needs and the safety of the victims of drug addiction.  If something goes wrong they are there to administer antidotes and immediately resuscitate the patients.  Surely in Scotland, with its harsher climates and notoriously poorer diet (which contribute to our poor health), there is an even greater need for facilities like these to help reduce our drug deaths?

Many would argue that fix-rooms encourage illegal drug use but this is nonsensical since no one (except a drug user) would appear at the door of what is effectively a clinic seeking to become a drug user!  Views like that are symptomatic of the failures in drug policy that fix-rooms would go a long way to repairing!  If we stopped criminalising addicts and increased their access to health and social care services then we might just start to get things fixed.

According to a survey conducted by the International Network of Drug Consumption, 78% of professional groups represented in fix-room teams are social workers.  A Canadian cohort study showed that the use of a Vancouver fix-room was associated with increased rates of people referred to addiction care centres and increased rate of the uptake of detoxification treatments.  Fix-rooms don’t take away the significance of addiction aid; they support, promote and provide care.

Wouldn’t you like to walk into the city centre or a park without worrying about discarded syringes?  Introducing fix-rooms significantly reduces public drug use, discarded syringes and wider societal impact.  Before Skyen opened as many as 10,000 syringes were found on the streets of Vesterbro – this significantly decreased to 1000 after a year of its opening.  Not only would our streets be safer for everyone, but we would also significantly reduce the pressure on our emergency services.  There would be fewer calls to the police regarding public drug use, and fewer ambulance call-outs related to overdoses.  Fix-rooms have proven that their use can significantly reduce the financial and social burden on society associated with drug addiction.

To addicts, fix-rooms are a god-send, however many in power believe they aren’t of any use despite the clear evidence to the contrary.  The Home Office has dismissed the positive prospects of fix-rooms and parroted the old lies about them becoming a focus ‘of crimes’ and are intent on continuing their plans for more treatment facilities and more focus on disrupting drug supplies – the much-fabled war on drugs that has failed time and time again!  Their words are also quite hollow since they have repeatedly cut treatment budgets causing a 26% rise in drug-related deaths in England (2013-2016).  Steve Rolles, a senior policy analyst at the Transform Drug Policy Foundation, which campaigns for the legalisation and Government regulation of drugs, said: “The idea that eradication or a drug free society can be achieved through enforcement is clearly ridiculous.”  The harsh reality is that the government are blind to the real problems of addicts and are determined to criminalise and demonise them rather than assist them in combating their conditions. Short-sighted government policies that continue to criminalise drug addicts and condemn them to suffer in the crippling conditions associated with dependence mean that we will never solve the problem.  We need to change the focus from criminal to care.

By accepting the need for health services to be the lead focus in drug addiction and funding fix-rooms we could dramatically reduce the number of fatal overdoses, discarded syringes and reduce the risk of HIV among vulnerable and desperate people in need of our support.  We could decrease the number of drug-related emergency call outs and increase the number of addicts referred to treatment facilities.  I accept that there is no magic-bullet solution to fix this but fix-rooms are a positive step in the right direction and they would, most certainly, dramatically reduce drug-related crime and drug-related deaths . . . and surely that’s worth fixing!

Bibliography

https://www.bbc.co.uk/news/magazine-38531307

How ‘fixing rooms’ are saving the lives of drug addicts | Mattha …www.theguardian.com › world › commentisfree › nov › fixing-rooms…

Why ‘fix rooms’ might be an answer to Scotland’s drug …news.stv.tv › politics › 1437423-drug-fix-rooms-should-be-introduce…

UK government rejecting ‘fix rooms’ in Glasgow ‘stands in the …www.dailyrecord.co.uk › News › Scottish News › Drugs

http://www.emcdda.europa.eu/system/files/publications/2734/POD_Drug%20consumption%20rooms.pdf

http://www.emcdda.europa.eu/countries/drug-reports/2019/spain_en

https://www.independent.co.uk/news/uk/politics/dark-web-darknet-dark-net-war-drugs-futile-uk-largest-online-drugs-market-europe-silk-road-fbi-cannabis-cocaine-heroin-a7183141.html

Nina Snedden: Tyler, The Creator – Flower Boy or Goblin?

Flashing the words ‘Flower Boy’ on screens behind him, the artist, Tyler, the Creator appears determined to embody this title. Dressed in a pair of yellow shorts, a blue printed shirt and neon pink cap, he seems to be blooming; his goofy allure evident from the boldness of his choice of attire. There is a certain warmth which radiates from the strength of his presence: zany, eccentric and unpredictable. Lounging across his vibrant stage set, with its certain dream-like quality, Tyler offers refuge from the band of drugged-up, monotonous mumble rappers which headlined Longitude 2018. The screens go black. A cluster of rainbow lights pulsate before an idyllic scene appears; a light blue sky, flecked with the palest of candy pink clouds, an assortment of large and assertive trees and him. A single flower.

Hardly the archetypal criminal… yet in the summer of 2015, whilst attempting to enter the UK for a run of festival performances, despite being in the country just 7 weeks earlier, Tyler was turned away at the border and banned from Britain for 3 to 5 years by then-Home Secretary, Theresa May. Government documents specifically cite lyrics from five songs – ‘Tron Cat’, ‘Blow’, ‘VCR’, ‘Sarah’ and ‘French’ – from Tyler’s first two projects and explain that he was banned under the terms of Home Office policy on ‘behaviours unacceptable in the UK’ – a set of guidelines formed in 2005 to try to prevent suspected terrorists from entering Britain. Tyler is said to have been banned for ‘unacceptable behaviour by making statements that foster hatred, which might lead to inter community violence in the UK’, with his albums B******, in 2009, and Goblin, in 2011, labelled in documentation justifying the ban as ‘based on the premise of adopting a mentally unstable alter ego who describes violent physical abuse, rape and murder in graphic terms which appears to glamorise this behaviour’ and seeming to encourage ‘violence and intolerance of homosexuality’. This wasn’t the first time Tyler has had trouble entering a country. In 2014, he was banned from New Zealand for posing a ‘threat to the public order and the public interest’, and in early 2015 he became the subject of a large public campaign by Australian feminist group ‘Collective Shout’, who referenced early song lyrics in an effort to ban him from entering the country, leading to Tyler’s Australian tour being derailed. Is there any truth to the claims of the supposed ‘threat’ which Tyler poses? How can two such contrasting images of the same artist co-exist?

In an interview with The Guardian in September 2015, Tyler himself admitted that much of the work in question was written when he was ‘super-young’ when ‘no one was listening’. It is undoubtedly true that Goblin, and perhaps even more so B****** (Tyler’s first mixtape), upon first listen appear a nauseating stream of gore and horror, created for the sole purpose of shocking the audience. Songs like ‘Sarah’, ‘French’ and ‘VCR/Wheels’, diabolically twisted and loaded with graphic violent references and homophobic slurs – even 10 years after their release – still don’t sit quite right with me. However, it is important to note that these two projects form part of a trilogy. The third project in Tyler’s trilogy, ‘Wolf’, is the key to understanding his early releases. A far more mature Tyler, ever the ‘walking paradox’, grapples with deeply rooted psychological problems on ‘Wolf’ set to smooth dreamy simple beats. On ‘Answer’, Tyler appears more vulnerable than ever before, addressing his estranged father and bragging about all he’s achieved without him, whilst still praying that if he ever calls his father answers. Tyler also explores the loss of his grandmother, rapping on ‘Cowboy’, ‘ain’t been this sick since brain cancer ate my granny up’, before battling issues with fame and wealth on ‘Colossus’ and ‘Cowboy’ when he raps ‘You’d think all this money would make a happy me, but I’m ‘bout as lonely as crackers that supermodels eat.’ On the penultimate track of the album, ‘Lone’, the storylines of B******, Goblin and Wolf finally come together in a therapy session, with alter ego Dr TC asking ‘So, what’s going on, Wolf? Talk to me, man…what’s on your mind?’ It then becomes clear that the graphic violent images portrayed on Tyler’s earlier projects, through the medium of alter egos, have originated from a mentally unstable mind, whilst talking to a therapist. In the video for ‘Sam (is dead)’, we see Tyler shooting himself three times, leaving three dead Tylers on the floor, representing the death of his alter egos, Ace, Tron Cat and Wolf Haley. The track title also suggests Tyler has already killed the alter ego, Sam. In this way, Tyler’s complex concept album, Wolf, explains the inner turmoil which prompted the creation of such dark alter egos on B****** and Goblin, transforming Tyler from villainous brute to misunderstood misfit; whilst the track ‘Sam (is dead)’ shows Tyler maturing and killing off his dark thoughts to allow for his future brighter albums, Cherry Bomb and Flower Boy, on which Tyler eventually transcends his darkness to emerge into the light by coming out as gay. It is clear that this beautiful, intricately constructed exploration of the complexities of the human condition was lost upon Theresa May, and many other detached listeners, as Tyler seems to reflect on the track ‘Glitter’ on his most recent album, which ends ‘we didn’t get your message, either because you were not speaking or because of a bad connection.’

This sort of investigation into our humanity is a commonplace of literature and film, recurrent throughout history, so why is it that when this same topic is approached by a rapper it is immediately attacked? Although not a traditional medium, rap is still a means of expression and art, communicating to a whole new generation; an art form judged by Theresa May, based purely upon presumption and ignorance. Rap is a genre with a long history of positive influence – from the anti-drug message broadcast to millions of youths on ‘Say No Go’ by De La Soul, to the reality of inner-city poverty and crime revealed in ‘The Message’ by Grandmaster Flash – and an even greater potential for influencing the youth of today. Yet it has long been cloaked in the negative guise of a testosterone fuelled bombast by those who do not listen to, or understand, or wish to understand the sentiments expressed in the music. If Tyler’s same concepts had been expressed through the medium of opera, traditionally perceived to be a far more ‘intellectual’ form, would he have been attacked with such fervour? Or would he have been attacked at all? ‘The Rape of Lucretia’, an opera by Benjamin Britten, in which the voice of ‘Sextus Tarquinius’, a rapist, is adopted was not only not banned, but was in fact met with praise from critics. Surely this proves the deeply unjust and snobbish mistreatment of Tyler, and more broadly of rap as an art form. Art should be provocative and controversial. It is a means of pushing boundaries and re-defining societal norms. Why should this responsibility be reserved solely for orthodox mediums? Tyler himself queried ‘Why don’t they ban authors? Writers who write these mystery books about people getting raped and sabotaged and murdered and brainwashed – why don’t they ban them?’ Marquis de Sade’s books, notorious for their misogyny, sadism and gruesome details, are still widely available for consumers. Yet Tyler was detained for a piece of art, a dissection of human nature. It is undoubtedly wrong to restrain an artist’s expression in this manner. Tyler himself reflects this, stating ‘Now freedom of art and speech are at hand.’ In our current political climate, surely there are larger threats to British peace than a young artist’s means of self-expression, discovery and acceptance?

There is a particular, inane irony that it should have been Theresa May who made this ‘moral judgement’ on behalf of the country. This is a woman who, since becoming Prime Minister, has cowered to the will of Donald Trump, proclaiming her faith in her ‘special relationship’ with a man who actively facilitates hate. If May’s desire to protect LGBTQ rights is so strong, why is it that she prances about with Trump, whose transgender military ban does anything but offer support for the community? The implications of Tyler’s homophobia appear even more comical following his own ‘coming-out’, made explicit on his recent album Flower Boy. Yet, even prior to this, these accusations were largely nonsensical, clearly coming from a place of blatant ignorance. OFWGKTA, a hip-hop collective founded in 2007 by Tyler, himself, boasts notable LGBTQ alumni, Frank Ocean and Syd, with whom Tyler has repeatedly collaborated closely and undoubtedly regards as close friends. The profound hypocrisy of Theresa May’s stance becomes clear given the fact that her own past concerning LGBTQ issues is partially marred with murk. In 2010, May’s first act as Home Secretary was to ensure that public bodies did not have to actively try to reduce inequality. Whilst just last year, May hosted Ugandan MP, Jovah Kamateeka, who hopes to pass an anti-homosexuality law in Uganda which would introduce life-long imprisonment for gay and lesbian couples. Tyler, based on deliberately provocative acts of rebellion and artistic expression from his teenage years, which, unlike those of most teens, were lived under the microscope of the media, has been identified, targeted and morphed by May into a scapegoat for societal evils which he does not, and has not ever represented. May’s eagerness to seize the opportunity to vilify a young black gay artist, who is in fact blooming into an ironic gay icon for this generation, may be evidence of her ongoing, innate discomfort with the LGBTQ community.

May’s chequered past with LGBTQ issues – voting in 1998 against the reduction of the age of consent for homosexual acts from eighteen to sixteen to bring equality to the law affecting heterosexual and homosexual acts, voting against a Bill allowing gay couples to adopt in 2002 and remaining absent from four votes on the Gender Recognition Bill in 2004, before finally voting to introduce Civil Partnerships for LGBT couples in 2004 – suggests her act was a means of disguising her past disapproval of homosexuality. With the drastic evolution of May’s own stance, her decision to deprive an artist, who carries the possibility of creating a massive positive influence upon the youth of today, from the opportunity of sharing his own evolution with the public, is baffling. Was this evolution simply a convenient mask which May wore to fit in with David Cameron’s more ‘inclusive’ brand of Conservatism? Was her ban an act of good will or merely a quest for a tangible villain? May’s actions seem likely to have been a means of ‘proving’ her progressive thinking on LGBTQ issues to the world by banning someone who seemed to be attacking the community; an act which she undertook without bothering to take into account the whole truth behind Tyler’s body of work, and an act which, in fact, ironically ended in attacking a member of the LGBTQ community.

Was the decision to ban Tyler from the UK ultimately a reflection of an ultra-sensitive, overly-prescribed society, in which influential people keen to be seen to be doing the ‘right thing’ act on knee-jerk reactions and superficial interpretations rather than really listening to what ‘provocative’ artists are trying to say? Tyler conveys this himself, explaining, ‘It’s like the world is scared of everything. I feel like everyone is so sensitive to everything, and if they don’t like something it’s like: Oh my God, I don’t like the colour yellow – let’s get yellow banned from every country, let’s sign a petition – let’s start a hashtag to make sure this colour is never seen, because I don’t like it and I don’t understand it.’ And this is what Tyler wants to do – paint the world yellow, inspire and excite fans. From the nauseating darkness of his Goblin days, to the brightness and optimism of Flower Boy, his evolution is a potent one, reflecting the reality of the vagaries of life, and the struggle with acceptance of one’s sexuality. Who would’ve thought that the obscenity-filled works of B****** and Goblin would plant the seeds for Flower Boy to grow? Whether it be telling ‘black kids they can be who they are’ on ‘Where This Flower Blooms’ or supporting the Black Lives Matter Movement on ‘Foreword’, Tyler truly has bloomed into a role model for his fans.

2127 Words

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